Mon amant de Saint-Jean Le Poème Harmonique, Stéphanie dOustrac & Vincent Dumestre

• Ted Grouya (1910 - 2000), Georges Martine: J'ai perdu ma jeunesse:
• 1 Grouya, Martine: J'ai perdu ma jeunesse 04:03
• Marin Marais (1656 - 1728): Les voix humaines:
• 2 Marais: Les voix humaines 03:35
• Anonymous: Dans mon jardin à l'ombre:
• 3 Anonymous: Dans mon jardin à l'ombre 03:27
• La fille au roi Louis:
• 4 Anonymous: La fille au roi Louis 04:37
• Johann Vierdanck (1605 - 1646): Canzona in C major:
• 5 Vierdanck: Canzona in C major 05:50
• Claudio Monteverdi (1567 - 1643): Lamento d'Arianna, SV 22:
• 6 Monteverdi: Lamento d'Arianna, SV 22: 1. Lasciatemi morire 08:53
• Francesco Cavalli (1602 - 1676): L'Egisto, Act II:
• 7 Cavalli: L'Egisto, Act II: 1. Lasso io vivo 04:11
• Paul Marinier (1866 - 1953): D'elle à lui:
• 8 Marinier: D'elle à lui 03:37
• Paul Delmet (1862 - 1904): Les petits pavés:
• 9 Delmet: Les petits pavés 05:30
• Charles André Cachan (1896 - 1955): Où sont tous mes amants ?:
• 10 Cachan: Où sont tous mes amants ? 03:20
• Raymond Legrand (1908 - 1974): Les Nuits d'une demoiselle:
• 11 Legrand: Les Nuits d'une demoiselle 02:27
• Mlle Thérésa (1848 - 1913), Léon Fossey (1829 - 1877): Les Canards tyroliens:
• 12 Thérésa, Fossey: Les Canards tyroliens 02:55
• Ralph Carcel (ca. 1910 - 1968): Le tango stupéfiant:
• 13 Carcel: Le tango stupéfiant 03:12
• Emile Carrara (1915 - 1973): Mon amant de Saint-Jean:
• 14 Carrara: Mon amant de Saint-Jean 03:49
• Total Runtime 59:26

Info for Mon amant de Saint-Jean

Fascinated by the interplay of echoes from one past to another, Vincent Dumestre and Stéphanie d’Oustrac found an affinity in the project Mon Amant de Saint-Jean , their very first collaboration, and aimed to make it a unique musical adventure: a recital in which the atmosphere of the chansons of the Années Folles infuses early music with its sweet madness. In 1904, the great cabaret singer Yvette Guilbert was invited to the home of the Casadesus family, the founders of the Société des Instruments Anciens (Early instrument society): the Baroque fraternised with the café-concert. Around the same time, in the revue Paris qui chante, an aria by Scarlatti rubbed shoulders with the coarse language of Aristide Bruant and Paulin, while Gaston Dumestre, a singer at the cabaret Le Chat Noir (and one of Vincent’s ancestors!), sang chansons réalistes while accompanying himself on the theorbo presented to him by Oscar II of Sweden: ‘It is in language that we must seek the common driving force. These cabaret singers relished a very special flavour, a vigour, a raciness in the words of the Baroque era’, concludes Vincent Dumestre.

Stephanie d'Oustrac, mezzo-soprano
Le Poeme Harmonique
Vincent Dumestre, Theory, direction

Stéphanie d'Oustrac
From a very young age, Stéphanie d’Oustrac – Francis Poulenc’s great grandniece – started dedicating herself to music and the stage. With her intense presence on stage, her generous personality and her impeccable figure, Stéphanie d’Oustrac has become one of the most outstanding mezzos of her generation.

Her early career was notably devoted to the baroque repertoire. William Christie was the first to discover her talents as a singer and as an actress, and offered her her first tragic roles: Médée in Thésée by Lully and Psyché in Les Métamorphoses de Psyché (Lully-Quinault / Molière – Corneille). She has sung Médée by Charpentier conducted by Hervé Niquet (DVD, Armide Classics), Monteverdi’s trilogy with Jean-Claude Malgoire, Dido and Aeneas with William Christie, Sosarme at Saint Gallen, Les Paladins at the Théâtre du Châtelet (DVD Opus Arte), at the Barbican Center, in Shanghai and in Tokyo, Armide (title role) by Lully at the Théâtre des Champs Elysées (DVD Fra Musica), Alcina (Ruggiero) at the Opéra de Lyon, Giulio Cesare at Glyndebourne Festival, in Marseille and Nancy, Orphée et Eurydice at the Théâtre royal de la Monnaie…

Her perfect diction soon drew public attention and she has now become one of the most sought-after singers in the French repertoire. Her much acclaimed performances in Médée and Armide inevitably led her to Carmen, first at the Opéra de Lille where critics praised her for her debut and then in David McVicar’s production at the Glyndebourne Festival. She has also sung Les Contes d’Hoffmann (la Muse, Nicklausse) at the Opéra de Lausanne, L’Étoile (Lazuli) by Chabrier at the Opéra Comique and at the Dutch National Opera in Amsterdam, L’Enfant et les Sortilèges and L’Heure espagnole at the Glyndebourne Festival (DVD Fra Musica) and at the Teatro all’Opera in Rome, Dialogues des Carmélites (Mère Marie) at the Opéra d’Avignon, Pelléas et Mélisande at the Angers-Nantes Opera and Béatrice et Bénédict at La Monnaie in Brussels.

Mozart’s operas also have a very special place in Stéphanie d’Oustrac’s repertoire, as she has sung them on many major Opera stages around the world: Le Nozze di Figaro (Cherubino) in Tokyo, La Clemenza di Tito at the Opéra national de Paris, at the Opéra du Rhin, at the Festival d’Aix-en-Provence, in Baden Baden and in Luxembourg, Così fan tutte (Dorabella) at the Opéra national de Paris, Idomeneo (Idamante) at the Dutch National Opera in Amsterdam.

Her artistic personality appeals to prestigious stage directors such as Calixto Bieito, Robert Carsen, Romeo Castellucci, Mariame Clément, Willy Decker, Jérôme Deschamps, Andreas Homoki, Yannis Kokkos, Jan Lauwers, David McVicar, Laurent Pelly, Bruno Ravella, Jean-François Sivadier, Dmitri Tcherniakov, Jean-Marie Villegier… as well as to the most respected conductors such as Alain Altinoglu, Myung-Whun Chung, James Conlon, Alan Curtis, Ottavio Dantone, Sir Colin Davis, Stéphane Denève, Charles Dutoit, Sir John Eliot Gardiner, Philippe Jordan, Jesus Lopez Cobos, Marc Minkowski, Ludovic Morlot, John Nelson, Tomas Netopil, Kazushi Ono, Jérémie Rhorer, Michael Schønwandt…

Stéphanie d’Oustrac regularly appears in concert: Mozart’s Requiem with the Orchestre National de France and the Orchestre de Paris, Mozart’s Great Mass in C minor conducted by John Nelson, Giovanna d’Arco by Rossini with the Orchestre d’Avignon, Les Nuits d’été with the Orchestre national de Lyon, the Orchestre de Chambre de Paris and the Warsaw Philharmonic Orchestraand La Mort de Cléopâtre with the Orchestra of the Age of Enlightenment and the Orchestre de Paris, L’Enfance du Christ with the Orchestre National de France and at La Monnaie in Brussels, Les Chants d’Auvergne by Canteloube with the Orchestre national de Lille at the Concertgebouw in Amsterdam, La Voix Humaine with the Orchestre National du Capitole of Toulouse, Shéhérazade with the Radio-Sinfonieorchester of Stuttgart and the Orchestre National de France, El amor brujo at the BBC Proms with the Royal Philharmonic Orchestra, La Mort de Cléopâtre with the Berliner Philharmoniker, Oedipus Rex in Madrid…

She has also been performing in recital, mainly since 1994 with her close pianist friend Pascal Jourdan, with whom she recorded a CD (Ambronay) dedicated to French melodies, « Invitation au Voyage ».

Amongst her recordings, let us mention among others Atys (DVD Fra Musica), Carmen (DVD Opera de Lille), Ariadne auf Naxos, Lieder & Canzonetta by Haydn with Aline Zylberajch (Ambronay), L’Heure espagnole and Shéhérazade by Ravel (SWR Music)…

Stéphanie d’Oustrac has won several awards: Prix Bernac (1999), Radios Francophones (2000), Victoires de La Musique (2002), Gramophone Editor’s Choice for the Haydn CD (2010).

More recently, Stéphanie d’Oustrac made her debut in Werther (Charlotte), acclaimed by the critics, at the Opéra national de Lorraine and in concert in Lyon, in Les Troyens (Cassandre) at the Opéra national de Paris in a new production by Dmitri Tcherniakov. She sang Theodora (Irene) at the Théâtre des Champs-Elysées (DVD Erato), at the Brooklyn Academy of Music in New York and at the Concertgebouw in Amsterdam, L’Heure espagnole (Concepcion) and L’Enfant et les Sortilèges (la Chatte, l’Ecureuil) at the Teatro alla Scala in Milan, Béatrice et Bénédict (Béatrice) at the Glyndebourne Festival and in concert version at the Opéra de Paris, La Clemenza di Tito (Sesto) with MusicAeterna directed by Teodor Currentzis in Bremen, Geneva, Dortmund, at the Théâtre des Champs-Elysées and in Wroclaw, but also at the Opéra de Paris and at the Liceu in Barcelona, L’Incoronazione di Poppea (Ottavia) in Zurich and at the Salzburg Festival, Médée by Charpentier (title role) at the Opernhaus Zürich, Carmen at the Aix-en-Provence’s Festival in a new production by Dmitri Tcherniakov and at the Teatro Real in Madrid staged by Calixto Bieito as well as at the Dallas Opera and at the Oper Köln, Les Contes d’Hoffmann (la Muse, Nicklausse) at the Opéra de Paris, Il Barbiere di Siviglia (Rosina), L’Aiglon (title role) at the Opéra de Marseille, Hippolyte et Aricie (Phèdre) in Zurich and in concert version at the Théâtre des Champs-Elysées…

Her future projects include Carmen at the théâtre royal de la Monnaie in Brussels, in Strasbourg, Werther (Charlotte)in Monte-Carlo, Mignon (title role) at the Opéra Royal de Wallonie,the Tudortrilogyat the Grand Théâtre de Genève, La Voix humaine in Glyndebourne, La Périchole at the Opéra Comique, Armide by Lully with Le Poême harmonique, Dialogues des Carmélites in Munich.

In concert, she will sing Le Poème de l’Amour et de la Mer with the National Philharmonic of Russia, Shéhérazade with the NHK Symphony Orchestra and Iphigénie en Aulide avec Le Concert de la Loge… She will give recitals in Zurich, Lille, Paris, Brussels…

Booklet for Mon amant de Saint-Jean