Rameau: Achante et Céphise Sabine Devieilhe, Cyrille Dubois, David Witczak, Judith van Wanroij, Les Ambassadeurs & Alexis Kossenko

• Jean-Philippe Rameau (1683 - 1764): Achante et Céphise:
• 1 Rameau: Achante et Céphise: Ouverture 04:42
• Achante et Céphise, Act 1:
• 2 Rameau: Achante et Céphise, Act 1: Ritournelle 00:42
• 3 Rameau: Achante et Céphise, Act 1: "Céphise !" (Achante, Céphise) 01:02
• 4 Rameau: Achante et Céphise, Act 1: "Tendres amants, consolez-vous" (Zirphile) 01:21
• 5 Rameau: Achante et Céphise, Act 1: "Quel espoir peut nous consoler ?" (Zirphile, Céphise) 01:33
• 6 Rameau: Achante et Céphise, Act 1: "Des dieux la sagesse profonde" (Zirphile, Choeur) 01:21
• 7 Rameau: Achante et Céphise, Act 1: "Vaine espérance, hélas !" (Céphise, Zirphile) 00:40
• 8 Rameau: Achante et Céphise, Act 1: "Par le pouvoir secret de cet anneau magique" (Zirphile, Achante, Céphise) 01:58
• 9 Rameau: Achante et Céphise, Act 1: Air gracieux 01:39
• 10 Rameau: Achante et Céphise, Act 1: "Que la sympathie a d'attraits !" (Une Fée) 00:41
• 11 Rameau: Achante et Céphise, Act 1: Première et deuxième gavotte 02:04
• 12 Rameau: Achante et Céphise, Act 1: "Adieu, conservez bien ce gage" (Zirphile, Achante, Céphise, Choeur) 01:58
• 13 Rameau: Achante et Céphise, Act 1: "Non, je ne serai point impunément jaloux !" (Le Génie, Céphise) 02:09
• 14 Rameau: Achante et Céphise, Act 1: "Triomphez belle Céphise" (Deux Coryphées, Choeur) 01:52
• 15 Rameau: Achante et Céphise, Act 1: Entrée des Suivants du Génie 01:34
• 16 Rameau: Achante et Céphise, Act 1: "L'inconstance renouvelle" (Premier Coryphée) 00:40
• 17 Rameau: Achante et Céphise, Act 1: Loure 02:48
• 18 Rameau: Achante et Céphise, Act 1: "D'une jeunesse éternelle" (Deuxième Coryphée) 00:45
• 19 Rameau: Achante et Céphise, Act 1: Premier et deuxième air en mouvement de chaconne vive 03:12
• 20 Rameau: Achante et Céphise, Act 1: Premier et deuxième tambourin 01:26
• 21 Rameau: Achante et Céphise, Act 1: "Un immortel vous cède la victoire" (Deux Coryphées) 00:40
• 22 Rameau: Achante et Céphise, Act 1: "De l’amant qui vous adore" (Premier Coryphée) 00:38
• 23 Rameau: Achante et Céphise, Act 1: "Un immortel vous cède la victoire" (Choeur) 00:44
• 24 Rameau: Achante et Céphise, Act 1: "A sa voix, les vents en fureur" (Deux Coryphées) 00:33
• 25 Rameau: Achante et Céphise, Act 1: "Un immortel vous cède la victoire" (Choeur) [Reprise] 00:37
• 26 Rameau: Achante et Céphise, Act 1: "Achante, où sommes-nous ?" (Céphise, le Génie) 01:56
• 27 Rameau: Achante et Céphise, Act 1: "Ah que mes sens sont soulagés !" (Céphise, Achante, le Génie) 01:59
• 28 Rameau: Achante et Céphise, Act 1: "Le temple de l'Amour est voisin de ces lieux" (Achante, Céphise) 01:21
• Achante et Céphise, Act 2:
• 29 Rameau: Achante et Céphise, Act 2: Prélude vivement 00:16
• 30 Rameau: Achante et Céphise, Act 2: "Amour, je ne viens point au pied de ton autel" (Le Génie) 02:13
• 31 Rameau: Achante et Céphise, Act 2: "Amour, écoutez nos vœux" (Choeur) 00:32
• 32 Rameau: Achante et Céphise, Act 2: "Au culte du dieu du bonheur" (La Grande Prêtresse, Prêtresses, choeur) 01:29
• 33 Rameau: Achante et Céphise, Act 2: "Tout rend hommage" (La Deuxième Prêtresse, Prêtresses, choeur) 02:06
• 34 Rameau: Achante et Céphise, Act 2: "Vous voyez deux tendres amants" (Achante, la Grande Prêtresse) 01:04
• 35 Rameau: Achante et Céphise, Act 2: "Notre arrêt va se prononcer" (Céphise, Achante) 01:24
• 36 Rameau: Achante et Céphise, Act 2: "Le jour où tous les cœurs rendront grâce à l'amour" (La Grande Prêtresse) 00:47
• 37 Rameau: Achante et Céphise, Act 2: "Le jour où tous les cœurs rendront grâce à l'amour" (Céphise, Achante) 00:50
• 38 Rameau: Achante et Céphise, Act 2: "Non, il n'est point de coeurs contents" (Choeur) 00:33
• 39 Rameau: Achante et Céphise, Act 2: "Achante, quels accents !" (Céphise, Achante) 00:44
• 40 Rameau: Achante et Céphise, Act 2: "Amants qui vous fuyez, cessez de vous contraindre" (Céphise) 01:19
• 41 Rameau: Achante et Céphise, Act 2: "Avant de se réunir" (Achante) 00:41
• 42 Rameau: Achante et Céphise, Act 2: "Pourquoi fuir ainsi les pas" (Achante, Délie, Céphise) 00:23
• 43 Rameau: Achante et Céphise, Act 2: "Dois-je regretter un volage" (Délie) 00:36
• 44 Rameau: Achante et Céphise, Act 2: "Est-ce un crime que d’enflammer" (Achante) 00:30
• 45 Rameau: Achante et Céphise, Act 2: "Laissez-vous entraîner" (Achante, Délie, Choeur) 01:08
• 46 Rameau: Achante et Céphise, Act 2: Musette 01:11
• 47 Rameau: Achante et Céphise, Act 2: Premier et deuxième menuet I 02:08
• 48 Rameau: Achante et Céphise, Act 2: "Chassons de nos plaisirs tranquilles" (Une Bergère) 01:02
• 49 Rameau: Achante et Céphise, Act 2: Première et deuxième gavotte 01:47
• 50 Rameau: Achante et Céphise, Act 2: "Ne puis-je inspirer que l'effroi ?" (Le Génie, Céphise, Achante) 02:26
• 51 Rameau: Récit et choeur: "Pour célébrer ce jour" (Le Génie, Choeur) 01:07
• 52 Rameau: Achante et Céphise, Act 2: Entrée des chasseurs et des chasseresses 01:56
• 53 Rameau: Achante et Céphise, Act 2: Premier, deuxième et troisième rigaudon 02:00
• 54 Rameau: Achante et Céphise, Act 2: Entracte 01:51
• 55 Rameau: Achante et Céphise, Act 2: "L'Amour est heureux par lui-même" (Un Chasseur) 01:23
• 56 Rameau: Achante et Céphise, Act 2: Premier et deuxième menuet II 02:10
• 57 Rameau: Achante et Céphise, Act 2: Air vif 00:43
• 58 Rameau: Achante et Céphise, Act 2: "Bergères, dans le temple, emmenez cette amante" (Le Génie) 00:55
• 59 Rameau: Achante et Céphise, Act 2: "Enfin, mon cœur est désarmé !" (Le Génie, Achante, Céphise) 02:45
• 60 Rameau: Achante et Céphise, Act 2: "Aquilons volez à ma voix !" (Le Génie, Achante, Céphise) 00:51
• 61 Rameau: Achante et Céphise, Act 2: Plainte 01:09
• Achante et Céphise, Act 3:
• 62 Rameau: Achante et Céphise, Act 3: "Tremblez, tremblez malheureux" (Le Génie, Achante, Céphise, Choeur) 03:37
• 63 Rameau: Achante et Céphise, Act 3: "Hélas, hélas ! Vous pouvez m’opprimer" (Le Génie, Achante, Céphise) 00:56
• 64 Rameau: Achante et Céphise, Act 3: "Soyons unis jusqu'au tombeau" (Céphise, Achante, le Génie) 01:36
• 65 Rameau: Achante et Céphise, Act 3: "Haine implacable, guide leurs pas" (Le Génie, Achante, Choeur) 00:41
• 66 Rameau: Achante et Céphise, Act 3: Air très vif 01:13
• 67 Rameau: Achante et Céphise, Act 3: "Haine implacable, guide leurs pas" (Le Génie, Céphise, Achante, Choeur) 00:54
• 68 Rameau: Achante et Céphise, Act 3: "Zirphile est notre reine" (Choeur) 01:05
• 69 Rameau: Achante et Céphise, Act 3: "Triomphe ! victoire !" (Zirphile, Céphise, Achante, Choeur) 02:25
• 70 Rameau: Achante et Céphise, Act 3: "Des plus beaux nœuds que l'amour ait formés" (Zirphile, Achante) 01:26
• 71 Rameau: Achante et Céphise, Act 3: "Triomphe ! Victoire !" (Céphise, Zirphile, Achante, deux Coryphées, Choeur) 01:47
• 72 Rameau: Achante et Céphise, Act 3: Air pour les Génies et les Fées 00:59
• 73 Rameau: Achante et Céphise, Act 3: Air pour les Esprits aériens 01:44
• 74 Rameau: Achante et Céphise, Act 3: "Où suis-je ? Et qu'est-ce que je vois ?" (Zirphile, Choeur) 01:14
• 75 Rameau: Achante et Céphise, Act 3: "Rassurez-vous. Le ciel, favorable à la terre" (Zirphile) 00:37
• 76 Rameau: Achante et Céphise, Act 3: "Grâces qui suivez sa mère" (Deux Coryphées) 01:33
• 77 Rameau: Achante et Céphise, Act 3: Musette en rondeau 01:39
• 78 Rameau: Achante et Céphise, Act 3: "Résonnez tendres musettes" (Une Bergère, un Berger, Choeur) 02:42
• 79 Rameau: Achante et Céphise, Act 3: Entrée pantomime 01:26
• 80 Rameau: Achante et Céphise, Act 3: "Aigle naissant, lève les yeux" (Achante) 04:01
• 81 Rameau: Achante et Céphise, Act 3: Premier et deuxième menuet 03:56
• 82 Rameau: Achante et Céphise, Act 3: Pantomime 01:41
• 83 Rameau: Achante et Céphise, Act 3: "À nos concerts que la terre réponde" (Céphise, Zirphile, Achante, deux Coryphées, Choeur) 01:13
• 84 Rameau: Achante et Céphise, Act 3: "Lance tes feux, naissante aurore" (Céphise) 02:37
• 85 Rameau: Achante et Céphise, Act 3: "Vive la race de nos rois" (Choeur) 04:08
• Total Runtime 02:09:44

Info for Rameau: Achante et Céphise

An opera of adventurous and lavish scope, Rameau’s magical Achante et Céphise receives its world premiere recording – 270 years after its staged premiere at the Académie royale de musique in celebration of the birth of Louis XV’s grandson. The first French opera to feature clarinets, it offers a rich sequence of choruses, ballets and virtuoso ariettes and opens with a celebratory overture which includes a graphic musical depiction of a fireworks display. Alexis Kossenko conducts tenor Cyrille Dubois and soprano Sabine Devieilhe in the title roles, Les Ambassadeurs – the orchestra he founded in 2010 – and the choral singers of Les Chantres du CMBV (Centre de musique baroque de Versailles).

Sabine Devieilhe, soprano
Cyrille Dubois, tenor
Judith van Wanroij, soprano
Marine Lafdal-Franc, soprano
David Witczak, baritone
Arnaud Richard, bass-baritone
Artavazd Sargsyan, Tenor
Les Ambassadeurs
La Grande Ecurie
Alexis Kossenko, conductor

Sabine Devieilhe
Originally from Normandy, Sabine Devieilhe first studied cello and musicology before dedicating herself completely to her vocal studies at the Conservatoire National Supérieur de Paris. Even during her student days, the young coloratura soprano worked with the Ensemble Pygmalion under Raphaël Pichon and with Les Cris de Paris under Geoffroy Jourdain, also appearing in concert with the Orchestre de Paris, Les Arts Florissants under the baton of Emmanuelle Haïm, with Les Musiciens du Louvre under Marc Minkowski and Le Concert Spirituel under Hervé Niquet. Conducted by Jean-Claude Malgoire, she first sang the role of Amina in Bellini’s La Sonnambula and the role of La Folie in Rameau’s Platée.

Shortly after her graduation, she was invited to the Festival d’Aix-en-Provence to sing Serpetta in Mozart’s La finta giardiniera, to Montpellier for the title role in Léo Delibes’ Lakmé and to Lyon for her debut as Queen of the Night in Mozart’s Die Zauberflöte. She was also named “Révélation Artiste Lyrique” at the 20th edition of the Victoires de la Musique in 2013.

In the meantime, she has appeared in the role of Soeur Constance in Poulenc’s Les Dialogues des Carmélites in Lyon, Paris and Amsterdam. In the title role of Léo Delibes’ Lakmé, she was celebrated at the Opéra Comique in Paris as well as in Toulon, Avignon and Marseille. At the Opéra National in Paris, she performed the Queen of the Night as well as Hero in Berlioz’ Béatrice et Bénédict. This was followed by Euridice in Gluck’s Orfeo ed Euridice at La Monnaie in Brussels, Adele in Johann Strauss’ Die Fledermaus at the Opéra Comique, Mélisande in Debussy’s Pelleas et Mélisande and Nannetta in Verdi’s Falstaff at the Marseille Opera. Her debut at the Gyndebourne Festival as Fire/Princess/Nightingale in Ravel’s L’enfant et les sortilèges was hailed as a success. Sabine Devieilhe also performed this work in concert with the Orchestre de Paris at the Philharmonie in Paris and with the Swedish Radio Symphony Orchestra under Esa-Pekka Salonen in Stockholm.

She enjoyed further success at the Théâtre des Champs Elysées as Ismene in a new production of Mozart’s Mitridate as well as Amina in a concert performance of Bellini’s La Sonnambula. In the summer of 2016 this was followed by a new production of Handel’s Il trionfo del tempo e del disinganno at the Festival d’Aix-en-Provence, where she took on the role of Belezza. She was acclaimed by audience and reviewers alike for her debuts as Blonde in Mozart’s Die Entführung aus dem Serail at La Scala Milan, as Queen of the Night in Mozart’s Die Zauberflöte at the Royal Opera House Covent Garden, and as Marie in Donizetti’s La fille du régiment at the Zurich Opera and at the Vienna State Opera. Further Highlights include her role debut as Zerbinetta in a new production of Ariadne auf Naxos at the Festival d’Aix-en-Provence, as well as her highly acclaimed debut at the Salzburg Festival with a programme of Mozart arias.

The 2018/2019 season brought for Sabine Devieilhe a new production of Mozart’s Die Zauberflöte at La Monnaie in Brussels, where she starred as Queen of the Night in a new production of Romeo Castellucci before making her debut as Ophélie in a new production of Thomas’ Hamlet at the Opéra Comique in Paris. Furthermore she had a great success as Sophie in Strauss‘ Der Rosenkavalier at the Zurich Opera and as Zerbinetta in a new production of Strauss’ Ariadne auf Naxos at La Scala in Milano and as Marie in Donizetti's La fille du régiment at the Royal Opera House Covent Garden. Another highlight was a new production of Rameau's Les Indes galantes at the Paris Opera under the baton of Leonardo García Alarcón in the fall of 2019.

Sabine Devieilhe feels equally at home as a recitalist on the concert podium. At the beginning of the season 2021/2022, she will present her new lied programme Chanson d'amour together with Alexandre Tharaud at London's Wigmore Hall, the Vienna Konzerthaus, the Frankfurt Opera, the Elbphilharmonie Hamburg, the Philharmonie Luxembourg, Bordeaux, Rouen Strasbourg and the Concertgebouw Amsterdam.

Highlights of the season 2021/2022 include staged productions such as Händel’s Alcina (Morgana) at the Opéra National de Paris, Mozart’s Zauberflöte (Queen of the night) at the Bavarian States Oper in Munich, Ambrois Thomas‘s Hamlet (Ophélie) at the Opéra Comique in Paris and a new production of Händel’s Giulio Cesare (Cleopatra) at the Théâtre des Champs Elysées also in Paris. Concert projects include Mozarta arias & Mahler's IV Symphony with Les Siècles and Francois-Xavier Roth, a new programme of Händel & Bach with the Ensemble Pygmalion and Raphaël Pichon which will be performed in Bordeaux, La Rochelle, Paris, Vienna, Brussels and in Essen. Another concert highlight for Sabine Devieilhe will be Britten's Les Illuminations with the Bavarian State Orchestra under the baton of Vladimir Jurowski in Munich, Luxembourg and Brussels.

Since 2012, Sabine Devieilhe has been an exclusive recording artist for Erato/Warner Classics. Her debut CD featuring arias by Rameau garnered several awards, including a Diapason d’Or. Since then, the Mozart album The Weber Sisters has been released with the Ensemble Pygmalion and Raphaël Pichon, L’enfant et les sortilèges with the Orchestre Philharmonique de Radio France, and recently her solo album Mirages with Les Siècles under François-Xavier Roth, which won two of the coveted trophies at the 25th edition of the Victoires de la Musique in 2018. In December 2018, this album was nominated for a Grammy. Together with Emmanuelle Haïm, Léa Desandre and Le Concert d'Astrée, an exciting album was created around the early strokes of genius of the young baroque master Georg Friedrich Händel, which was released by Erato/Warner Classics in November 2018. In the fall of 2020 the album named Chanson d'Amour with French Melodies by Fauré, Poulenc, Debussy and Satie that Sabine has recorded with Alexandre Tharaud was released by Warner Music.

Alexis Kossenko
Born in Nice, Alexis Kossenko performs as a soloist with Deutsche Symphonie-Orchester Berlin, Stockholm Philharmonic Orchestra, Concerto Copenhagen, Ensemble Matheus, Philharmonie der Nationen, La Grande Ecurie et la Chambre du Roy, Concert d'Astrée, Stradivaria, Barokksolistene, B'Rock, Le Cercle de l'Harmonie, La Chambre Philharmonique, Modo Antiquo, Le Concert Lorrain, Holland Baroque Society, Helsinki Baroque Orchestra, in a repertoire ranging from Vivaldi to Khachaturian including Mozart concertos on tour with Emmanuel Krivine. He therefore recently performed in Berlin Philharmonie, Stockholm Philharmonie, Moscow Philharmonie, Franz Liszt Concert Hall in Budapest, Wigmore Hall and Royal Albert Hall in London, Mozarteum Salzburg, Théâtre des Champs-Elysées and Salle Gaveau in Paris, Opéra Royal and Chapelle Royale in Versailles, Ton-Halle in Zürich, Bruges and Amsterdam Concertgebouw.

Fine connaisseur of all the historical forms of his instrument, Alexis Kossenko plays as well on the modern flute (he was awarded from Conservatoire National Supérieur de Paris in the class of Alain Marion) as on baroque flute, classical and romantic flutes, or recorder.

He is now first flautist of La Chambre Philharmonique (dir. Emmanuel Krivine), Ensemble Matheus (dir . Jean-Christophe Spinosi), Gli Angeli Genève (Stephan MacLeod), Le Concert Spirituel (Hervé Niquet) and from now Orchestre des Champs-Elysées (dir. Philippe Herreweghe),

He recorded flute concertos by Nielsen, Telemann, Haydn, Touchemoulin, and specially, for French label Alpha, the complete concertos by CPE Bach, Vivaldi concertos (Editor's Choice de Gramophone) and Charpentier leçons de ténèbres with baryton Stephan MacLeod.

As a conductor, Alexis Kossenko was invited by European Union Baroque Orchestra, B'Rock, Le Concert d'Astrée, Holland Baroque Society, Arte dei Suonatori, Musica Viva Moscow ; But it is at the head of Les Ambassadeurs that he undertakes his most significant projects, such as the new series for Alpha « per l'orchestra di Dresda » as well as an intense work on Rameau, Purcell, CPE Bach and Mozart.

The Cds that he recorded with Les Ambassadeurs got an impressive amount of praises and awards : Gramophone mentioned « Les Ambassadeurs' fabulous playing » about their Vivaldi « Concerti per l'Orchestra di Dresda » (Alpha) while the Rameau album for Erato (with Sabine Devieilhe) got a Diapason d'Or de l'année 2014, Diamant de l'Opéra, and the Grand prix de l'Académie Charles Cros, and is already a best-seller.

Among their coming projects, let's mention opera productions of Haendel's Rinaldo and Mozart's Le Nozze di Figaro, a Rossini project with Sabine Devieilhe, a tour with « tempest arias » by Vivaldi and Haendel with Blandine Staskiewicz (ending in Salle Gaveau in Paris).

Three new Cds have just been released : CPE Bach's chamber music and concertos has just been released, as well as virtuoso " tempest " arias with mezzo-soprano Blandine Staskiewicz (Glossa) and Telemann overtures and concertos (Alpha), which was awarded a « Choc » of CD Magazine Classica.

This album contains no booklet.