Beautiful Teena Marie

Album info

Album-Release:
2013

HRA-Release:
14.02.2014

Label: Universal Music

Genre: R&B

Subgenre: Funk

Album including Album cover

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  • 1Luv Letter04:37
  • 2Sweet Tooth05:36
  • 3Rare Breed04:38
  • 4Love Starved04:45
  • 5Definition Of Down04:48
  • 6Maria Bonita05:15
  • 7Beautiful (For Alia)05:44
  • 8The Long Play06:30
  • 9Carte Blanche05:17
  • 10Give Me Your Love04:56
  • 11Wild Horses05:17
  • 12The Perfect Feeling05:49
  • Total Runtime01:03:12

Info for Beautiful

The original disco queen’s posthumous album of brand new material is a fitting testament to her incredible legacy. Before her untimely death at the age of 54, Teena Marie wrote, produced, arranged and sang on 13 albums that have sold millions. Starting with her 1979, Rick James-produced debut, „Wild and Peaceful“, Teena’s many disco, soul and R&B hits have included „Give It To Me Baby“, „Behind The Groove“, „I Need Your Lovin’“ and „Ooo La La La“ - the latter being sampled, famously, by The Fugees.

Teena Marie had been working on her 14th studio album at her Pasadena home studio when she passed away. „Beautiful“ was seen through to its conclusion by her 20-year-old daughter, Alia Rose. The first single, „Luv“ is a glorious homage to Tee’s Motown roots, with nods to Stevie Wonder’s „Signed, Sealed, Delivered I’m Yours“.

We’re sure the album is up there with the best from a glittering career and one that Alisa Rose has made sure does full justice to her mother’s legacy.

„A bigger surprise came in January 2013, when UMe issued this, the artist's 14th and final studio album. Its recording had been completed prior to Lady T's death; proud daughter Alia Rose, a singer and MC who appeared on La Doña, Sapphire, and Congo Square, saw it through the mixing and mastering process. As Teena did on those fine 2000s albums, she weaves her exceptional songwriting skills with instrumentation that is both organic and synthetic, complementing her own playing and programming with input from several longtime instrumentalists. Likewise, she celebrates her inspirations in explicit and subtle fashions. The first song and lead single, 'Luv Letter,' pays tribute to her Motown roots and cleverly references her daughter's father with nods to 'Please Mr. Postman' and 'Signed, Sealed, Delivered I'm Yours.' A Curtis Mayfield cover, 'Give Me Your Love,' one of two songs featuring Alia, glistens and most resembles the Barbara Mason version. Elsewhere, Teena quotes Barry White and the Stylistics, as well as herself, and even references A Tribe Called Quest. She does this while remaining utterly contemporary, as if modern R&B production moved her, as if revisiting her classic past sounds was never considered. There's a wide range of material, but the plush and yearning ballads -- 'Love Starved,' 'The Long Play,' 'Carte Blanche,' and the 'Shadow Boxing'-alluding 'Definition of Down' -- resonate the most. No other artist combined such strong streetwise attitude with disarming warmth. She did it from start to finish.“ (Andy Kellman)

Teena Marie, vocals, keyboards
Doug Grigsby, guitar, keyboards
Stan Davis, guitar, keyboards, percussion, drum programming
David Starks, guitar
Wali Ali, guitar
Ray Fuller, guitar
Morris O'Connor, guitar
Jeanette Harris, woodwinds, brass, horns
William Artope, horns
John Bokowski, keyboards
Brian Kilgore, percussion
James Allen, drum programming
Alia Rose, vocals
Verline Beard, vocals
Demetrice O'Neal, vocals
Tracy Hazzard, vocals
Bridgette Bryant, vocals

Recorded at Rosie's Room, Pasadena, CA.
Engineered by Erik Zobler


Teena Marie
Before her untimely death at the age of 54 on the day after Christmas 2010, Teena Marie, known as “Lady Tee,” the Ivory Queen of Soul, wrote, produced, arranged and sang on 13 albums that have sold 2.5 million copies in the soundscan era. Starting with her 1979, Rick James-produced debut, Wild and Peaceful, Teena Marie’s many soul and R&B hits include “Square Biz,” “Behind the Groove,” “I Need Your Lovin’,” “Fire and Desire,” “Lovergirl” and “Ooo La La La,” a song famously sampled by the Fugees.

Teena Marie was working on her 14th and latest album for Universal Music Enterprises, Beautiful, at the time of her passing, the follow-up to 2009′s Congo Square, which peaked at #4 on the R&B chart and went to #20 on the album chart, producing the Top 12 Urban AC hit, “Can’t Last A Day.” Recorded at her Pasadena home studio and finished except for final mixes, Beautiful was seen through to its conclusion by Teena’s 20-year-old daughter Alia Rose, who sings with her Mom on two tracks, a cover of Curtis Mayfield’s “Give Me Your Love” and “Rare Breed,” which she co-wrote (Alia co-wrote two more songs on the album, “Sweet Tooth” and the title song). The first single, “Luv Letter,” which has just gone to radio, is just that, an homage to Tee’s Motown roots, with nods to Stevie Wonder’s “Signed, Sealed, Delivered I’m Yours,” and a dedication to Alia’s father, who just happened to be a postman, like in the Marvelettes’ song of the same name.

The project, with its intimations of death, was a difficult one for Alia, with her mom seemingly prescient about her destiny on songs like “Rare Breed,” where she sings, “I could say I have the world here in my hands and I believe/The angels slept beside me to protect my very dreams.” She even plays a radio DJ “broadcasting to you from a heavenly station” in “The Long Play.” “It was a very dark and emotional time for me,” explains Alia, who has just opened a Hollywood recording facility, Chateau Marie, as a memoriam, with partner, Odd Future’s “Syd tha Kyd” Bennett, using much of the equipment from her mom’s home studio. “The project was a bittersweet thing. I knew that only I could get it done, but I almost didn’t want to finish because I knew it would be the last time I’d get to work on it.”

The album was co-produced by Teena’s longtime musical director, bassist/composer Doug Grigsby, whose credits include Michael Jackson, Patti LaBelle, Mariah Carey, Stephanie Mills, Teddy Pendergrass, Rick James and Luther Vandross, among others. It was recorded and mixed by Erik Zobler, whose studio credits include Jackson’s Off the Wall as well as recording projects with Miles Davis, Natalie Cole, Whitney Houston, Anita Baker and Gladys Knight, among many others. But the real impetus came from Teena’s only daughter, who made sure this final product would do justice to her mom’s legacy.

“If you listen to the lyrics, it’s almost as if she was making that transition to the spiritual world as the record was being made, which is incredible,” says Alia. “It’s like we’re going on this journey with her.” Songs like “Rare Breed,” which also features the late Rick James’ daughter Ty lending vocal support, “The Long Play” and the closing, Middle-Eastern flavored “The Perfect Feeling,” a track which was originally slated to go on Tee’s 2004 comeback album, La Dona, lend to the eerie sensation that the late performer is speaking to us from the other side, almost as if she knew her time was up.

“That made the album very hard for me to listen to,” agrees Alia, who acknowledges her mom dedicated the record, as well as its title song, to her. “I’ve been on a journey myself. And when we began mixing it, my life and perception of things started to change. Hearing the complete work, it’s an amazing, incredible piece. I honestly don’t know how it got done. She just left it there for me to do.”

Indeed, Beautiful‘s title track is a lush ballad composed by Teena Marie when she was vacationing on the Turks and Caicos Islands with Alia, who recalls is gestation, “just walking on the beach, having fun in the sand… thinking about how much of herself was in me.”

The sexy, sassy “Sweet Tooth,” which Alia co-wrote and sings on, was a tribute to “old-school West Coast hip-hop…She was thinking of Snoop when she did that.” “Love Starved,” “Definition of Down,” “The Long Play” (featuring Tee’s longtime back-up singer De De O’Neal) and “Cart Blanc” (co-written with close friend Daphne Wayne) are love songs dedicated to finding a true romance and then sticking with them through thick and thin. “I think my mom had many experiences in romance,” says Alia. “She was a bit of a hopeless romantic, so much so that I don’t think she was ever completely satisfied. I think that’s why she wrote such amazing love songs. That was her expertise.”

The finale, “The Perfect Feeling,” about the commingling of two souls in eternity, is rooted in the Beatles’ trip to India and George Harrison’s sitar-flavored songs like “Within You, Without You” and “While My Guitar Gently Weeps.”

“My mother was a Beatles fanatic,” says Alia. “She was crazy about them. That’s why I love the song. It has that vibe. I jut listen to it and cry. It’s that beautiful.”

Now that Beautiful is about to be released, Alia is looking forward to thinking about her own future in music with her new recording studio. “I get to help other people, and if something comes along for me, of course, I will take that opportunity,” she says. “My mom always intended for her studio to be used by my friends, and now that’s going to be what happens.” At the end of the day, though, Alia Rose is a young woman that lost her mother, who just happened to be a “rock star,” as she describes her, at a too-young age.

“My mom and I were very close,” she says. “We talked. I’m very much like my mother. She was not just my mom, she was my best friend and my sister. We fought like sisters, too. I know what real love is from my mom.” As for preserving her mom’s legacy on Beautiful, Alia says, “I want people to view it as the beautiful piece of art is it. I want the fans to enjoy it because my mother loved her fans more than anything. I’m going to let them decipher what it’s all about, because it’s pretty self-explanatory. It’s pretty amazing. It actually does sound like a final project.”

Beautiful is a mother’s gift to her daughter, who returns the gesture the only way she knows how, by completing it. The end result is a true labor of love.

This album contains no booklet.

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