Bach to the future Olivier Latry
- Johann Sebastian Bach (1685 - 1750):
- 1Musikalisches Opfer, BWV 1079: Ricercare a 609:36
- 2Fuge G-Moll, BWV 57804:44
- 3Toccata und Fuge D-Moll, BWV 56510:07
- 4Choral Erbarm' dich mein, o Herre Gott, BWV 72106:31
- 5Fantasie G-Moll, BWV 54207:16
- 6Fuge G-Moll, BWV 54206:40
- 7In dir ist Freude, BWV 61703:23
- 8Choral Herzlich tut mich verlangen, BWV 72704:08
- 9Pièce d'orgue, BWV 57210:19
- 10Passacaille und fuge C-Moll, BWV 58214:44
Info for Bach to the future
For his first release with La Dolce Volta, Olivier Latry has chosen a programme devoted to the music of Johann Sebastian Bach.
This recording, made on the massive Cavaillé-Coll organ of Notre-Dame de Paris, of which he is titular organist, raises a number of fascinating questions. “My approach highlights several paradoxes: the notion of performing these key works of Protestantism in one of the most emblematic centres of Catholicism, first of all, but also of playing them on an instrument that is, to say the least, far removed from the Baroque and Classical style of organ building.” (Olivier Latry)
Olivier Latry, organ
Established as the leading worldwide ambassador for his instrument, French organist Olivier Latry has performed the world’s most prestigious venues, been the guest of leading orchestras under renowned conductors, recorded for major labels and premiered an impressive number of works. Named titular organist at Notre-Dame in Paris at the age of 23 and organist Emeritus at the Orchestre National de Montréal since 2012, Olivier Latry is first and foremost an accomplished, thoughtful and adventurous musician exploring all possible fields of the organ music, with an exceptional talent as an improviser.
Olivier Latry regularly appears in venues like the Philharmonie de Paris, Disney Hall, San Francisco’s Davies Hall, Concertgebouw, Philadelphia’s Verizon Hall, Gewandhaus, Vienna’s Musikverein and Konzerthaus, Budapest’s Palace of Arts, Royal Festival Hall, KKL Lucerne, Royal Albert Hall, Suntory Hall, Mariinsky, Rotterdam’s de Doelen and as a soloist with leading orchestras such as the Philadelphia Orchestra, Los Angeles Philharmonic, Boston Symphony, Philharmonia Orchestra, Rotterdam Philharmonic, Sydney Symphony, RSO Wien, Hong-Kong Philharmonic, Toronto Symphony, Orchestre Symphonique de Montréal, Orchestre National de France, under conductors like Myung-Whun Chung, Andris Nelsons, Esa-Pekka Salonen, Stéphane Denève, Fabien Gabel, Christoph Eschenbach, Kent Nagano, Edo de Waart, Jukka-Pekka Saraste.
Recent highlights include the premiere of Kaija Saariaho’s Maan Varjot for organ and orchestra with the Orchestre Symphonique de Montréal, Orchestre National de Lyon and Philharmonia Orchestra in 2014, the premiere of Michael Gandolfi’s concerto with the Boston Symphony Orchestra in 2015. He will premiere Benoît Mernier’s organ concerto for the inauguration of Brussels’ Palais des Beaux-Arts’s new organ in 2017. In 2016 he will record a recital program for Warner Music at the Philharmonie de Paris’s magnificent Rieger organ which he inaugurated earlier in the year. He took a major part in the inauguration of the Radio France Auditorium’s Grenzing organ in May 2016 too. In the 2017/2018 season he will be artist in residence with the Dresdner Philharmonie.
His strong attachment to the French organ repertoire led him to record Olivier Messiaen’s complete works for organ for Deutsche Grammophon which he also performed in recitals in Paris, London and New York. In 2005, he recorded a César Franck album also for Deutsche Grammophon. Among several other recordings, Olivier also recorded Saint-Saëns organ concerto with Christoph Eschenbach and the Philadelphia Orchestra for Ondine. His most recent recording on the Naïve label is entitled “Trois Siècles d’Orgue Notre-Dame de Paris” which features music composed by past and current organists of Notre-Dame Cathedral.
A former student of Gaston Litaize, Olivier Latry now teaches at the Conservatoire National Supérieur de Paris and is a recipient of numerous international distinctions and awards worldwide including the Prix de la Fondation Cino et Simone Del Duca (Institut de France–Académie des Beaux-Arts) in 2000, and “Honoris Causa” Fellowships from the North and Midlands School of Music (UK) in 2006, and from the Royal College of Organists (UK) in 2007. He was also named International Performer of the Year by the American Guild of Organists in April 2009, and received an honorary Doctor of Music degree from McGill University in Montreal Canada in 2010.