Our Daily Bread Joe Lovano

• 1All Twelve04:36
• 2Grace Notes08:42
• 3Le petit opportun03:44
• 4Our Daily Bread06:34
• 5One for Charlie02:31
• 6The Power of Three04:41
• 7Rhythm Spirit05:50
• 8Crystal Ball04:09
• Total Runtime40:47

Info for Our Daily Bread

The third album from Joe Lovano’s Trio Tapestry extends its spacious and lyrical approach, with deep listening and intense focus. “Our Daily Bread is fueled by the rhythm spirit of expression that projects the mysterious world of music that lies ahead,” says master saxophonist Lovano in his liner note, addressing his elegantly fluid pieces and imploring ballads. In the course of his long life in jazz, Joe Lovano has addressed the full range of the music, playing in-the-tradition and beyond it. Trio Tapestry, with Marilyn Crispell and Carmen Castaldi, is a vehicle for some of his most personal work. As Joe has emphasized: “This is not a band that starts from the beat. The momentum is in the melody and the harmonic sequence. And rhythm evolves within each piece in a very free flowing manner.”

“The intensity comes not from ferocity but from depth of feeling,” wrote the BBC Music Magazine of the group’s debut. “Lovano’s themes and harmonies provide rich potential which the trio realises beautifully, exploring texture and mood as fruitfully as it develops melody and harmony.”

As with the previous two albums with Marilyn Crispell and Carmen Castaldi - Trio Tapestry and Garden of Expresssion, recorded in 2018 and 2020 respectively – Lovano wrote the pieces for Our Daily Bread specifically for this trio, whose character becomes ever clearer.

As Joe says, “I bring in the material, but there is an equal weight of contribution, creating music within the music…” Trio Tapestry’s frame of reference is broad, the album’s opening piece “All Twelve” situating the interaction within a 12-tone context. Title piece “Our Daily Bread”, meanwhile, and “Grace Notes”, yearning in their expression, seem to draw from the spiritual well that nourished Coltrane.

Marilyn Crispell again proves to be the optimal pianist for this music, orchestrating it as it unfolds with a sensibility attuned to both contemporary chamber music and the multiple possibilities of improvising in the post-free era. Wolfgang Sandner once wrote of Crispell, “she can linger on the beauty of a single note and develop an infinitude of melodies from a single chord.” And as long ago as the 1970s Cecil Taylor predicted that Marilyn would “spearhead a new kind of lyricism in jazz”, a process that she continues to redefine.

Lovano first encountered Marilyn Crispell when she was a member of Anthony Braxton’s quartet, negotiating sound, space and silence in new ways. The pianist has a considerable ECM discography as a bandleader and soloist in her own right with acclaimed recordings including Nothing Ever Was Anyway, Music of Annette Peacock (recorded 1996) Amaryllis (2000), Storyteller (2003), Vignettes (2007), One Dark Night I Left My Silent House (2008), and Azure (2011).

Enigmatic drummer Carmen Castaldi, an exceptionally subtle percussionist, embellishes Lovano’s pieces with his own poetic touch on cymbals and, like Joe himself, periodically draws blossoming resonances from gongs. Castaldi’s association with Joe Lovano goes back to teenage years in Cleveland. In addition to his contributions to Trio Tapestry and Garden of Expression, Carmen can be heard on Joe’s Viva Caruso album of 2002 (Blue Note).

Midway through the programme, Lovano delivers the bluesy “One for Charlie” as a solo tenor tribute to Charlie Haden, investing every note with meaning, as the tune’s dedicatee once did. Lovano and Haden played together in multiple contexts over the years, from Charlie’s Liberation Music Orchestra to Paul Motian’s On Broadway formations. It was with Motian that Lovano first appeared on ECM, joining the drummer in time for Psalm in 1981 in a quintet line-up that also included Bill Frisell. With It Should’ve Happened A Long Time Ago (1984) the long-running Motian/Lovano/Frisell trio was established, among the many documentations of it are the albums I Have The Room Above Her (2004) and Time and Time Again (2006).

Joe Lovano, together with Danish guitarist Jakob Bro, has celebrated Motian’s musical legacy and influence on the album Once Around The Room. Other recent ECM recordings with Lovano have included new collaborations, with the Polish Marcin Wasilewski Trio on Arctic Riff, and with Italian trumpeter Enrico Rava on Roma.

Our Daily Bread was recorded at Lugano’s Auditorio Stelio Molo in May 2022 and produced by Manfred Eicher.

Joe Lovano, tenor saxophone, tarogato, gongs
Marilyn Crispell, piano
Carmen Castaldi, drums, gong, temple bells

Joe Lovano
is a Grammy-winning saxophonist, composer, and arranger. Down Beat magazine has twice named him Jazz Artist of the Year, and he scored a prestigious trifecta in 1998: nominations for Musician of the Year, Improviser of the Year, and Best Tenor Saxophonist in the New York Jazz Awards. He also topped both the Down Beat readers and critics polls as Tenor Player of the Year in 2000. Lovano attended Berklee in the early 1970s and received an honorary doctor of music degree from the college in 1998. In the fall of 2001 he began a prestigious teaching residency in the Berklee Ensemble Department, known as the Gary Burton Chair in Jazz Performance. Since joining the Berklee faculty, the Blue Note artist has several albums as a leader and appeared on dozens of other recordings. He is also a faculty member in the Berklee Global Jazz Institute. Lovano has collaborated with many legendary musicians, including McCoy Tyner, Hank Jones, Joshua Redman, Bill Frisell, Branford Marsalis, Jim Hall, and Paul Motian.

Booklet for Our Daily Bread