Shostakovich: Piano Concertos – No 1, Op 35; No 2, Op 102. Violin Sonata, Op 134 Alexander Melnikov

Cover Shostakovich: Piano Concertos – No 1, Op 35; No 2, Op 102. Violin Sonata, Op 134

Album info

Album-Release:
2012

HRA-Release:
18.09.2013

Label: harmonia mundi

Genre: Classical

Subgenre: Concertos

Artist: Alexander Melnikov, Mahler Chamber Orchestra & Teodor Currentzis

Composer: Dmitri Shostakovich

Album including Album cover Booklet (PDF)

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  • 1 I. Allegro 07:11
  • 2 II. Andante 07:43
  • 3 III. Allegro 05:41
  • 4 I. Andante 10:33
  • 5 II. Allegretto 06:44
  • 6 III. Largo 13:59
  • 7 I. Allegro moderato 05:56
  • 8 II. Lento 08:30
  • 9 III. Moderato 01:28
  • 10 IV. Allegro con brio 06:26
  • Total Runtime 01:14:11

Info for Shostakovich: Piano Concertos – No 1, Op 35; No 2, Op 102. Violin Sonata, Op 134

Shostakovich’s music is often 'two-faced', sometimes sublimated in ecstasy and joie de vivre, sometimes plunged into emptiness and suffused with a death wish. Accompanied by the Mahler Chamber Orchestra under the direction of Teodor Currentzis, Alexander Melnikov captures this feeling admirably in the Concertos Opp.35 and 102, and perhaps still more poignantly – “with disarming sincerity and fearless directness”, to quote his booklet note – alongside Isabelle Faust in the Sonata Op.134.

“his lightning switches of tempo and mood in the fast movement outdo most competitors for bizarrerie...Melnikov includes a searing, thrilling account of Shostakovich's late Violin Sonata, Op. 134, in which he partners the very impressive Isabelle Faust...Unhesitatingly recommended as one of the best versions of all three works currently available.” (BBC Music Magazine)

“The hide-and-seek games between piano and orchestra in the first movement are delectable enough. But then the slow movement...to call this breathtaking would be an understatement. Starting at a whisper, Melnikov fines his sound down to the threshold of audibility and extends phrase-endings until the world seems to stand still...For me, this is Shostakovich-playing on a level of inspiration I have only heard in my dreams.” (Gramophone)

Alexander Melnikov's recording of Shostakovich's Preludes and Fugues [HMC902019/20] was given a BBC Music Magazine Award, 2011, and was awarded one of the 50 greatest recordings of all time [and is the newest on the list] by the same magazine

Alexander Melnikov, piano
Isabelle Faust, violin
Jeroen Berwaerts, trumpet
Mahler Chamber Orchestra
Teodor Currentzis, conductor


Alexander Melnikov
graduated from the Moscow Conservatory under Lev Naumov. His most formative musical moments in Moscow include his early encounter with Svjatoslav Richter, who thereafter regularly invited him to festivals in Russia and France. He was awarded important prizes at such eminent competitions as the International Robert Schumann Competition in Zwickau (1989) and the Concours Musical Reine Elisabeth in Brussels (1991).

Known for his often-unusual musical and programmatic decisions, Alexander Melnikov discovered a career-long interest in historical performance practice at an early age. His major influences in this field include Andreas Staier and Alexei Lubimov, with whom he collaborated on numerous projects. Melnikov performs regularly with such distinguished period ensembles as Concerto Köln and the Akademie für Alte Musik Berlin.

Together with Andreas Staier, Alexander Melnikov developed a programme that sets excerpts from Bach's Well-Tempered Clavier (Andreas Staier – harpsichord) in musical dialogue with Shostakovich's 24 Preludes and Fugues (Alexander Melnikov – piano). Intensive chamber music collaborations with partners including cellists Alexander Rudin and Jean-Guihen Queyras, as well as the baritone Georg Nigl, also form an essential part of his work.

Melnikov’s association wth the label harmonia mundi arose through his regular recital partner, violinist Isabelle Faust, and in 2010 their complete recording of the Beethoven sonatas for violin and piano won both a Gramophone Award and Germany’s ECHO Klassik Prize. This CD, which has become a touchstone recording for these works, was also nominated for a Grammy. Their latest CD, featuring chamber works of Weber, was released in January 2013.

Alexander Melnikov’s recording of the complete Preludes and Fugues by Shostakovich was awarded the BBC Music Magazine Award, Choc de classica and the Jahrespreis der Deutschen Schallplattenkritik. In 2011, it was also named by the BBC Music Magazine as one of the “50 Greatest Recordings of All Time.” Additionally, Melnikov’s discography features works by Brahms, Rachmaninoff and Scriabin; his recording of the Shostakovich piano concertos with the Mahler Chamber Orchestra and Teodor Currentzis was also met with critical acclaim.

As a soloist, Alexander Melnikov has performed with orchestras such as the Royal Concertgebouw Orchestra, Gewandhausorchester Leipzig, Philadelphia Orchestra, NDR Sinfonieorchester, HR-Sinfonieorchester, Russian National Orchestra, Munich Philharmonic, Rotterdam Philharmonic, BBC Philharmonic and the NHK Symphony, under conductors such as Mikhail Pletnev, Teodor Currentzis, Charles Dutoit, Paavo Järvi and Valery Gergiev.

Alexander Melnikov is the 2013/14 Artist-in-Residence at the Muziekgebouw in Amsterdam. This season begins with Melnikov’s debut at the BBC Proms with the Warsaw Philharmonic under Antoni Wit, followed by performances in the season-opening concerts of the Czech Philharmonic under Jiří Bělohlávek. Further musical partners of the season include the Mahler Chamber Orchestra, Freiburger Barockorchester, Amsterdam Sinfonietta, Seattle Symphony, Utah Symphony and New Zealand Symphony. Melnikov’s solo engagements will take him to such venues as the Maison symphonique de Montreal, Wigmore Hall in London, De Singel in Antwerp and the Mozarteum Salzburg, as well as to concert halls in Osaka, Nagoya and Tokyo.

Booklet for Shostakovich: Piano Concertos – No 1, Op 35; No 2, Op 102. Violin Sonata, Op 134

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