Une prière Ensemble Contraste

• Ernest Bloch (1880 - 1959): Suite hébraïque, B. 83:
• 1 Bloch: Suite hébraïque, B. 83: I. Rapsodie 07:15
• Maurice Ravel (1875 - 1937): 2 Mélodies hébraïque, M.A 22:
• 2 Ravel: 2 Mélodies hébraïque, M.A 22: I. Kaddisch. Lent (Arr. for Cello and Piano by Ensemble Contraste) 05:18
• John Williams (b. 1932): Schindler's List Theme:
• 3 Williams: Schindler's List Theme (Arr. for Viola and Cello by Johan Farjot) 04:24
• Max Bruch (1838 - 1930): 8 Pieces for Clarinet, Viola and Piano, Op. 83:
• 4 Bruch: 8 Pieces for Clarinet, Viola and Piano, Op. 83: V. Rumänische Melodie (Andante) 05:13
• Anonymous: Morenica:
• 5 Anonymous: Morenica (Arr. for Voice and Ensemble by Johan Farjot) 03:58
• Ernest Bloch: From Jewish Life, B. 54:
• 6 Bloch: From Jewish Life, B. 54: I. Prayer 03:51
• 7 Bloch: From Jewish Life, B. 54: II. Supplication 02:38
• 8 Bloch: From Jewish Life, B. 54: III. Jewish Song 02:24
• Dmitri Shostakovich (1906 - 1975): From Jewish Folk Poetry, Op. 79:
• 9 Shostakovich: From Jewish Folk Poetry, Op. 79: IX. A Good Life (Arr. for Alto and Piano by Ensemble Contraste) 03:10
• Béla Kovács (b. 1937):
• 10 Kovács: Sholem-Alekhem, Feidman! 04:36
• Max Bruch: Kol Nidrei, Op. 47:
• 11 Bruch: Kol Nidrei, Op. 47 (Arr. for Viola and Piano by Orfeo Mandozzi) 09:14
• Sergei Prokofiev (1891 - 1953): Overture on Hebrew Themes, Op. 34:
• 12 Prokofiev: Overture on Hebrew Themes, Op. 34 08:44
• Total Runtime 01:00:45

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Ernest Bloch’s Suite Hébraïque was the starting point for this programme: ‘This music came as a revelation to us. Its language is overwhelming and tells of the ravages of the twentieth century . . .The other composers in this programme (Ravel, Bloch, Bruch, Prokofiev, Shostakovich) each in their own way experienced the full force of this tormented century and drew inspiration from the most timeless and universal aspects of folk and sacred repertories, the better to respond to the brutality of the age’, say violist Arnaud Thorette and pianist Johan Farjot, who devised this programme. Johan Farjot has also arranged John Williams’s famous Schindler’s List theme for viola and cello. An intense and poignant experience!

Ensemble Contraste
Antoine Pierlot, cello
Pierre Génisson, clarinet
Karine Deshayes, mezzo-soprano
Sarah Nemtanu, violin
Deborah Nemtanu, violin

Ensemble Contraste
Contrast! A delightful contrast! Whence the name of this ensemble, formed in 2000 and composed of virtuoso classical musicians among the finest of their generation. The diversity and spontaneity of this unusual ensemble, together with the use of their own arrangements, make for original programmes of music ranging from classical to tango, musical comedy, jazz and contemporary compositions.

Following the approach of its directors, Johan Farjot and Arnaud Thorette, Contraste aims to reinvent the classical concert, pushing back the limits, by making the audience central to its approach.

Thus, each programme – from Classical Tango, which has been taken all over the world, to their most recent productions, The Fairy Queen, and Eustache le Moine, due to be presented in summer 2015 – is not a concert, but a show.

Contraste’s productions are regularly acclaimed by the critics, while their recordings reap the highest ratings (Diapason d’Or, Choc Classica, RTL d’Or, Le Diamant d’Opéra, Coup de Cœur de la Fnac, Sélection Mezzo, Radio Classique, France Inter, etc.).

The ensemble has so far appeared in over twenty countries, as well as at major French concert venues. It is currently in residency at Hardelot Castle (Château d’Hardelot, near Boulogne-sur-Mer, in the Pas-de-Calais).

Contraste works with many different artists, including mezzo-soprano Karine Deshayes and composer Karol Beffa on their latest two recordings for Aparté, and Magali Léger, Sandrine Piau, Philippe Jaroussky, Rosemary Standley, Albin de la Simone, Isabelle Georges, Emily Loizeau, the Quatuor Ébène, André Ceccarelli …

2009 saw the launch of the ensemble’s own record label, Contraste Productions, with a CD entitled Songs. With the aim of continuing to push out the limits and share the world of classical music with as wide an audience as possible, Contraste Productions devised Tous en Cœur, an original musical event organised for the benefit of SOS Villages d’Enfants in December 2014 and televised by France 2.

The ensemble is also involved in the artistic programming of the famous Bal Nègre in Paris, which is due to open its doors again in 2016.

Two new recordings, Après un rêve (with Karine Deshayes) and Into the Dark (Karol Beffa), are scheduled for release in 2015 on the Aparté label. Of the ensemble’s many other recordings, let us mention : Café 1930 – Tangos and Fauré’s La Bonne chanson and Piano Quartet (Zig-Zag Territoires), Songs (Contraste/ naïve), Masques (Triton), Koechlin-Onslow (Tympani), Miroir(s) (naïve), Schumann’s Fantasy (Cyprès), Bach Transcriptions (La Dolce Volta) and Midsummer Phantasy (Dux, December 2014).

The ensemble Contraste has been committed to the charity organisation SOS Children’s villages France since 2012.

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