- 2Another Day in Paradise04:34
- 3Lady Madonna04:14
- 4Shadows in the Rain03:54
- 6Maybe I'm Amazed03:47
- 7She's Always a Woman05:42
- 8Le chat sur toit05:28
- 9Just the Way You Are04:01
- 10If You Love Somebody Set Them Free03:54
- 11That's All04:25
Info for 4 Wheel Drive
It scarcely feels necessary to mention the pre-eminent status of all four of these artists, because that is evident from hearing the music. When Nils Landgren brings such feeling to his own melody “Le chat sur le toit”, or when Michael Wollny dazzles with the blues-infused piano solo in “Lady Madonna”; when “Polygon” opens with a bass intro from Lars Danielsson, or when Wolfgang Haffner sets up the power groove to propel “4WD”, then it’s clear what’s happening: four leading figures in European jazz who know each other well and who have appreciated each other’s work for many years have now got together. True, their paths have crossed many times before, and in all kinds of configurations. The formidable duo of Landgren and Wollny comes to mind, for example, as does Haffner’s long-term role as an anchor in the Funk Unit, or Danielsson's vivid bass presence in Haffner's trio…but here for the very first time are the four friends as a quartet. They decided to record an album together at the Nilento Studio in Gothenburg: “4 Wheel Drive”.
The title of the album reflects the equal role which each of the four musicians has had in setting the direction for the quartet. They take to the road together, both as superb soloists and as team players. In addition to one original composition from each of them, Landgren, Wollny, Danielsson and Haffner also decided that they would focus on four living creative forces from the recent history of music and interpret their tunes, Paul McCartney, Billy Joel, Phil Collins and Sting.
"These tunes are timeless classics in their own right, but there was another idea behind the choices of the songs we’ve covered. They have strong associations with the instruments in our quartet," explains Wollny. So McCartney stands for bass, and for vocals. Singer Billy Joel is also a talented pianist, and Phil Collins first started off his career as the drummer in Genesis. The choices were also dictated by highly personal connections. Danielsson considers the Beatles musician as his favourite bass-player; McCartney is up there with Johann Sebastian Bach as the musician he reveres the most. Sting is an inescapable presence in Nils Landgren's repertoire, especially the trombonist’s interpretations of "Fragile". And finally Haffner, just like Phil Collins, feels completely at home as a drummer in both pop and jazz.
The 4 Wheel Drive musicians have also used the classic songs they have chosen as starting-points for their own excursions; so McCartney’s “Maybe I’m Amazed” becomes a subtly-lit jazz ballad. Freed from everything extraneous, and transformed by Wollny’s prepared piano, Billy Joel’s “She’s Always A Woman” is a mysterious and enraptured love song. The musicians interpret Genesis’ song “That’s All” as a collage of instrumental sound. And for Sting’s song about letting go, “If You Love Somebody Set Them Free”, they find a fitting musical parallel: the freedom of jazz leads naturally to Landgren’s powerful trombone improvisation. The album is bookended with music from the fast lane: it opens with Wollny’s fast-paced showpiece “Polygon”, and closes with Danielsson’s “4WD”; he had Nirvana’s “Smells Like Teen Spirit” in mind when he wrote this title track.
4 Wheel Drive as an ensemble is like a high-performance four-cylinder engine with all the gears meshing perfectly. And the fuel: jazz.
Nils Landgren, trombone, vocals
Michael Wollny, piano
Lars Danielsson, bass, cello
Wolfgang Haffner, drums
Recorded October (9 - 11, 2018), mixed and mastered by Lars Nilsson at Nilento studio, Gothenburg, Sweden
Produced by Siggi Loch
With his smoking, hard-hitting "Funk Unit", the man with the Red Horn has been responsible for a bunch of successful CDs over the past years. His concerts from Stockholm to Beijing have been met with ecstatic acclamation. In duo with pianist Esbjцrn Svensson, he has elevated Swedish folk music to the level of subdued works of art. As the artistic director of the 2001 Berlin Jazz Festival, designed a state of the art presentation of Scandinavian trends and moods. In May 2002 Nils was honored with the Tore Ehrling-prizeґ by the Swedish Society Of Popular Composers for "His outstanding contribution to spread swedish jazz music around the globe".
He is a world-class soloist and artist with heart and soul: Nils Landgren.
Jazz and church music shaped his childhood. As cornetist, Nils Landgren's father brought US jazz into the house. The traditional Swedish chorales and songs came from his grandfather, who was a preacher. Nils Landgren was born in 1956. He began playing drums at the age of six. At 13 he layed his hands and lips on the trombone and was hooked for life.
Between 1972 and 1978 Nils studied classical trombone at the music college in Karlstad with David Maytan and at the university in Arvika with Ingemar Roos. During this time he also met the legendary Swedish Folk-Jazz pioneer Bengt-Arne Wallin and the fantastic tromboneplayer and proffessor of the Graz Conservatory in Austria, Eje Thelin. These two men completely changed the way for Nils to go; from a strict classical player to an improviser with his own idea of what to play and why. After his graduation Nils moved to Stockholm to work as a professional tromboneplayer. First the life of a struggling jazz musician, making no money but gaining loads of experience. Then the call that totally changed his life: an offer to go on tour with Sweden's most successful pop star of that time Bjцrn Skifs who at that time was at #1 in the US pop charts with Hooked on a feelingґ. The money was ok, the vibes were cool and the band was simply great! Ever since that time Nils Landgren has been involved in a variety of music styles and projects. These include jazz, rock, soul, hip hop, big band's, studio sessions, and by his own reckoning, at least 500 albums. Mostly, for natural reasons with Swedish artists but also with such internationals stars as ABBA, The Crusaders, Eddie Harris, Bernard Prettyґ Purdie and Herbie Hancock. Nils even plays on the first Wyclef Jean solo album, titled Carnivalґ.
In 1981 Thad Jones invited the Swede into his new Bigband project Ball of Fireґ, to take the lead-trombone chair. The band was built up around such great musicians as Jerome Richardson, Jerry Dodgion, Tim Hagans, Bobby Burgess, Roger Kellaway, Sahib Shihab, Dusko Goykovich, and Benny. "A fantastic band, sad that it did not work out in the end", Nils says about that expreience. Two years later Nils debut album Planet Rockґ was released, followed by Streetfighterґ in 1984, You are my Nr 1ґ in 1985, Miles from Dukeґ with Bengt-Arne Wallin in 1987, Chapter Two 1ґ, in 1987, Chapter Two 2ґ and Follow your heartґ in 1989. Between 1985 and 1987 Nils also performed as actor, singer, trombonist, and dancer in over 360 performances of the Swedish "play of the year", SKЕL, as well as appearing in several TV-films as an actor.
1992 saw the first performances and recording of the Nils Landgren Unit; the recording was called Red Hornґ, and was mixed by the legendary sound engineer Bruce Swedien. (re-release 2001 as "The First Unit", ACT 9292-2). That same summer the band performed at the Playboy Jazzfestivalґ in Los Angeles, hosted by the great Bill Cosby. The final breakthrough outside of Scandinavia came first in 1994: it was at the Jazz Baltica Festival in Germany that the Unitґ became the Funk Unitґ. The album Live in Stockholmґ (ACT 9223-2) with guest star Maceo Parker was released that year and was the foundation for the collaboration with Siegfried Loch and his young ACT label.