Cover Stravinsky Ballets

Album info

Album-Release:
2022

HRA-Release:
25.03.2022

Label: LSO Live

Genre: Classical

Subgenre: Orchestral

Artist: London Symphony Orchestra & Sir Simon Rattle

Composer: Igor Stravinsky (1882–1971)

Album including Album cover Booklet (PDF)

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FLAC 96 $ 18.90
  • Igor Stravinsky (1882 - 1971): The Firebird, K010:
  • 1 Stravinsky: The Firebird, K010: I. Introduction 02:39
  • 2 Stravinsky: The Firebird, K010: II. Premier tableau. Le jardin enchanté de Kastchei 01:35
  • 3 Stravinsky: The Firebird, K010: III. Apparition de l'oiseau de feu poursuivi par Ivan Tsarévitch 02:09
  • 4 Stravinsky: The Firebird, K010: IV. Danse de l'oiseau de feu 01:29
  • 5 Stravinsky: The Firebird, K010: V. Capture de l'oiseau de feu par Ivan Tsarévitch 09:35
  • 6 Stravinsky: The Firebird, K010: VI. Jeu des princesses avec les pommes d'or 02:33
  • 7 Stravinsky: The Firebird, K010: VII. Brusque apparition d'Ivan Tsarévitch - Corovod (Ronde) des princesses - Lever du jour 07:15
  • 8 Stravinsky: The Firebird, K010: VIII. Ivan Tsarévitch pénètre dans le palais de Kastchei - Carillon féérique 06:21
  • 9 Stravinsky: The Firebird, K010: IX. Danse infernale de tous les sujets de Kastchei 04:39
  • 10 Stravinsky: The Firebird, K010: X. Berceuse (L'oiseau de feu) - Réveil de Kastchei - Mort de Kastchei - Profondes ténèbres 05:52
  • 11 Stravinsky: The Firebird, K010: XI. Second tableau. Disparition du palais et des sortilèges de Kastchei 03:24
  • Petruskha, K012 (Revised 1947), Scene 1:
  • 12 Stravinsky: Petruskha, K012 (Revised 1947), Scene 1: I. The Shrovetide Fair (Introduction) 01:20
  • 13 Stravinsky: Petruskha, K012 (Revised 1947), Scene 1: II. The Crowds 04:00
  • 14 Stravinsky: Petruskha, K012 (Revised 1947), Scene 1: III. The Conjuring Trick 01:55
  • 15 Stravinsky: Petruskha, K012 (Revised 1947), Scene 1: IV. Russian Dance 02:47
  • Petruskha, K012 (Revised 1947), Scene 2:
  • 16 Stravinsky: Petruskha, K012 (Revised 1947), Scene 2: I. Petrushka's Cell 04:36
  • Petruskha, K012 (Revised 1947), Scene 3:
  • 17 Stravinsky: Petruskha, K012 (Revised 1947), Scene 3: I. The Moor's Cell 02:42
  • 18 Stravinsky: Petruskha, K012 (Revised 1947), Scene 3: II. Dance of the Ballerina 00:49
  • 19 Stravinsky: Petruskha, K012 (Revised 1947), Scene 3: III. Waltz (The Ballerina and the Moor) 03:10
  • Petruskha, K012 (Revised 1947), Scene 4:
  • 20 Stravinsky: Petruskha, K012 (Revised 1947), Scene 4: I. The Shrovetide Fair (towards evening) 01:11
  • 21 Stravinsky: Petruskha, K012 (Revised 1947), Scene 4: II. Dance of the Wet-Nurses 02:39
  • 22 Stravinsky: Petruskha, K012 (Revised 1947), Scene 4: III. A Peasant Enters with a Bear 01:15
  • 23 Stravinsky: Petruskha, K012 (Revised 1947), Scene 4: IV. The Gypsy Girls Dance 01:05
  • 24 Stravinsky: Petruskha, K012 (Revised 1947), Scene 4: V. Dance of the Coachmen and Grooms 02:09
  • 25 Stravinsky: Petruskha, K012 (Revised 1947), Scene 4: VI. The Mummers (Masqueraders) 02:22
  • 26 Stravinsky: Petruskha, K012 (Revised 1947), Scene 4: VII. Death of Petrushka 03:17
  • The Rite of Spring, K015 (Revised 1947), Part 1:
  • 27 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 1: Adoration of the Earth. Introduction 03:25
  • 28 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 1: The Augurs of Spring - Dances of the Young Girls 03:08
  • 29 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of Abduction 01:17
  • 30 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 1: Spring Rounds 03:31
  • 31 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 1: Ritual of the Rival Tribes 01:53
  • 32 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 1: Procession of the Sage - The Sage 01:05
  • 33 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 1: Dance of the Earth 01:13
  • The Rite of Spring, K015 (Revised 1947), Part 2:
  • 34 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 2: The Sacrifice. Introduction 04:35
  • 35 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 2: Mystic Circles of the Young Girls 02:59
  • 36 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 2: Glorification of the Chosen One 01:38
  • 37 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 2: Evocation of the Ancestors 00:43
  • 38 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 2: Ritual Action of the Ancestors 03:38
  • 39 Stravinsky: The Rite of Spring, K015 (Revised 1947), Part 2: Sacrificial Dance (The Chosen One) 04:47
  • Total Runtime 01:56:40

Info for Stravinsky Ballets



A magical bird outwits a green-clawed demon. A puppet judders into life at the Shrovetide Fair. And a pagan tribe summons the forces of nature, in music so violent that even 100 years later, we’re still feeling the aftershock.

110 years ago, Diaghilev’s Ballets Russes turned western art upside down, and Igor Stravinsky wrote the soundtrack. From the folk magic of the Firebird, to the fairground revels of Petrushka and the shattering rhythmic explosions of The Rite of Spring, it’s all about colour, energy and dazzling artistry. And believe us, when Sir Simon conducts three of his signature works in one incredible night, that’s exactly what you’ll get.

Stravinsky sent shockwaves through classical music in the 20th century. His first three ballets—The Firebird, Petrushka and The Rite of Spring, all composed between 1909 and 1913—brought a new and frenzied sense of rhythm, so distressing to audiences that it caused uproar; The Rite of Spring even caused a riot.

And it’s not hard to see why. Is there any moment in music more demonic than the opening to The Firebird, a terrifying rumble of strings that would make Jaws tremble? There are few pieces more unsettling than The Rite of Spring with its carnal, tribal rhythms; or Petrushka with its impish Punch and Judy puppets.

A notable voice of authority on the works of Stravinsky, Sir Simon Rattle masterfully brings these three creations to life in this dramatic performance, recorded live in the Barbican Hall as part of his inaugural season as LSO’s Music Director.

“The juxtaposition of the three ballets also made sense as an incredibly vivid lesson in music history. To progress from the beauties of Firebird to the vividness of Petrushka and the rhythmic savagery of Rite in one evening is to be taken on a unique journey. Only the superlatives, only the full five stars can do justice to an evening which is bound to stay imprinted on the memory. This was a very fine concert indeed.” (Sebastian Scotney, Bachtrack)

London Symphony Orchestra
Sir Simon Rattle, conductor

No biography found.

Booklet for Stravinsky Ballets

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