Home Brew (Remastered) Arthur Adams

Album info

Album-Release:
1975

HRA-Release:
11.01.2019

Label: Cleopatra Blues

Genre: Blues

Subgenre: Electric Blues

Album including Album cover

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Formats & Prices

FormatPriceIn CartBuy
FLAC 44.1 $ 12.80
  • 1Home Brew04:54
  • 2Do What Cha Doin'02:51
  • 3The Blues04:33
  • 4We've Got an Understanding02:54
  • 5That's the Way You Move02:59
  • 6Keep on Dancing03:29
  • 7First-Class Woman03:59
  • 8Chicago Sidewalk03:20
  • 9Bumpin' Around02:33
  • 10That's the Way It's Gonna Be04:10
  • Total Runtime35:42

Info for Home Brew (Remastered)



Arthur Adams' second album Home Brew may boast a production that's a little too slick, but there's no disguising the fact that the record is an appealing collection of driving blues, distinguished by some unpredictable jazzy flourishes that keep things interesting, even when the songwriting is uneven.

Arthur Adams was one of the many excellent west coast session players of the early 70s – and if you check the notes on some of your favorite California soul albums, you'll find that you've probably heard his guitar an awful lot over the years! As with some of the other Fantasy albums of the mid 70s, this one gives a more obscure player a chance to step out in the light – as Adams does wonderfully with smooth jazz funk production by Wayne Henderson, which brings out some great tonal colors in Adams' guitar playing. There's a bit of a New Orleans sound in the record, but the real feel is Fantasy Records jazz funk – as you'll hear on the cuts "Chicago Sidewalk", "Bumpin' Around", and "That's the Way It's Gonna Be".

Arthur Adams, guitar, vocals
Wayne Henderson, percussion
James Jamerson, bass
Kent Brinkley, bass
Wilton Felder, bass
Al Vescovo, guitar
Dennis Coffey, guitar
Stix Hooper, drums
Earl Palmer, drums
Joe Sample, piano
Lanny Hartley, piano
Jerry Peters, clavinet, organ, synthesizer
Joe Sample, clavinet, synthesizer
George Bohanon, baritone saxophone, trombone
Oscar Brashear, horn bugle, trumpet
Ronnie Laws, flute, soprano saxophone, tenor saxophone

Digitally remastered



Arthur Adams
was born in a small town in Medon, Tennessee; twelve miles from Jackson, Tennessee. Jackson is eighty-four miles north of Memphis, Tennessee. Arthur attended Tennessee State University for one year, then, joined Jimmy Beck's Band in the early sixties. He traveled throughout the south and moved to Los Angeles, California in the late sixties where he began his recording and writing career. His first album "It's Private Tonight" is on Blue Thumb records. "Home Brew" and "Midnight Serenade" are both on Fantasy records. "Back on Track" is on Blind Pig records, and "Soul of the Blues" is on PMRC records.

Arthur has played and recorded with B.B. King, wrote the song "Mean and Evil" and "Something Up My Sleeve" for B.B. King. He also wrote the song "Love and Peace" for Quincy Jones' grammy award-winning Walking In Space album, "Somebody Is Gonna Miss Me" for Sam Cooke on the Twistin the 'Nite Away album, "Truck Load of Loving" for Albert King, played guitar on the Nick of Time album for Bonnie Raitt, Jimmy Smith's album Root Down, Jerry Garcia's Garcia, the Crusaders' Street Life (as well as Pass The Plate, Hollywood and almost all of their 70s output), Johnnie Guitar Watson, Dr. John and many more (including Charles Kynard's Woga, Gene Ammons' Free Again, David Axelrod's Marchin', Bobby Bryant's Swahili Strut, Phil Upchurch's Darkness, Darkness, Letta Mbulu's Letta, Cal Tjader's Demasiado Caliente and Lowell Fulsom's seminal Tramp to name but a few).

Arthur appears in the movie "Town & Country", starring Warren Beatty and Goldie Hawn where played and sang the song "I Can't Stand the Rain". Arthur's freight train guitar and soul-steeped vocals, combined with his prolific predilection for writing great material (often in conjunction with award-winning composer Will Jennings), are all brilliantly showcased on his Blind Pig debut Back On Track, his first album in two decades. The set features two sparkling duets ("Got You Next To Me" and "The Long Haul") pairing Adams with his principal stylistic influence, the great B.B. King, and his regal presence is quite an honor for his long time friend Arthur.

This album contains no booklet.

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