The Boss (Remastered) Diana Ross

Album info




Genre: R&B

Subgenre: Soul

Artist: Diana Ross

Album including Album cover

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  • 1No One Gets The Prize04:41
  • 2I Ain't Been Licked04:06
  • 3All For One04:18
  • 4The Boss03:58
  • 5Once In The Morning04:51
  • 6It's My House04:32
  • 7Sparkle05:21
  • 8I'm In The World03:59
  • Total Runtime35:46

Info for The Boss (Remastered)

Ashford & Simpson, who had produced Diana's eponymous debut nine years earlier, teamed with her again on this 1979 release. The results, of course, were sensational: a #14 album with unforgettable R&B hits like the title track and It's My House -both of which appear here in their original form and remastered in 96 and 192 kHz!

Diana Ross, lead vocals
Michael Brecker, saxophone
Rob Mounsey, horn & string arrangements
Paul Riser, horn & string arranger
Eric Gale, guitar
Ray Chew, keyboards
Anthony Jackson, bass
Francisco Centeno, bass
John Sussewell, drums
Errol Bennett, percussion
Sammy Figueroa, percussion
Valerie Simpson, piano, backing vocals
Nickolas Ashford, backing vocals
Maxine Waters, backing vocals
Julia Waters, backing vocals
Stephanie Spruill, backing vocals

Recorded at Sigma Sound Studio and Celebration Studio, New York, New York
Engineered by Mike Hutchinson
Produced by Nickolas Ashford, Valerie Simpson

Digitally remastered

Diana Ross
While still in high school Ross became the fourth and final member of the Primettes, who recorded for Lu-Pine in 1960, signed to Motown Records in 1961 and then changed their name to the Supremes. She was a backing vocalist on the group's early releases, until Motown boss Berry Gordy insisted that she become their lead singer, a role she retained for the next six years. In recognition of her prominent position in the Supremes, she received individual billing on all their releases from 1967 onwards.

Throughout her final years with the group, Ross was being groomed for a solo career under the close personal supervision of Gordy. In late 1969, he announced that Ross would be leaving the Supremes, and she played her final concert with the group in January 1970. The same year, following the relative failure of "Reach Out And Touch (Somebody's Hand)", Ross began a long series of successful solo releases with the US chart-topping "Ain't No Mountain High Enough". She continued to enjoy success with lightweight love songs in the early 70s, with "I'm Still Waiting" topping the UK charts in 1971, and "Touch Me In The Morning" becoming her second US number 1 in 1973.

In April 1971, she had married businessman Robert Silberstein. Motown's plan to widen Ross' appeal led her to host a television special, Diana!, in 1971. In 1972, she starred in Motown's film biography of Billie Holiday, Lady Sings The Blues, winning an Oscar nomination for her stirring portrayal of the jazz singer's physical decline into drug addiction. However, subsequent starring roles in Mahogany (1975) and The Wiz (1978) drew a mixed critical response. In 1973, she released an album of duets with Marvin Gaye, though allegedly the pair did not meet during the recording of the project. She enjoyed another US number 1 with the theme song from Mahogany, subtitled "Do You Know Where You're Going To", in 1975.

Her fourth US chart-topper, "Love Hangover" (1976), saw her moving into the contemporary disco field, a shift of direction that was consolidated on the 1980 album Diana, produced by Nile Rodgers and Bernard Edwards of Chic. Her choice of hit material continued to be inspired and the 80s started with a major hit, "Upside Down", which rooted itself at the top of the US chart for a month, and reached number 2 in the UK. Similar but lesser success followed with "I'm Coming Out" (US number 5) and "It's My Turn" (US number 9), although she enjoyed another UK Top 5 hit with the jaunty "My Old Piano". The following year a collaboration with Lionel Richie produced the title track to the movie Endless Love.

This album contains no booklet.

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