Sanyas Steve Turre

Album info

Album-Release:
2024

HRA-Release:
28.06.2024

Label: Smoke Sessions

Genre: Jazz

Subgenre: Hard Bop

Artist: Steve Turre

Album including Album cover

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FLAC 96 $ 13.20
  • 1 Sanyas 13:18
  • 2 All the Things You Are 10:21
  • 3 Wishful Thinking 09:15
  • 4 Mr. Kenyatta 09:52
  • 5 These Foolish Things (Bonus Track) 06:24
  • Total Runtime 49:10

Info for Sanyas



Legendary trombonist and shell master Steve Turre’s SANYAS is amazingly his first live recording as a leader in landmark in a career spanning more than 50 years. Recorded over an electrifying weekend at Smoke Jazz Club, SANYAS boasts a dream all-star band that continues the mission of Turre’s previous Smoke Sessions release, GENERATIONS, in bringing together stellar artists from multiple generations. Turre is joined by elders in the form of the iconic rhythm section of bassist Buster Williams and drummer Lenny White; modern masters trumpeter Nicholas Payton and tenor saxophonist Ron Blake; and the rapidly rising star Isaiah J. Thompson on piano.

The title track of SANYAS is also significant for harkening back nearly to the dawn of Turre’s career. “Sanyas” was originally recorded by Woody Shaw on the trumpeter’s 1975 album The Moontrane, becoming the trombonist’s first composition and first solo on record. He later reprised the piece on his own 1991 album, RIGHT THERE. The name comes from Hindu spiritual practice, though Turre’s composition was inspired by the bright orange robes worn by the Sanyasi, monks who have renounced worldly goods and pursuits.

“Different harmonies or rhythms evoke different colors,” the composer says. “All the musicians on this album are master musicians, so I thought it would be interesting to revisit the tune for a fresh interpretation and see what these masters would bring to it.”

Live albums, at their best, capture lightning in a bottle. SANYAS is rich with that feeling of electricity and spontaneity, a first-time meeting edged with risk-taking but stunning in the conversation between six masters. Turre praised the setting, Smoke Jazz Club, for its adherence to and celebration of the jazz tradition, but it’s clear from the excitement shared by band and audience alike that in his view, “tradition” doesn’t equate to a lack of adventure or challenge.

“There’s a difference between extending tradition and feeling the need to break with tradition,” he concludes. “I'm a firm believer that you don't have to try to be different. You just have to be yourself, which is hard to do. That's where the magic comes in.”

Steve Turre, trombone & shells
Nicholas Payton, trumpet
Ron Blake, tenor saxophone
Isaiah J. Thompson, piano
Buster Williams, bass
Lenny White, drums



Steve Turre
One of the world’s preeminent jazz innovators, trombonist and seashellist Steve Turre, has consistently won both the Readers’ and Critics’ polls in JazzTimes, Downbeat, and Jazziz for Best Trombone and for Best Miscellaneous Instrumentalist (shells). Turre was born to Mexican-American parents and grew up in the San Francisco Bay area where he absorbed daily doses of mariachi, blues and jazz. While attending Sacramento State University, he joined the Escovedo Brothers salsa band, which began his career-long involvement with that genre.

In 1972 Steve Turre’s career picked up momentum when Ray Charles hired him to go on tour. A year later Turre’s mentor Woody Shaw brought him into Art Blakey’s Jazz Messengers. After his tenure with Blakey, Turre went on to work with a diverse list of musicians from the jazz, Latin, and pop worlds, including Dizzy Gillespie, McCoy Tyner, J.J. Johnson, Herbie Hancock, Lester Bowie, Tito Puente, Mongo Santamaria, Van Morrison, Pharoah Sanders, Horace Silver, Max Roach, and Rahsaan Roland Kirk. The latter introduced hum to the seashell as an instrument. Soon after that, while touring in Mexico City with Woody Shaw, Turre’s relatives informed him that his ancestors similarly played the shells. Since then, Turre has incorporated seashells into his diverse musical style.

In addition to performing as a member of the Saturday Night Live Band since 1984, Turre leads several different ensembles. Sanctified Shells utilizes the seashell in a larger context, transforming his horn section into a “shell choir”. Turre’s Spring 1999 Verve release, Lotus Flower, showcases his Sextet With Strings. The recording explores many great standards and original compositions arranged by Turre for a unique instrumentation of trombone and shells, violin, cello, piano, bass and drums. Turre’s quartet and quintet provide a setting based in tradition and stretching the limits conceptually and stylistically. In the Summer of 2000, Telarc released In The Spur of the Moment. This recording features Steve with three different quartets, each with a different and distinct master pianist: Ray Charles, Chucho Valdes, and Stephen Scott.

Turre’s self-titled Verve release pioneers a unique artistic vision, drawing upon jazz, Afro-Cuban, and Brazilian sources. This innovative recording also features Cassandra Wilson, Randy Brecker, Graciela, Mongo Santamaria and J.J. Johnson. Previously Turre recorded Right There and Rhythm Within, featuring Herbie Hancock, Jon Faddis, Pharoah Sanders, and Sanctified Shells, on Verve’s subsidiary label, Antilles.

Steve Turre continually evolves as a musician and arranger. He has a strong command of all musical genres and when it comes to his distinct brand of jazz, he always keeps one foot in the past and one in the future.

This album contains no booklet.

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