Mozart, Youth Symphonies Freiburger Barockorchester & Gottfried von der Goltz

• Wolfgang Amadeus Mozart (1756 - 1791): Symphony in E-Flat Major, K. 16:
• 1 Symphony in E-Flat Major, K. 16: I. Molto allegro 05:37
• 2 Symphony in E-Flat Major, K. 16: II. Andante 05:24
• 3 Symphony in E-Flat Major, K. 16: III. Presto 02:19
• Wolfgang Amadeus Mozart:
• 4 Five Contredanses, K. 609, No. 2 01:00
• Symphony in D Major, K. 19:
• 5 Symphony in D Major, K. 19: I. Allegro 02:19
• 6 Symphony in D Major, K. 19: II. Andante 04:14
• 7 Symphony in D Major, K. 19: III. Presto 02:42
• Wolfgang Amadeus Mozart:
• 8 Five Contredanses, K. 609, No. 3 01:38
• Symphony in F Major, K. Anh. 223/19a:
• 9 Symphony in F Major, K. Anh. 223/19a: I. Allegro assai 05:24
• 10 Symphony in F Major, K. Anh. 223/19a: II. Andante 04:47
• 11 Symphony in F Major, K. Anh. 223/19a: III. Presto 02:34
• Wolfgang Amadeus Mozart:
• 12 Five Contredanses, K. 609, No. 1 01:40
• Symphony in B-Flat Major, K. 22:
• 13 Symphony in B-Flat Major, K. 22: I. Allegro 02:49
• 14 Symphony in B-Flat Major, K. 22: II. Andante 02:33
• 15 Symphony in B-Flat Major, K. 22: III. Allegro molto 01:30
• Wolfgang Amadeus Mozart:
• 16 Five Contredanses, K. 609, No. 4 02:38
• Symphony in G Major, K. Anh. 221/45a:
• 17 Symphony in G Major, K. Anh. 221/45a: I. Allegro maestoso 05:23
• 18 Symphony in G Major, K. Anh. 221/45a: II. Andante 05:45
• 19 Symphony in G Major, K. Anh. 221/45a: III. Molto allegro 02:21
• Wolfgang Amadeus Mozart:
• 20 Five Contredanses, K. 609, No. 5 02:01
• Total Runtime 01:04:38

Info for Mozart, Youth Symphonies

It is true that images have the power to keep a trace of the past. Gottfried von der Goltz and the Freiburger Barockorchestra prove with this recording that music too conceals the secret of the memory deep within. Though rarely played, much less recorded, Mozart’s youth symphonies bear the reminiscence of the child the composer used to be, as well as including the seeds of his future masterpieces.

With this album The Freiburger Barockorchester fulfil the portrait of the brilliant composer, whose influences lie in these symphonies and contredanses, as well as his musical tastes: from the G minor tonality that we hear in the Symphony K. 22 to the aria Non piu andrai that can be heard in the first Contredanse - the music of the young Mozart echoes to the elder.

Conducted by Gottfried von der Goltz, expert of the repertoire, the orchestra offers a genuine performance and interpretation, delivering the last piece of the Mozart puzzle.

Freiburger Barockorchester
Gottfried von der Goltz, direction

Das Freiburger Barockorchester
According to legend, it all began on New Year’s Eve in 1985, when several students at the College of Music in Freiburg – excited about the upcoming new year and in full flush thanks to a few glasses of sparkling wine – decided to form an ensemble and play Baroque music on historical instruments.

After two years of rehearsals, with intensive research into sources and animated discussions on how on earth to play this or that phrase in Baroque style, they were ready: the musicians appeared for the first time under the name ‘Freiburg Baroque Orchestra’ in the Burgheim Church in Lahr on 8 November 1987. The program consisted of Baroque music from England (Purcell), France (Lully), Italy (Corelli), Austria (Muffat) and the Netherlands (Wassenaer).

Even after more than twenty years, the musicians of the Freiburg Baroque Orchestra still approach every single work or concert programme from this perspective. Though in the meantime its repertoire has enlarged impressively, ranging from the Baroque 17th century, through the Classic and Romantic periods, to current works. Yes, the ‘Freiburgers’ (as they are often referred to in the music scene) have also inspired experimental musical interest amongst contemporary composers to create works for their Baroque instruments. Indeed, very often with an explicit Baroque reference, for example during the Bach Week in Ansbach where the musicians baptised an ‘Ansbachian Concert’ by Manfred Trojahn in August 2009, whose instrumentation and operatic concert form referred to Johann Sebastian Bach’s Fourth Brandenburg Concerto.

Another property inseparably connected with the FBO is that they mostly play without a conductor. As was usual in the 18th century, the Freiburg Baroque Orchestra is also led from the concertmaster’s platform. Less historically, actually in an extremely modern manner, the Freiburgers fill this position with two Artistic Managers of equal status (a form of dual command), who alternately manage individual projects: Gottfried von der Goltz and Petra Müllejans. Conductors are, of course, invited for works involving a larger number of players. The most prominent guest, and particularly popular amongst the musicians, is René Jacobs, under whose leadership the FBO won the German Record Critics’ Award in 2009 for their recording of Mozart’s opera Idomeneo. Often, and this too is a special quality of the FBO, the ensemble’s own musicians appear as soloists in concerts and on CD. And this brings us to the trade mark of the Freiburg Baroque Orchestra: major aspirations, enormous playing pleasure and a lively musical inquisitiveness. Whereby rediscovering unknown music is just as important as getting familiar music to speak in a new dialect. The Freiburg Baroque Orchestra has conquered the most famous concert halls on the international music scene with this artistic credo, where they can be heard with about 100 appearances per year. Often with some of the most famous interpreters of our time, such as Christian Gerhaher, Isabelle Faust, Philippe Jaroussky and René Jacobs. The orchestra’s discography has meanwhile grown to over 60 CDs, of which many recordings have won prizes. That the Freiburg Baroque Orchestra has also played itself to the top of the traditional classical scene is demonstrated by the fact that it was the very first Baroque orchestra to be invited to open the Salzburg Festival, in 2009.

In addition to its own series of concerts in the Freiburg Concert Hall, the FBO has also found a musical home in Stuttgart’s Liederhalle and Berlin’s Philharmonie for over 15 years with a series of concerts that it organises itself.

Booklet for Mozart, Youth Symphonies