Le Parler et le Silence The Attaignant Consort

Cover Le Parler et le Silence

Album info

Album-Release:
2013

HRA-Release:
03.07.2013

Label: Ramée

Genre: Classical

Subgenre: Instrumental

Artist: The Attaignant Consort

Album including Album cover Booklet (PDF)

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FLAC 88.2 $ 15.80
  • 1 Pulchra es amica mea 04:07
  • 2 Fantasia 02:05
  • 3 Canzon decima 01:59
  • 4 Fantasie 02:24
  • 5 Canzon settimadecima 03:19
  • 6 Fantasia seconda 04:38
  • 7 L'enfant amour 01:51
  • 8 Yeux qui guidez mon ame 03:07
  • 9 Psalm 9 03:17
  • 10 My Choice Is Made 01:30
  • 11 La Tortorella 02:05
  • 12 Galliard 01:17
  • 13 Fantasia 01:23
  • 14 Fantasia 03:04
  • 15 Première entrée 01:19
  • 16 Si le penser de mon ame 01:35
  • 17 Si c'est un crime que l'aymer 01:13
  • 18 Esprits qui soupirez 01:13
  • 19 O destin par trop rigoureux 01:02
  • 20 Si le parler et le silence 01:05
  • 21 Chaconne des harlequins de Mr Lully 02:57
  • 22 Ma bergère 02:01
  • 23 Si c'est un crime que l'aymer 02:11
  • 24 L'amour, le seul amour 02:55
  • 25 Prelude 01:49
  • 26 Chaconne 01:52
  • 27 Fanfare 01:03
  • 28 L'amant le plus fidelle 01:13
  • 29 Air anglois 00:53
  • 30 Sonata No. 1 in G Major, Op. 34 I. Adagio 02:48
  • 31 Sonata No. 1 in G Major, Op. 34 II. Presto 01:53
  • 32 Sonata No. 1 in G Major, Op. 34 III. Adagio 01:41
  • 33 Sonata No. 1 in G Major, Op. 34 IV. Allegro 01:31
  • Total Runtime 01:08:20

Info for Le Parler et le Silence

This recording is the sequel to The Attaignant Consort’s first album “Madame d’amours” and the third and last in a series of three recordings presenting the art of the Renaissance flute, both as solo instrument and as a consort instrument from the late fifteenth century until the middle of the seventeenth. This album places the accent on the musical transition of the seventeenth century, and shows how the consort of flutes adapted to the new styles of composition, which pushed it to the very limits of its possibilities. This recording illustrates the repertory for flute consort from its beginnings, including examples of the first instrumental fantasias, of “airs de cour” in four voices, a suite of English songs, bicinia, and finally French airs enriched with Baroque ornaments from the early eighteenth century.

The Attaignant Consort:
Kate Clark, baroque flute
Frédérique Chauvet, baroque flute
Marcello Gatti, baroque flute
Mathieu Langlois, baroque flute
Nigel North, lute

No biography found.

Booklet for Le Parler et le Silence

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