Meditation: Works from Puccini / Bizet / Gounod / Mascagni / Mozart Elina Garanča
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- Charles Gounod (1818–1893): Messe solennelle de Ste. Cécile
- 2Repentir (O Divine Redeemer)06:34
- Uģis Prauliņš (1957): Dievaines
- Pietro Mascagni (1863-1945): Cavalleria rusticana
- 4Regina coeli laetare05:56
- 5Ave Maria03:49
- William Gomez (1939-2000): Ave Maria
- 6Ave Maria03:52
- Wolfgang Amadeus Mozart (1756-1791): Vesperae solennes de confessore In C, K.339
- 75. Laudate Dominum omnes gentes (Ps. 116/117)05:09
- George Bizet (1838–1875): Agnus Dei
- 8Agnus Dei03:54
- Giacomo Puccini (1858-1924): Salve Regina
- 9Salve Regina06:38
- Adolphe Adam (1803-1856): Cantique de Noel
- 10Cantique de Noel05:25
- Pēteris Vasks (1946-): Silent Songs
- 112. Dusi dusi01:33
- 124. Paldies tev vela saule02:50
- Gregorio Allegri (1582-1652): Miserere Mei, Deus
- 13Miserere Mei, Deus08:16
- Giulio Caccini (1551-1618), Vladimir Vavilov (1925-1973): Ave Maria
- 14Ave Maria05:41
Info for Meditation: Works from Puccini / Bizet / Gounod / Mascagni / Mozart
Elīna presents a beautiful selection of spiritual music dedicated to the eternal search and longing for inner peace. It’s perhaps one of her most personal albums ever which connects the listener with Elīna’s Latvian roots. The album includes a couple of real discoveries like Prauliņš’ Dievaines, but also some hit repertoire like the Cantique de Noel d'Adam. This is probably her most commercial album to date; the careful selected variety of the repertoire will attract a lot of new fans.
Latvian choirs are extremely famous worldwide, so it was natural for her to want a Latvian choir with her for this recording.
Two Latvian composers have been involved in the music for this recording – Uģis Prauliņš for his work Dievaines, and Eriks Esenvalds who has written an a cappella arrangement (Allegri Miserere) especially for this recording.
Elīna is joined on this recording by her husband, the well-known Gibraltan conductor Karel Mark Chichon OBE. This is their second collaboration on disc for DG following the success of Habanera.
Elina Garanca, mezzo-sopran
Latvian Radio Choir
Karel Mark Chichon, conductor
Recorded at Saarbrücken, Saarländischer Rundfunk, Funkhaus Halberg, Großer Sendesaal, October 2013
Recording Engineers (Tonmeister): Stephan Flock (EBS), Ralf Schnellbach (SR)
Recorded and mastered by Emil Berliner Studios
Produced by Anna Barry
Executive Producers: Anna Barry, Ute Fesquet
The Latvian capital Riga was named European Capital of Culture for 2014, but it gave birth to one of its greatest cultural exports in 1976. It was home to Elīna Garanča, who was born into a musical family and entered the Latvian Academy of Music at the age of 20. She was soon on the way to becoming one of the world’s most outstanding mezzo sopranos. She started as she meant to go on: while she was still a student she stepped in at just ten days’ notice to perform the role of Giovanna Seymour in Donizetti’s Anna Bolena, uncovering a love affair with the bel canto repertoire which has seen her through countless breathtaking performances.
When she graduated from the Academy she joined the Meiningen Staatstheater in Germany, appeared as a resident artist with the Frankfurt Opera, sang at the Savonlinna Opera Festival, was a finalist in the 2001 BBC’s Cardiff Singer of the World Competition and won the Mirjam Helin Singing Competition in Finland. Her path was set.
She consolidated her career singing at the Vienna State Opera, the Salzburg Festival, the Helsinki Opera’s Rossini Festival, in Paris, Aix-en-Provence, Lucerne and Graz, and in 2003 made a guest appearance for Deutsche Grammophon when she joined Anna Netrebko in a scene and cavatina from Lucia di Lammermoor on Netrebko’s debut album ‘Opera Arias’.
In 2005 her extraordinary gifts were recognised with an exclusive contract from the Yellow Label. Her first solo recording “Aria Cantilena” came in 2007, winning great acclaim and an Echo Klassik Singer of the Year award. She followed it with “Bel Canto” in 2009, winning another Echo Klassik award and a BBC Music Magazine Award, “Habanera” in 2010 and “Romantique” in 2012, which also won an Echo Klassik award. Again, critics and music-lovers alike were bowled over by her vocal agility, dramatic presence and the sheer beauty of her voice. The Boston Globe wrote: “… she demonstrates why critics have been spilling superlatives in describing her performances.” She has also contributed to many opera releases, including Carmen, Anna Bolena, La Cenerentola and Bellini’s I Capuleti e i Montecchi.
On stage her most celebrated roles have included Annio in La clemenza di Tito, Charlotte in Werther, Dorabella in Così fan tutte, Sesto in La clemenza di Tito and Rosina in Il barbiere di Siviglia.
With growing acclaim for her stage appearances and a fast growing discography, Elīna Garanča is in ever more demand. She made her house debut at the Royal Opera House Covent Garden in 2007, her Metropolitan Opera debut the following year. The New York Times went into overdrive: “Ms. Garanča has all the goods: musicality, technique, voice, confidence, smarts, dramatic range – and movie-star looks. She practically defines ‘can’t miss’. And in her Met debut on Saturday night, she did not miss . . .”
In 2009 she returned to Covent Garden in the title role of Bizet’s Carmen, then starred in a new production of the work at the Metropolitan Opera in New York which was broadcast in more than one thousand cinemas worldwide. She was named Musical America’s Vocalist of the Year 2010 and won the MIDEM Classical Award as Singer of the Year. In 2013, Garanča became one of the youngest recipients of the Vienna State Opera’s “Kammersängerin” award, marking her 140 performances of 18 roles since her debut in the house in 2003.
In 2014 she will be singing in Donizetti’s La favorita at the Salzburg Festival, Berlioz’ La damnation de Faust at the Deutsche Oper Berlin and Bellini’s I Capuleti e i Montecchi at the Bayerische Staatsoper and also in Baden-Baden. In addition to her opera schedule she is also busy on the concert stage. During 2014 she appears in Salzburg to sing Verdi’s “Libera me” from the Requiem and in Rossini’s Stabat mater at the Grosses Festspielhaus and tours Europe, singing in Amsterdam, Oviedo, Berlin, Paris, Vienna, London, Hamburg, Munich and Lucerne, and elsewhere.
While she has made such a mark on the musical world, Elīna Garanča is someone who also lives life to the full, a quality which is eloquently reflected in the depth of understanding in her singing. In January 2014 she announced the birth of her second daughter, saying “we embrace the future full of joy and new experiences”. Her quiet satisfaction with life is reflected in Meditation, a new album to be released in September 2014. A programme spanning 400 years of sacred and spiritual music, it reflects a true sense of inner peace and fulfilment, she says: “My life is so happy that I feel infinite gratitude: for my colleagues, my family, my voice – and for all the great composers.”