Chopin: Nocturnes, Mazurkas, Berceuse, Sonata, Opp. 55-58 Maurizio Pollini
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- Frédéric Chopin (1810 - 1849):
- 1Nocturne in F Minor, Op. 55 No. 104:38
- 2Nocturne in E-Flat Major, Op. 55 No. 204:43
- 3Mazurka in B Major, Op. 56 No. 104:31
- 4Mazurka in C Major, Op. 56 No. 201:40
- 5Mazurka in C Minor, Op. 56 No. 305:41
- 6Berceuse in D-Flat Major, Op. 5704:29
- Piano Sonata No. 3 in B Minor, Op. 58:
- 71. Allegro maestoso12:25
- 82. Scherzo (Molto vivace)02:31
- 93. Largo07:40
- 104. Finale (Presto non tanto)05:14
Info for Chopin: Nocturnes, Mazurkas, Berceuse, Sonata, Opp. 55-58
Frédéric Chopin made his name in the high-society salons of his native Poland and, above all, in the vibrant Paris of Eugène Delacroix, Victor Hugo and George Sand. His pieces for solo piano, often technically challenging, always enchanting, are in constant global demand today, especially when brought to life by a performer of Maurizio Pollini’s stature. The 76-year-old Italian musician has been in love with Chopin’s art since
childhood, a passion clear in his critically acclaimed recordings of the composer’s works for Deutsche Grammophon. Maurizio Pollini – Chopin, set for international release on 25 January 2019, embraces a lifetime’s dedication to the composer and complements Pollini’s much praised 2017 album, Chopin – Late Works, opp.59–64.
Maurizio Pollini, “the pre-eminent Chopinist of his generation” (Fanfare), continues his revelatory chronological re-exploration of the Polish master’s late works.
Here are the pianist’s latest thoughts on Opp. 55–58 (1843/4), including the B minor Sonata and Berceuse. “An indispensable album for all devotees of the composer or the pianist” (ResMusica) [review of Pollini’s “Chopin: Late Works”, Opp. 59–64]
"Pollini, explicitly recorded but with air around the instrument, opens with an aristocratic account of the Barcarolle (Chopin at his greatest) and continues with the Opus 59 Mazurkas, from which the A-flat is especially wistful (its endearing melody shaped perfectly) whereas the F-sharp minor is fiery, its knotty decorations made lucid." (Classical Source) [review of Pollini’s “Chopin: Late Works”, Opp. 59–64]
Maurizio Pollini, piano
was born in 1942 and studied with Carlo Lonati and Carlo Vidusso. After winning First Prize at the 1960 Warsaw Chopin Competition, he went on to establish an international career of the greatest importance, performing in the world’s major concert halls and working with the most distinguished orchestras and conductors including Karl Boehm, Herbert von Karajan, Claudio Abbado, Pierre Boulez, and Riccardo Muti. He was awarded the Vienna Philharmonic Ehrenring in 1987 after performing the Beethoven concertos in New York, the Ernst-von-Siemens Music Prize in Munich in 1966, the ‘A Life for Music – Arthur Rubinstein’ Prize in Venice in 1999 and the Arturo Benedetti Michelangeli Prize in Milan in 2000.
In 1995 Maurizio Pollini opened the Festival that Tokyo dedicated to Pierre Boulez and, in the same year, he devised and performed in his own concert series at the Salzburg Festival. He gave similar concert series in New York at Carnegie Hall, in Paris for la Cité de la Musique,Tokyo, and in Rome at the Parco della Musica. The programmes included both chamber and orchestral performances and mirrored his wide musical tastes from Gesualdo and Monteverdi to the present. In summer 2004 he was the ‘Artist Etoile’ at the International Festival Lucerne, performing a recital and concerts with orchestra conducted by Claudio Abbado and Pierre Boulez.
Maurizio Pollini’s repertoire ranges from Bach to contemporary composers (including première performances of Manzoni, Nono and Sciarrino) and includes the complete Beethoven Sonatas, which he has performed in Berlin, Munich, Milan, New York, London, Vienna and Paris. He has recorded works from the classical, romantic and contemporary repertoire to worldwide critical acclaim. His recordings of the complete works for piano by Schoenberg, and of works by Berg, Webern, Manzoni, Nono, Boulez and Stockhausen, are a testament to his great passion for music of the 20th century. Most recently Maurizio Pollini was responsible for the commissioning of the expansion of the original Grido (String Quartet No.3) by Helmut Lachenmann - a pupil of Nono - into Double (Grido II) for a 48-strong string orchestra.
In 2007 Pollini was awarded a Grammy for best Instrumental Soloist Performance and the Disco d’Oro; he received the 2006 Echo Award in Germany, and the Choc de la Musique, Victoires de la Musique and Diapason d’Or de l’Année in France. Most recently he won the Echo Klassik award in the Best Concerto category for his recording of the Brahms First Piano Concerto with Christian Thielemann and the Staatskapelle Dresden.
In 2010 Pollini performed the Chopin Birthday Recital on the anniversary of the composer’s birth in the International Piano Series in London as part of the Chopin 200 celebrations and last season he played a highly successful series of five recitals in the Piano Series at the Royal Festival Hall - The Pollini Project – charting the development of piano music from Bach to Boulez, for which he won the prestigious Royal Philharmonic Society Instrumentalist award.