Mask Of All Misery Meshiaak

Album info

Album-Release:
2019

HRA-Release:
15.11.2019

Label: Mascot Records

Genre: Rock

Subgenre: Metal

Album including Album cover

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  • 1Miasma04:07
  • 2Mask of All Misery05:26
  • 3Bury the Bodies05:10
  • 4City of Ghosts04:04
  • 5Face of Stone05:36
  • 6Tears That Burn The Son04:47
  • 7Doves05:36
  • 8In The Final Hour04:26
  • 9Adrena05:20
  • 10Godless07:21
  • Total Runtime51:53

Info for Mask Of All Misery



Meshiaak return with their blistering second album Mask Of All Misery, which will be released on 15th November, via Mascot Records.

It has been three years since the Australian quartet's debut album 'Alliance of Thieves' dropped, which married dark undertones, heavy grooves and sophistication whilst retaining old-school metal values. Upon its release Metal Hammer applauded its "modern power/thrash metal attack," Powerplay exclaimed that the album "bludgeons and berates the senses with incredible precision and astounding musicianship" and Classic Rock revelled in the "mix of brooding progressive metal and heavy rock."

So, it's no surprise then, that the band are back to continue the story and have a new member and renewed energy. Formed in Melbourne, by 4ARM's Danny Camilleri and Teramaze's Dean Wells with bassist Andrew Cameron, they have recruited drummer David Godfrey who replaces Jon Dette, following his departure due to logistical reasons with him being based in the US and the rest of the band in Australia.

Mask Of All Misery is an album that journey's through a maze of toxic influences and the masks the exponents wear. "The album deals with a lot of personal reflection and issues as well as attacking or addressing much broader issues concerning perhaps the ignorance of society in regards to what's going on around us all," explains Camilleri.

Meshiaak


Meshiaak
In a thrash world gone metalcore, blackened or conversely, NWOBHM-scrappy, it's hard justice indeed that a band of brothers has come together to champion songwriting, performance, production, arrangement and even sequencing this forthrightly, Meshiaak bestowing on the scene an egregiously confident and 'old soul' record that evokes the magic of Ride the Lightning, Rust in Peace, South of Heaven and Burn My Eyes.

Formed in Melbourne, Australia by 4ARM's Danny Camilleri and Teramaze's Dean Wells, the band is rounded out by bassist Nick Walker and major rhythmic weapon Jon Dette, of Iced Earth, Slayer and Testament fame, not to mention his gig as temporary replacement for an injured Charlie Benante in Anthrax. It is the combination of the embarrassment of riches—and richness of ideas—embedded in the songwriting team of Tombs and Wells, with the band's warm and yet locked-down rhythmic beds that conspire to make tracks like groovy thrasher 'Chronicle of the Dead' and conversely the textured and proggy 'At the Edge of the World' so easy-drinking and yet thought-provoking of detail.

'We went with keeping the sound as band-orientated and organic as possible, but with using a lot of modern technology,' explains Dean. 'It's a blend of old and new because we recorded to two-inch tape for the drums through an old Neve desk, but the rest of the album was produced in my home studio. We also went with a mixer named Jacob Hansen who is known for a lot more progressive music. But I think the combination really gives Meshiaak a new and fresher sound than most traditional thrash albums. And so we've tried to create something fresh amongst the guidelines of traditional metal and thrash with some progressive elements, although at the same time we wanted to make music feel like when we first discovered bands like Megadeth, Metallica, Machine Head etc., even Alice in Chains and Slipknot.'

And throughout the sonic and emotional peaks and valleys of this expertly paced and sequenced record, it becomes obvious that all four of these guys have spent a lifetime soaking in the best of metal music and woodshedding it outward onto tape. The listener comes away with rock-solid confidence in the band as stadium-level songwriters capable and worthy of anchoring... let's call it the 'next next four' somewhere down the line generationally speaking past the original eight to ten thrash bands that wrote and then executed this well.

This album contains no booklet.

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