Everybody Digs Bill Evans (Mono Mix / Remastered 2024) The Bill Evans Trio
Album info
Album-Release:
1959
HRA-Release:
26.04.2024
Album including Album cover
I`m sorry!
Dear HIGHRESAUDIO Visitor,
due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.
We suggest, that you bookmark the album and use our Short List function.
Thank you for your understanding and patience.
Yours sincerely, HIGHRESAUDIO
- 1 Minority (Remastered 2024) 05:22
- 2 Young And Foolish (Remastered 2024) 05:55
- 3 Lucky To Be Me (Remastered 2024) 03:39
- 4 Night And Day (Remastered 2024) 07:19
- 5 Tenderly (Remastered 2024) 03:33
- 6 Peace Piece (Remastered 2024) 06:45
- 7 What Is There To Say? (Remastered 2024) 04:54
- 8 Oleo (Remastered 2024) 04:06
- 9 Epilogue (Remastered 2024) 00:41
Info for Everybody Digs Bill Evans (Mono Mix / Remastered 2024)
Bill Evans's second date as a leader was a breakthrough session, firmly establishing him as a highly influential new voice in jazz near the tail end of 1958. His first solo record, 1956's NEW JAZZ CONCEPTIONS, while a respectable effort, was a relatively pallid affair, and left Evans feeling dissatisfied with his playing and "conception" both. Despite Riverside label owner/producer Orrin Keepnews' persistent entreaties, Evans would not return to the studio until he was ready. "Minority," the Gigi Gryce hard bop original which opens EVERYBODY DIGS.., demonstrates that he was indeed ready, and then some. Anyone who thinks of Evans as a neo-impressionist will be startled by the pianist's hard driving swing here, propelled by the ace Miles Davis rhythm section of bassist Paul Chambers and drummer Philly Joe Jones. Evan's famously golden tone, both hard and highly malleable, glows on the breathlessly slow "Young And Foolish," with it's astonishingly beautiful coda, and the two solo forays taken from Bernstein's On the Town"
The recording captures Evans at a time when he frequently played extended musical ideas using block chords, a technique also favored by Milt Buckner, George Shearing, Oscar Peterson, and other jazz pianists. That combined with his use of pedals gave him a sound considered by critics to be innovative. Though Evans had quit the Miles Davis band a month before the album was recorded, Davis was enamored of Evans's piano sound as it was developing through 1958, and decided to use him as the pianist for four of the five tracks on the 1959 recording Kind of Blue.
Bill Evas Trio:
Bill Evans, piano
Sam Jones, bass
Philly Joe Jones, drums
Recorded at Reeves Sound Studios, New York, New York on December 15, 1958
Digitally remastered
Please Note: we do not offer the 192 kHz version of this album, because there is no audible difference to the 96 kHz version!
No biography found.
This album contains no booklet.