Battle Cry: She Speaks Helen Charlston & Toby Carr

• Henry Purcell (1659 - 1695): Bonduca, Z. 574:
• 1 Purcell: Bonduca, Z. 574: O lead me to some peaceful gloom 02:58
• Barbara Strozzi (1619 - 1677): Cantate, ariette, e duetti, Op. 2:
• 2 Strozzi: Cantate, ariette, e duetti, Op. 2: XIV. L’Eraclito amoroso 05:55
• Robert de Visée (1650 - 1725): Prélude
• 3 Visée: Prélude 01:25
• John Eccles (1903 - 1997): She Ventures, and He Wins:
• 4 Eccles: She Ventures, and He Wins: Restless in thought 04:24
• Henry Purcell: Dido and Aeneas, Z. 626:
• 5 Purcell: Dido and Aeneas, Z. 626: Thy hand, Belinda 00:50
• 6 Purcell: Dido and Aeneas, Z. 626: When I am laid in earth (Dido's Lament) 03:07
• Owain Park (b. 1993): Battle Cry:
• 7 Park: Battle Cry: I. Boudicca 03:05
• 8 Park: Battle Cry: II. Philomela in the forest 02:18
• 9 Park: Battle Cry: III. A singer’s ode to Sappho 02:19
• 10 Park: Battle Cry: IV. Marietta 09:07
• Giovanni Girolamo Kapsberger (1580 - 1651): Libro quarto d'intavolatura di chitarone:
• 11 Kapsberger: Libro quarto d'intavolatura di chitarone: Preluido V 01:04
• Barbara Strozzi: Cantate, ariette, e duetti, Op. 2:
• 12 Strozzi: Cantate, ariette, e duetti, Op. 2: XI. La travagliata 04:42
• Claudio Monteverdi (1567 - 1643): L'Arianna, SV 291:
• 13 Monteverdi: L'Arianna, SV 291: Lamento d’Arianna 09:03
• Robert de Visée (1650 - 1725): Sarabande:
• 14 Visée: Sarabande 02:12
• Henry Purcell: An Evening Hymn, Z. 193:
• 15 Purcell: An Evening Hymn, Z. 193 04:42
• Total Runtime 57:11

Info for Battle Cry: She Speaks

This powerful yet understated recital of modern and seventeenth-century works aims to revisit but also to re-balance the obsession of earlier music with female abandonment and lament.

The stories of women such as Dido and Ariadne have been told and retold throughout history. Mezzo-soprano Helen Charlston reconsiders the assumed helplessness of those often seen as being left behind by male adventure and success.

A recent work commissioned for Charlston from the composer Owain Park further takes up the challenge of giving ‘abandoned women’ their own platform, as well as exploring new possibilities for an instrumental pairing – that of voice and theorbo – that remains little explored in contemporary music.

"This recital, opening with Henry Purcell’s “O lead me to some peaceful gloom” and featuring works by Barbara Strozzi, Giovanni Kapsberger, Monteverdi and others, challenges the old platitude of the abandoned, hapless woman. Think Dido, Ariadne, Boudicca.

Charlston’s take – to say argument would give the wrong impression; there is no rant, here – is that in their abandonment they also find strength. Several of the songs, such as Strozzi’s L’Eraclito amoroso and La Travagliata, have their own internal drama. Carr’s theorbo playing is sensuous and vivid, and works especially well in the sonic explorations of the four songs by Park. Charlston’s distinctive, expressive lower register, and the clarity of every word, contribute to an outstanding disc" (The Guardian)

Helen Charlston, mezzo-soprano
Toby Carr, theorbo

Helen Charlston
Recent concert highlights include debuts with the Royal Liverpool Philharmonic Orchestra (Handel Messiah/Stephen Layton), Royal Northern Sinfonia (Mendelssohn Lobgesang/Paul McCreesh) and at the Palau de la Musica in Barcelona (Bach Matthew Passion/Gabrieli Consort and Players); a worldwide tour of Handel Messiah with the Seattle Symphony, the Western Australian Symphony Orchestra and Adelaide Symphony Orchestra; performances as part of Barbican Sound Unbound 2019 and solo recitals at York Early Music Festival, London Handel Festival, Händel-festspiele Halle, Korčula Baroque Festival, Leicester International Music Festival and Fitzrovia Festival. Helen is a BBC New Generation Artist (2021-2023).

Helen won First Prize in the 2018 Handel Singing Competition, was a Rising Star of the Orchestra of the Age of Enlightenment for 2017-19 and is a 2018 City Music Foundation Artist. This season she will make debuts with Academy of Ancient Music, Cambridge Handel Opera Company, Queensland Symphony Orchestra, Slovenian Philharmonic Orchestra and the Concertgebouw Kammerorchestra, as well as joining Fretwork for a solo recital programme at Wigmore Hall and York Early Music Christmas Festival. She will premiere the role of Anna in the newly completed opera Blue Electric by Tom Smail and will continue her commissioning project of lute songs with duo partner Toby Carr.

Operatic roles include Messaggera & Prosperpina/L’Orfeo (Monteverdi), Penelope/Il Ritorno d’Ilisse in patria (Monteverdi), First Witch/Dido and Aeneas, Olga/Eugene Onegin, Florence Pike/AlbertHerring, Ino/Semele, Sara/Tobias and the Angel (Dove) and Dinah/Trouble in Tahiti (Bernstein). Helen created the role of Dido in the premiere of a new chamber opera based on Virgil’s writings about Dido: Dido is Dead, by young composer Rhiannon Randle.

Often heard on BBC Radio 3 in live concert relays, Helen features on recordings of Bach B Minor Mass (Orchestra of the Age of Enlightenment/Trinity College Choir), and Bach ActusTragicus & Himmelskönig sei willkommen (Amici Voices/Amici Baroque Players), both available from Hyperion. The “mesmerising delivery” of her aria in BWV 182 on the Amici Voices CD was singled out by Gramophone Magazine as the highlight of the recording. This season she will record John Eccles Semele (Juno) with Cambridge Handel Opera Company and the Academy of Ancient Music.

Helen began singing as chorister and head chorister of the St Albans Abbey Girls Choir. She then studied music at Trinity College, Cambridge where she held a choral scholarship for four years and was a scholar on the Pembroke College Lieder Scheme, led by Joseph Middleton.

Toby Carr
Lutenist and guitarist Toby Carr is known as a versatile and engaging artist, performing with some of the finest musicians in the business.

Toby was introduced to the lute while studying the classical guitar at Trinity Laban, leading to a postgraduate degree at the Guildhall School of Music & Drama, where he has since been welcomed back as a professor.

He now has a busy performing career on a variety of plucked instruments as a soloist, continuo player, accompanist and chamber musician.

The challenge of presenting old music to new audiences in exciting ways takes up most of his professional life, and as such Toby has performed with most of the principal period instrument ensembles in the UK. These include the Academy of Ancient Music, the English Concert, La Nuova Musica and Dunedin Consort, as well as modern orchestras and opera companies such as the Royal Ballet, London Philharmonic Orchestra and English Touring Opera.

A specialism in 17th century song accompaniment has led to collaborations with singers such as Emma Kirkby, Nicholas Mulroy, Helen Charlston and Alexander Chance.

Toby is a member of Ceruleo, Lux Musicae London and Ensemble Augelletti and has appeared on numerous recordings.

Settled in Greenwich with his wife and collaborator, baroque harpist Aileen Henry, Toby’s interests outside of music include cooking and travelling, though when not working he generally tries to do as little as possible.

Booklet for Battle Cry: She Speaks