How Long Has This Been Going On (Remastered) Van Morrison

• 1 I Will Be There 02:31
• 2 The New Symphony Sid 03:54
• 3 Early In the Morning 02:45
• 4 Who Can I Turn To? (When Nobody Needs Me) 04:03
• 5 Sack O' Woe 04:07
• 6 Moondance 07:19
• 7 Centerpiece 04:09
• 8 How Long Has This Been Going On? 03:49
• 9 Your Mind Is On Vacation 03:07
• 10 All Saint's Day 02:20
• 11 Blues In the Night (My Mama Done Tol' Me) 03:22
• 12 Don't Worry About a Thing 02:23
• 13 That's Life 03:47
• 14 Heathrow Shuffle 03:18
• Total Runtime 50:54

Info for How Long Has This Been Going On (Remastered)

"How Long Has This Been Going On" is the twenty-fourth studio album by Northern Irish singer-songwriter Van Morrison, "with Georgie Fame and Friends", released in December 1995 (see 1995 in music) in the UK. It charted at #1 on Top Jazz Albums.

The album was recorded live (but without an audience) at Ronnie Scott's Jazz Club, London, England, on 3 May 1995, and features a number of jazz standards and a be-bop influenced rendition of Morrison's classic "Moondance". According to Van Morrison, "the album took four or five hours to record and Ronnie Scott's was chosen for the vibe." Georgie Fame recalled that the album came about after he and Morrison had discussed it for several years when, "I got the band together, and we ran through some ideas one quiet afternoon...that went very well, so Van said, 'Let's do it.'"

"Although he has made his name in pop music, singer Van Morrison has long enjoyed jazz, particularly the singing and lyrics of Mose Allison (for whom he had previously organized a recorded tribute). This particular release finds Morrison teaming up with singer Georgie Fame (who also plays organ) and a top-notch group of mostly British jazzmen (tenorman Pee Wee Ellis is a ringer). The music is mostly blues- and jazz-oriented, with the highlights including "The New Symphony Sid," "Early in the Morning," "Sack O' Woe," "Centerpiece," a couple of Mose's better songs, and Morrison's hit "Moondance." A good introduction to Morrison's singing talents for jazz listeners not familiar with him, and a generally successful effort." (Scott Yanow, AMG)

Van Morrison, vocals, alto saxophone
Georgie Fame, vocals, Hammond organ
Annie Ross, vocals
Pee Wee Ellis, alto saxophone
Alan Skidmore, alto saxophone
Leo Green, tenor saxophone
Guy Barker, trumpet
Robin Aspland, piano
Alec Dankworth, double bass
Ralph Salmins, drums

Digitally remastered

Van Morrison
One of music’s true originals Van Morrison’s unique and inspirational musical legacy is rooted in postwar Belfast.

Born in 1945 Van heard his Shipyard worker father’s collection of blues, country and gospel early in life.

Feeding off musical greats such as Hank Williams, Jimmie Rodgers, Muddy Waters, Mahalia Jackson and Leadbelly he was a travelling musician at 13 and singing, playing guitar and sax, in several bands, before forming Them in 1964.

Making their name at Belfast’s Maritime Club Them soon established Van as a major force in the British R&B scene. Morrison’s matchless vocal and songwriting talents produced instant classics such as the much covered ‘Gloria’ and ‘Here Comes The Night’.

Those talents found full astonishing range in Van’s solo career.

After working with Them’s New York producer Bert Berns on beautiful Top 40 pop hit ‘Brown Eyed Girl’ (1967), Morrison moved to another realm.

Recorded over 3 days with legendary jazz musicians Astral Weeks (1968) is a still singular album combining street poetry, jazz improvisation, Celtic invocation and Afro Celtic Blues wailing.

Morrison would weave these and myriad other influences into the albums that followed in quick succession.

Reflecting on new life in America on the joyous Sinatra soul of Moondance (1970) and the country inflected Tupelo Honey (1971) he summoned old spiritual and ancestral life in the epic St Dominic’s Preview (1972) closer track Listen To The Lion.

Double live album Too Late To Stop Now (1973) highlighted Morrison’s superlative performing and bandleader skills. Mapping out a richly varied musical course throughout the 70s he shone among an all-star cast including Bob Dylan and Muddy Waters on The Band’s Last Waltz.

Indeed, borne of his Irish Showband instincts, the magic of the live performance has been a consistent feature of Morrison’s career.

Settling back into life in the UK in 1980 he released Common One an album centring on Summertime In England an extraordinary invocation of literary, sensual and spiritual pleasure the song would often become a thrilling improvised centrepiece to his live shows.

Steering his own course throughout the 80s on albums such as No Guru, No Method, No Teacher he claimed Celtic roots with The Chieftains on Irish Heartbeat. Teaming with Georgie Fame brought new impetus to his live show while Avalon Sunset saw him back in the album and single charts by the decades end.

Van Morrison continued to advance on his status as a game- changing artist through the 90s and into the 21st century.

Awards and accolades - a Brit, an OBE, an Ivor Novello, 6 Grammys, honourary doctorates from Queen’s University Belfast and the University of Ulster, entry into The Rock n Roll Hall of Fame and the French Ordres Des Artes Et Des Lettres - attested to the international reach of Van’s musical art.

Yet there was never any suggestion that Morrison, one of the most prolific recording artists and hardest working live performers of his era, would ever rest on his laurels.

Collaborations with, among others, John Lee Hooker, Ray Charles, Lonnie Donegan, Mose Allison and Tom Jones confirmed the breadth of his musical reach.

Morrison’s visionary songwriting and mastery of many genres continued to shine on albums celebrating and re-exploring his blues, jazz, skiffle and country roots.

The influence of the musical journey that began back in Post War Belfast stretches across the generations, and Morrison’s questing hunger insures that the journey itself continues.

Constantly reshaping his musical history in live performance, Morrison reclaimed Astral Weeks on 2009’s album Live At The Hollywood Bowl.

The subtitle of Van Morrison's latest album, Born to Sing: No Plan B, indicates the power that music still holds for this living legend. "No Plan B means this is not a rehearsal," says Morrison. "That’s the main thing—it’s not a hobby, it’s real, happening now, in real time."

With one of the most revered catalogues in music history and his unparalleled talents as composer, singer and performer Morrison’s past achievements loom large. But, as throughout his extraordinary career, how that past informs his future achievements and still stirs excitement and keen anticipation.

This album contains no booklet.