Lassus: Inferno Cappella Amsterdam & Daniel Reuss
- Roland de Lassus (1532 - 1594): Cantica sacra sex et octo vocibus:
- 1Cantica sacra sex et octo vocibus: Omnia tempus habent04:26
- Sacræ cantiones, liber quartus:
- 2Sacræ cantiones, liber quartus: Audi tellus07:48
- Cantiones sacræ sex vocum:
- 3Cantiones sacræ sex vocum: Ad Dominum cum tribularer03:41
- 4Media vita in morte sumus (Gregorian Antiphon)01:50
- Patrocinium musices, prima pars:
- 5Patrocinium musices, prima pars: Media vita in morte sumus04:29
- Cantiones sacræ sex vocibus compositæ:
- 6Cantiones sacræ sex vocibus compositæ: Circumdederunt me dolores mortis02:49
- Selectissimæ cantiones:
- 7Selectissimæ cantiones: Libera me Domine02:26
- Cantiones sacræ sex vocum:
- 8Cantiones sacræ sex vocum: Recordare Jesu pie02:58
- 9Cantiones sacræ sex vocum: Deficiat in dolore vita mea02:39
- 10Cantiones sacræ sex vocum: Vidi calumnias04:21
- Primus Liber concentuum sacrorum:
- 11Primus Liber concentuum sacrorum: O mors quam amara04:56
- Mottetta sex vocum:
- 12Mottetta sex vocum: Cum essem parvulus04:01
- Lagrime di S. Pietro:
- 13Lagrime di S. Pietro: Vide homo02:43
Info for Lassus: Inferno
Cappella Amsterdam does not just sing music that charms and captivates, but does this at the highest possible level. For its performances, the choir has received many prizes and a stream of positive reviews. Cappella Amsterdam offers the classical choir repertoire in all its glory and dedicates itself, every single year, to bring to you the most beautiful and important choral pieces, both old and new. Daniel Reuss is the artistic director of Cappella Amsterdam. Under his guidance the choir has professionalized and risen to international fame.
Daniel Reuss, conductor
studied with Barend Schuurman at the Rotterdam Conservatory. In 1990, he became director of Cappella Amsterdam, which he turned into a full-time professional ensemble that is now one of the most sought after in the Netherlands.
From 2008 till 2013 he was also the artistic director/chief conductor of the Estonian Philharmonic Chamber Choir.
In 2010, he was nominated for a Grammy "best choral performance" for the cd he made with the two choirs together (Frank Martins Golgotha).
From 2003 until 2006 he was chief conductor of the RIAS Kammerchor in Berlin, with whom he recorded a number of successful CDs. Their CD with works by Martin and Messiaen (released by Harmonia Mundi) won both the "Diapason d'or de l'année 2004" and the "Preis der Deutschen Schallplattenkritik". The CD's Les Noces, Le vin Herbé and Händels Solomon have also been critically acclaimed.
In summer 2006, at the invitation of Pierre Boulez, Daniel Reuss teached and conducted at the summer 2006 Lucerne Festival Academy.
In February 2007, Reuss made his debut at the English National Opera, with Händel's Agrippina. In 2008 he directed at De Munt/La Monnaie in Bruxelles, with the Dido & Aeneas-production of stage director Sasha Waltz.
From 2008 till 2013 he was the artistic director/chief conductor of the Estonian Philharmonic Chamber Choir. In 2010, he was nominated with the Estonian Philharmonic Orchestra together with Cappella Amsterdam for a Grammy for best choral performance for the recording of Martin's Golgotha (harmonia mundi). The two choirs also worked together in a recording of Stabat Mater and Sept Répons de Ténèbres (Francis Poulenc), released in 2014 by Harmonia Mundi.
In September 2014 the cd Warum, choral works of Brahms, sang by Cappella Amsterdam was released. It won the Preis der deutschen Schallplattenkritik beginning 2015.
Daniel Reuss has been invited to conduct chamber ensembles and orchestras throughout Europe. Among these may be mentioned the Akademie für Alte Musik Berlin, MusikFabrik, Scharoun Ensemble and the Radio Chamber Philharmonic.
From 2015 Daniel Reuss is chief conductor of Ensemble Vocal Lausanne.
Cappella Amsterdam was established by Jan Boeke in 1970 and has, since 1990, been under the artistic leadership of Daniel Reuss. In recent years the choir has occupied a prominent position in the field of Dutch music and has also enjoyed great success in Europe and beyond. Cappella Amsterdam has thus played a vital role in the European Tenso Network of choirs.
Cappella Amsterdam is renowned for its homogenous, refined consonance and its extraordinary versatility. The choir excels in both modern repertoires as in music by the old masters and especially embraces the works of Dutch composers.
Cappella doesn’t only have success with its own productions but also with collaborations with other renowned choirs, ensembles and orchestras. Harmonia mundi released several CDs by Cappella Amsterdam, which were all praised. ‘Lux Aeterna’, for instance, which include works by Görgy Ligeti and Robert Heppener, was crowned with the ‘Diapason d’Or de l’année 2009’. The productions of Sweelinck and Frank Martin’s Golgotha (released by the same label in 2010) also welcomed rave revues.
In November of 2009 Cappella Amsterdam won the VSCD Klassieke Muziekprijs in the category ‘most impressive achievement of a small (chamber) ensemble’. The choir has again been recognised in 2010 and was shortlisted for the Amsterdam prize for the Arts, the Edison Classical Listeners award and the VSCD Classical Music award. For a recording of Martin's Golgotha, conducted by Daniel Reuss, the choir was nominated together with the Estonian Philharmonic Orchestra for a Grammy for best choral performance. In September 2014 the new cd ‘Warum ist das Licht gegeben den Mühseligen‘ with exceptional choral works by Johannes Brahms (1833-1897) was released in the Netherlands. Daniel Reuss and his Cappella Amsterdam are focussing on Brahms’ later choral works.