London’s Beatrice Dillon is an artist, producer, and NTS DJ with acclaimed solo releases, remixes and collaborations across Boomkat Editions, Hessle Audio, The Trilogy Tapes, PAN, Timedance and Where To Now? etc. Recent solo performances include Tokyo’s Wwwx, Barbican Centre, MUTEK Montreal, Documenta Athens, Masåfåt Cairo, Moscow Save, Atonal Berlin and Insomnia Norway. Dillon has produced sound and music commissions for Lisson Gallery, AND Festival, Somerset House and has collaborated with international visual artists across ICA, TATE, Southbank Centre, Centre d’Art Contemporain Geneva, Nasher Dallas and Mona Tasmania etc. She was the recipient of the Wysing Arts Centre’s artist residency in 2016 and is a resident artist at Somerset House Studios. Her score commission for Alexander Whitley Dance Company was premiered at York Mediale in 2018.
A rather discreet figure in the industry, Beatrice Dillon has been shaping an impressive body of work over the years. Since gracing the grooves of Will Bankhead’s TTT with the mesmeric ‘Folkways II‘, a partially mixed journey in the archives of the Smithsonian Folkways collection, the London-born and based artist keeps pushing boundaries – be it by herself, through collaborative efforts along the likes of Rupert Clervaux and Karen Gwyer, or as a remixer for Helm’s benchmark ‘Olympic Mess‘ on Bill Kouligas’ PAN.