The Angels in Heaven Done Signed My Name (Remastered) Leo Bud Welch
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- 1I Know I Been Changed01:57
- 2Jesus Is on the Mainline02:46
- 3Don't Let the Devil Ride02:45
- 4I Come to Praise His Name03:05
- 5Walk With Me Lord02:41
- 6Right on Time03:24
- 7I Want To Be at the Meeting02:24
- 8I Wanna Die Easy03:10
- 9Let It Shine02:32
- 10Sweet Home01:25
Info for The Angels in Heaven Done Signed My Name (Remastered)
Leo Bud Welch, the deceased delta bluesman, spent his life honing his musical craft. The Mississippi native and 30-year lumberjack performed as a gospel singer in his small hometown for years before he made his first record when he was in his seventies. The influence of the region he called home, his years of musicianship, and his welllived life blended together to create music that is as unique as he is. The album was produced by Dan Auerbach at his Easy Eye Sound studios in Nashville just before Leo’s death December 2017. On this album, we salute Leo Bud Welch of Sabougla, Mississippi and his gospel-soul-blues singing soul. We do hope you enjoy it as much as we enjoyed making it. It was an honor to work alongside Bud during the recording sessions – to have an opportunity to learn directly from the source is an experience that becomes rarer with each passing year. Bud shared with us the songs that he’s been signing his entire life, some that are older than the Delta itself. We sure do wish he was here today so we could personally hand him a copy of this record, but at the same time we’re pretty sure he’s happy right where he is – surely after a long life spent praising His holy name, Bud now has it made-in-the-shade in the sweet hereafter. I bet he’s got a mansion all to himself up there. Thank you, Bud. -Yours Dreamily, Dan Auerbach
Leo “Bud” Welch was born in Sabougla, Mississippi in 1932, and was taught to play blues guitar on a homemade one-string “wall” guitar. He began playing gospel music at Sabougla Missionary Baptist Church services when he was 13; six years later, he moved two dozen miles away to Bruce, a tiny town about 50 miles southwest of Tupelo. He would live and work in Bruce while playing at churches, earning a reputation for performing for hours, even through weeklong revivals, without repeating a song. The gospel-and-blues dynamic would eventually define him, both in terms of music and his life. Beginning in the ’50s he often sat in with blues acts at Bruce’s renowned juke joint, the Blue Angel Ballroom, opening for legends like B.B. King, Howlin’ Wolf, Elmore James, and John Lee Hooker. At one point King invited Welch to come to Memphis and audition to play in his band. Welch, however, didn’t have the money to get a hotel room so he never went,because King refused to pay for the trip.
Welch released his first two albums on Fat Possum Records, which had previously released early albums by the Black Keys. Auerbach’s and Welch’s connection to the label sowed the seeds for this collaboration: Fat Possum’s owner, Bruce Watson, was the one who made Auerbach aware of the bluesman.
Welch’s official recording debut, 2014’s Sabougla Voices, featured gospel songs he had learned, or written, or improvised. 2015’s I Don’t Prefer No Blues, for Fat Possum’s Big Legal Mess imprint, got its title from something one of Welch’s preachers said because he was displeased that Welch was recording blues songs. Both albums succeeded in capturing the artist’s magnetic voice and incomparable style, and opened the door to his new career as a professional touring musician. Suddenly the 80-something-year-old, who had never left Mississippi, found himself driving around the country on tours, flying for the first time, and performing on festival stages across nearly 40 countries.
Welch’s amazing life was chronicled in the documentary Late Blossom Blues, which was released in the spring of 2018. Directed by Wolfgang Pfoser-Almer, the full-length film won the Audience Award at the Naples International Film Festival, the Board of Directors Award at the North Carolina Film Awards, and was named Best Music Documentary 2017 at the NEO Film Festival.
This album contains no booklet.