Ranges of Érard Ksenia Kouzmenko

Cover Ranges of Érard

Album info



Label: Zefir Records

Genre: Classical

Subgenre: Instrumental

Album including Album cover Booklet (PDF)


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  • Stephen Heller (1813-1888): Notenbuch für Klein und Gross, Op. 138:
  • 1No. 5, Barcarole02:24
  • Frédéric Chopin (1810-1849):
  • 2Nocturne in A-Flat Major, Op. 32 No. 206:02
  • 3Nocturne in B Major, Op. 62 No. 107:16
  • Robert Schumann (1810-1856):
  • 4Arabeske in C Major, Op. 1806:47
  • Faschingsschwank aus Wien, Op. 26:
  • 5IV. Intermezzo02:20
  • Claude Debussy (1862-1918): Préludes, Book 2, L. 123:
  • 6No. 6, Général Lavine (Eccentric)02:37
  • 7No. 5, Bruyères03:10
  • 8No. 3, La puerta del vino03:30
  • Manuel de Falla (1876-1946):
  • 9Homenaje "Le tombeau de Claude Debussy" (Version for Piano)02:42
  • El amor brujo:
  • 10VIII. Danza del ritual del fuego fatuo (Version for Piano)04:01
  • Pyotr Ilyich Tchaikovsky (1840-1893): The Seasons, Op. 37a, TH 135:
  • 11V. May. May Nights03:56
  • 6 Pièces, Op. 51, TH 143:
  • 12No. 6, Valse sentimentale04:18
  • Sergei Rachmaninoff (1873-1943): 13 Preludes, Op. 32:
  • 13No. 5 in G Major. Moderato03:04
  • Alexander Scriabin (1872-1915): 12 Études, Op. 8:
  • 14No. 11 in B-Flat Minor03:39
  • 15Vers la flamme, Op. 7205:57
  • Ignacio Cervantes (1847-1905):
  • 16Un recuerdo02:18
  • Total Runtime01:04:01

Info for Ranges of Érard

A beautiful warm summer evening, the garden doors wide open, the blackbirds singing their last song, seated at a well-equipped table with your loved one and then .... Out of the blue beautiful piano sounds, and of course also beautifully performed.

A feeling of ultimate happiness and beauty, approaching perfection closely.

The Belarusian pianist Ksenia Kouzmenko plays on a very well conserved Érardvleugel from 1863 a beautiful anthology from the piano repertoire from the 19th and beginning of the 20th century. Here she performs works by Heller, Chopin, Schumann, Debussy, the Falla, Tchaikovsky, Rachmaninov, Scriabin and Cuba-based Ignacio Cervantes.

The central theme in this recital is the city of Paris where Érard built his instruments, where many composers stayed, often from other countries and the international cultural image of this city.

Ksenia Kouzmenko, Erard-Flügel

Ksenia Kouzmenko
is renowned internationally for her sensitive and technically accomplished piano playing, and much appreciated as a partner in chamber music.

Ksenia was born in Minsk, Belarus in a family of pianists. She studied with Vladimir Zaretsky and Grigory Scherschewsky, the former teacher of her father, at the National Music College in Minsk. At the age of twelve Ksenia made her debut as a soloist with orchestra. In the next years she performed piano concertos of Beethoven and Rachmaninov. She graduated cum laude, with Gold Medal. Ksenia continued her piano studies at the National Music Academy with Igor Olovnikov, where she received her Master degree, also cum laude, as a soloist, a teacher and in vocal accompaniment and chamber music. She made postgraduate studies with Naum Grubert at the Royal Conservatory in The Hague, with financial support of the Yuri Egorov Foundation.

She took part in many masterclasses, with outstanding musicians such as Abbey Simon, György Sándor, Vazha Chachava, Lazar Berman, György Kurtág, Earl Wild, Charles Rosen, Karl-Heinz Kammerling, Ivan Moravec and courses in Bach-interpretation with Walter Blankenheim. In the summer of 1997 she followed an intense chamber music program in Tanglewood in the USA.

Ksenia received prizes for accompaniment at numerous international competitions. As a soloist, she won the 2nd prize at the Tromp Competition in Eindhoven, where she received the Audience Prize as well, and the 3rd prize at the Rencontres Musicales de Gaillard, France.

She played with the National Symphony Orchestra of Belarus, the Brabants Orkest, the Collegium Instrumentale Brugense, and the Nederlands Blazersensemble. She was a soloist in the Kurtág-project of the Royal Conservatory, conducted by Reinbert de Leeuw. And, on recommendation of György Kurtág himself, she played his “...quasi una fantasia...” with the Orchestra della Svizzerra Italiana, conducted by Olivier Cuendet, at the Lugano Festival. She recorded concerts for the National Broadcast Corporation of Belarus, Radiotelevisione Svizzerra, Dutch television and Dutch and Belgian national radio channels (Radio 4 and Brava).

Ksenia has been performing in Germany (Beethoven Festival in Bonn), England, Greece, Switzerland, Belgium (Festival van Vlaanderen), Italy, Slovenia (Tartini Festival), Spain (Festival “Semana de Musica Caja Astur”), Russia (Hermitage, St Petersburg), and all over the Netherlands.

Ksenia played chamber music in every kind of combination. In almost 30 years she built up an enormously rich repertoire ranging from Bach till Kurtág. She is constantly searching for new compositions and is fond of making unusual, inspiring programs. Among her long-time partners are wonderful musicians, such as the violinist Lisa Jacobs, cellist Lucie Stepanova, clarinettist André Kerver and many others. Recently, Ksenia discovered the joy of playing on an Erard grand piano, with its inspiring sound possibilities. Since 1999 Ksenia teaches at the Royal Conservatory of The Hague.

In 2013 violinist Lisa Jacobs and Ksenia Kouzmenko released a CD on Challenge Records, featuring compositions of Franck and Ysaÿe. The CD “Whispering Leaves” with the cellist Lucie Štĕpánová was released in 2018 on Cobra Records, with works of Janáček, Páleníček and Martinů. Both recordings were highly praised by the international music press.

Ksenia Kouzmenko is a convincing performer, whose elegant gestures are always subordinated to the music. She sweeps the listener along on her musical explorations (Tromp Competition).

Booklet for Ranges of Érard

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