- Giacomo Puccini (1858 - 1924): Tosca, SC 69 (Excerpts):
- 1Tosca, SC 69 (Excerpts): Recondita armonia02:47
- 2Tosca, SC 69 (Excerpts): E lucevan le stelle04:15
- Francesco Ciléa (1866 - 1950): Adriana Lecouvreur (Excerpts):
- 3Adriana Lecouvreur (Excerpts): La dolcissima effigie02:03
- 4Adriana Lecouvreur (Excerpts): L'anima ho stanca01:54
- 5Adriana Lecouvreur (Excerpts): Il russo Mèncikoff01:55
- Pietro Mascagni (1863 - 1945): Cavalleria rusticana (Excerpts):
- 6Cavalleria rusticana (Excerpts): Intanto amici - Viva il vino spumeggiante03:01
- 7Cavalleria rusticana (Excerpts): Mamma, quel vino è generoso03:43
- Giacomo Puccini: Manon Lescaut, SC 64 (Excerpts):
- 8Manon Lescaut, SC 64 (Excerpts): Donna non vidi mai02:24
- 9Manon Lescaut, SC 64 (Excerpts): Tra voi, belle01:30
- Umberto Giordano (1867 - 1948): Andrea Chénier (Excerpts):
- 10Andrea Chénier (Excerpts): Come un bel dì di maggio02:50
- 11Andrea Chénier (Excerpts): Un dì all'azzuro spazio05:00
- Umberto Giordano: Fedora:
- 12Fedora: Amor ti vieta01:41
- Ruggero Leoncavallo (1857 - 1919): Pagliacci:
- 13Pagliacci: Recitar! - Vesti la giubba03:29
- Giacomo Puccini:
- 14La fanciulla del West, SC 78: Ch'ella mi creda libero e lontano01:49
- 15Edgar, SC 62: Orgia, chimera dall'occhio vitreo04:54
- 16Gianni Schicchi, SC 88: Avete torto - Firenzo è come un albero fiorito03:11
- 17Madama Butterfly, SC 74: Addio fiorito asil01:59
- 18Turandot, SC 91: Nessun dorma03:22
Info for Vincerò!
Global star tenor Piotr Beczala presents Vincerò!, the first fruit of his exclusive collaboration with PENTATONE. Vincerò! is a collection of heart-wrenching opera arias by Puccini, Mascagni, Leoncavallo, Giordano and Cilea. For Beczala, this recording documents his vocal transition from the lyrical tenor repertoire to the more dramatic roles of Verismo, and thus simultaneously marks a significant new chapter in his stage career. Beczala is accompanied by the Cor de la Generalitat Valenciana and the Orquestra de la Comunitat Valenciana, led by maestro Marco Boemi; an extraordinary singers conductor who has worked with the greatest vocalists of our age. Piotr Beczala has the kind of voice you want to hang medals on. Its luminosity makes many of his fellow lyric tenors, past and present, sound by comparison like flickering candlewicks. Beczalas clarity and cleanliness of tone are the essence of his appeal. (Opera News Awards, 2015)
Piotr Beczala, tenor
Evgeniya Khomutova, mezzo-soprano
Cor de la Generalitat Valenciana
Orquestra de la Comunitat Valenciana
Marco Boemi, conductor
is one of the most sought-after tenors of our time and a constant guest in the world’s leading opera houses. The Polish-born artist is acclaimed by audiences and critics alike not only for the beauty of his voice, but also for his ardent commitment to each character he portrays.
Piotr Beczala´s 2016-17 season will feature returns to Chicago, New York, Berlin, Barcelona, Vienna, Zürich, and beyond. Following a recital with San Diego Opera, Piotr encores his signature portrayal of Edgardo in a new-to-Chicago production of Lucia di Lammermoor at the Lyric Opera of Chicago. From there, he heads to New York for a revival of La Bohème at the Metropolitan Opera. He also joins a star-studded lineup of colleagues on the Met stage to celebrate the company’s 50th anniversary at Lincoln Center. Rodolfo in Puccini’s bohemian masterwork is also the vehicle for Piotr’s return to the Deutsche Oper Berlin. Furthermore Piotr Beczala can be heard in Barcelona with a revival of Massenet’s Werther at the Gran Teatre del Liceu paired with a recital at the city’s Palau de la Música. The recitals continue with stops in Frankfurt, Graz, Berlin, and Hamburg. Returning to the Wiener Staatsoper stage, Piotr headlines a revival of Un ballo in maschera before joining Opernhaus Zürich for a new production of Léhar’s Das Land des Lächelns in the role of Prince Sou-Chong.
“The kind of voice you want to hang medals on.” OPERA NEWS Since his debut as Duca in Rigoletto in 2006, Piotr Beczala is a regular guest at the Metropolitan Opera New York. Here he has performed in a new production of Tchaikovsky’s Eugene Onegin opposite Anna Netrebko, Prince in Dvorak’s Rusalka, Edgardo in Donizetti’s Lucia di Lammermoor, Rodolfo (La Bohème), as well as in the title roles of Gounod’s Roméo et Juliette and Faust. In 2011 he accompanied the MET on a tour to Japan, singing Rodolfo and Edgardo. 2012 saw Piotr Beczala make his role debut as Chevalier des Grieux in Laurent Pelly’s new production of Manon, alongside Anna Netrebko as the eponymous heroine, conducted by Fabio Luisi. The production was part of the “HD live” series by the MET and was broadcast live in cinemas throughout the US and over 50 countries world-wide. It was released on DVD, as was his interpretation of the Duke in a new production of Rigoletto, alongside Diana Damrau in January 2013, for which he received the ECHO Klassik Award “Singer of the Year” in 2014. In the 2015/16 season he was making his highly acclaimed debut in the title role of Wagner´s Lohengrin opposite Anna Netrebko at the Semperoper Dresden.
At Teatro alla Scala in Milan Piotr Beczala made his debut in 2006 singing Duca in Rigoletto, returning later as Rodolfo in La Bohème. The tenor also opened the 13/14 season for the first time, singing Alfredo in a new production of Verdi’s La Traviata. Piotr Beczala also regularly sings at the State Operas in Munich and in Vienna. On the stage of the National Theatre in Munich, he interpreted the Prince, Alfredo, the Italian Singer in Der Rosenkavalier, and the title role of Massenet’s Werther. During the Munich Opera Festival, Piotr Beczala was heard as Alfredo in La Traviata. In Vienna he performed Roméo in Jürgen Flimm’s production of Roméo et Juliette, under the baton of Plácido Domingo. Since his Die Zauberflöte and Rodolfo in La Bohème. Piotr Beczala sang guest performances at the Nederlandse Opera, Théâtre de la Monnaie/de Munt, Staatsoper Hamburg, Deutsche Oper Berlin, Staatsoper Berlin, Grand Théâtre de Genève, Teatro Comunale di Bologna, Teatr Wielki (Warsaw), and the Mariinsky Theatre, amongst many others.
Piotr Beczala is a regular guest at the Salzburg Festival. Since his debut as Tamino in 1997 he has sung the cantata Rinaldo by Johannes Brahms under the baton of Sir Elliott Gardiner at the Whitsun Festival as well as Prince in Rusalka, Roméo in Roméo et Juliette, the title role in Gounod´s Faust and Rodolfo in Damiano Michieletto’s new production of La Bohème opposite Anna Netrebko during the Summer Festival. This production was broadcasted on TV and released on DVD by Deutsche Grammophon. Piotr Beczala also sang with Anna Netrebko in concert performances of Tchaikovsky’s Iolanta in 2011. In 2013 he was heard in Verdi’s Requiem with the Wiener Philharmoniker and Riccardo Muti conducting.
In addition to his operatic work, he has sung many of the great choral and orchestral vocal works with the world’s most distinguished orchestras and maestri. Celebrating his 20th stage anniversary Piotr Beczala gave a concert at Theatre Wielki in Warsaw in 2012. Also in 2012 he sang the New Year’s Eve concerts at the Semperoper Dresden for the second consecutive year. The concerts, which were led by Christian Thielemann, were broadcast on TV and released on CD and DVD by Deutsche Grammophon. In 2014 he joined a spectacular group of colleagues for Le Concert de Paris, an annual concert event and celebration at the Eiffel Tower with an estimated live audience of more than half a million people.
Piotr Beczala was born in Czechowice-Dziedzice in Southern Poland and received his initial vocal training at the Katowice Academy of Music, where he was given instruction by such illustrious singers as Pavel Lisitsian and Sena Jurinac. His first engagement was at the Landestheater Linz and in 1997 he became a company member of the Zürich Opera. The Zurich audience could hear him as Alfredo in La traviata, Edgardo in Lucia di Lammermoor, the title role of Faust, Tamino in Die Zauberflöte, Elvino in La Sonnambula, and also as the soloist in orchestral songs by Richard Strauss, Riccardo in Un Ballo in maschera as well as Rodolfo in La Bohème.
Piotr Beczala’s is represented on dozens of CDs in a vast array of works, ranging from staples of the repertory, including Faust live from Vienna (Orfeo) and La Traviata from Munich (Farao), which was nominated for a 2008 Grammy Award, to such rarely-heard works as Szymanowski’s Król Roger and Offenbach’s Rheinnixen (Accord) and Johann Strauss II’s Simplicius (EMI). In addition, Piotr Beczala sings on a recording of Lucia di Lammermoor with Natalie Dessay in the title role and Valery Gergiev leading the Mariinsky Opera on the Company’s own label.
Three solo aria CDs have been released on the Orfeo label. “Salut”, featuring French and Italian arias (2008), was followed by “Slavic Opera Arias”, with repertoire by Borodin, Tchaikovsky, Rimsky-Korsakov, Rachmaninoff, Moniuszko, Źeleński, Nowowiejski, Smetana and Dvořák. Opera News declared it #1 on its list of 2011’s “Twelve Best Recital Discs” & it received Classica’s coveted “Choc de l’année 2011”. In 2013 a Verdi album was released. Since 2012 Piotr Beczala is an exclusive artist of Deutsche Grammophon and released his second album “The French Collection” with the yellow label in February, 2015.
His DVD releases include a series of performances from the Zurich Opera including: Rigoletto, La Traviata, Die lustige Witwe, Die Entführung aus dem Serail, Die Zauberflöte and Simplicius (all on Arthaus), as well as Don Giovanni (EMI). Also available are Der Rosenkavalier (TDK) from Salzburg, Don Giovanni (Decca), Rusalka alongside Renée Fleming (Decca) and Lucia di Lammermoor from the MET (DG). Other recent DVD releases include the Beethoven Symphony No. 9 with Christian Thielemann leading the Wiener Philharmoniker (Unitel/C Major) and the Farewell Concert for the Wiener Staatsoper’s long standing Intendant, Ioan Holender (DG), among many others.