Album info



Label: World Circuit

Genre: World Music

Subgenre: Worldbeat

Artist: Afel Bocoum

Album including Album cover

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  • 1Penda Djiga04:32
  • 2Bombolo Liilo04:57
  • 3Dakamana04:23
  • 4Fari Intro00:17
  • 5Fari Njungu05:36
  • 6Jaman Bisa03:33
  • 7Avion05:56
  • 8Sambu Kamba04:49
  • 9Yer Gando03:51
  • 10Kakilena02:51
  • 11Djougal04:23
  • Total Runtime45:08

Info for Lindé

Afel Bocoum is among the last of a breakthrough generation of African musicians who cross-pollinated their own traditional music with the new sounds that arrived from all over the world throughout the 20th century. Hailing from Niafunké in the Timbuktu region of Mali, an area that straddles the cultural riches and political tensions between the northern and southern areas of the country, Bocoum spent decades touring and recording with desert blues pioneer Ali Farka Touré. His debut album ‘Alkibar’ (1999, World Circuit) propelled him to international recognition, leading him to work with Damon Albarn & Toumani Diabaté on 2002’s Mali Music, as well as contributing regularly to the famed Africa Express projects, and collaborating with Béla Fleck, Habib Koité, and Tartit Ensemble among others.

Lindé, named after the wild expanse near his hometown that he spent his childhood exploring, is a remarkable blend of deep tradition and audacious innovation. With the support of executive producers Damon Albarn & Nick Gold, Lindé stitches together the age-old music of the Niger bend, featuring performances from eminent Malian musicians including Madou Kouyaté, the late ‘Hama’ Sankaré and Madou Sidiki Diabaté, with interventions as diverse as the drums of Afrobeat pioneer Tony Allen, the trombone of Vin Gordon (Bob Marley / Skatalites), and the violin of Joan as Police Woman. Traditional instruments like the ngoni, njurkele, kora and calabash blend with guitars, percussion and call-and-response vocals. The result is a gently undulating flow that emanates from a source hidden deep in the historical and mystical traditions of Bocoum’s native land, enriched along its way by tributaries and cross-currents. It’s music that rolls rather than rocks, graceful, unforced and minimal by design.

It's also an album with a message – in the face of an uncertain and turbulent world, and a homeland struggling with jihad, poverty and tribal war, Afel Bocoum urges hope, solidarity and unity. “We have to meet each other, talk to each other, look each other in the eye and tell the truth,” Afel says. “Our social security is music. That’s all we’ve got left. People love music, so we have to make use of that fact.”

Afel Bocoum

Afel Bocoum
(born 1955) is a musician from Mali, noted as a singer and guitarist. He began his career as a member of Ali Farka Toure's group ASCO, and Toure is often regarded as his mentor. Both men come from the town of Niafunke on the River Niger, and are members of the Sonrai people.

Bocoum is an agricultural advisor by profession.His group, Alkibar (the name means 'messenger of the great river' in Sonrai) consists of two acoustic guitars, a njarka (a one-string fiddle), a njurkle (a kind of lute), calabash and djembe percussion, and two female singers as well as male singers in the choruses.

Bocoum is the lead vocalist. Bocoum uses music as a medium of communication, commenting on contemporary Malian society, e.g., "if you betray one woman, you betray all women" (Yarabitala), "we live in a crazy world with no respect; tomorrow we’ll be judged by our children" (Salamm aleikum), "parents, do not force your daughters to marry; a home will never flourish without true love" (Mali woymoyo).

Most of his singing is done in Sonrai, his native language, but also in Tamasheq (the language of the Tuareg) and in Peul (the language of the Fula people). Bocoum's father was a musician and was noted locally for his ability to play the njarka and njurkel, which he employed to play music at weddings.

Bocoum used to accompany his father to the weddings and there learnt the songs of the se galarare style of music. He retained his preference for acoustic over electric guitar, and the use of traditional instruments.

As well as the Malian musicians he grew up with, Bocoum cites Jorge Benjor, Mamadou Doumbia, Salif Keita, John Lee Hooker, and Mongo Santamaria as his musical influences.In 1968, at the age of thirteen, he joined the group of guitarist Ali Farka Toure and singer Harber Maiga as an apprentice.

It was Maiga who taught Bocoum to sing and to write songs. Maiga mentored Bocoum until his death on 23 March 1983. Bocoum's first solo performance came in 1968 at a musical competition in Mopti. He was well received by the public.

In 1972 he performed in front of 3000 people at Mali's second Biennale in Bamako, which was held every two years from 1970 to 1990, when Musa Traore was overthrown. The Bambara people were dominant in Malian affairs at that time and because of his Sonrai ethnicity, Bocoum was only awarded second prize.

He left the Niafunke group in 1975 when he won a scholarship to an agricultural college in M'Pessoba, near Koutiala in the southeast of the country. After three years of study he began working in Djenné, before returning to his home town, and the group, in 1980.

In 1982 he was invited to join the Orchestre Diaba Regional from Timbuktu. In the early 1980s he formed Alkibar, and influenced by his knowledge of agriculture, used their music to communicate with people about water and irrigation.

His debut album, Alikibar, was recorded in an abandoned school near Niafunke over the course of six days - the same session and location where the Ali Farka Toure's Niafunke was recorded. In fact, Ali Farka and Bocoum appeared on each other's albums.

Bocoum and Ali Farka's record producer believed that transporting the group to a recording studio overseas would diminish the quality of the music.In 2002 Bocoum collaborated with the Blur singer Damon Albarn on the successful Mali Music album, and the two played together in concerts in London and Denmark.

In 2006, Afel Bocoum and his band, Alkibar, released their second full-length album Niger on the Belgian label Contre-Jour. The sounds of Niger rely heavily on the traditional instruments njarka and njurkel, which give this collection of new materials a more traditional, and distinctively different quality from their excellent Western debut, Alkibar.

Niger opens with a heartfelt and stirring tribute to his late mentor, Ali Farka Toure.

This album contains no booklet.

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