Arvo Pärt: Choral Music Polyphony & Stephen Layton

Album info

Album-Release:
2014

HRA-Release:
29.09.2023

Label: Hyperion

Genre: Classical

Subgenre: Choral

Artist: Polyphony & Stephen Layton

Composer: Arvo Pärt (1935)

Album including Album cover

I`m sorry!

Dear HIGHRESAUDIO Visitor,

due to territorial constraints and also different releases dates in each country you currently can`t purchase this album. We are updating our release dates twice a week. So, please feel free to check from time-to-time, if the album is available for your country.

We suggest, that you bookmark the album and use our Short List function.

Thank you for your understanding and patience.

Yours sincerely, HIGHRESAUDIO

  • Arvo Pärt (b. 1935):
  • 1Pärt: Peace upon You, Jerusalem05:09
  • 2Pärt: Morning Star02:41
  • 3Pärt: The Woman with the Alabaster Box05:43
  • 4Pärt: The Deer's Cry04:00
  • 5Pärt: Virgencita05:46
  • 6Pärt: Solfeggio05:58
  • 7Pärt: Zwei Beter05:10
  • 8Pärt: Tribute to Caesar06:16
  • 9Pärt: Summa05:10
  • 10Pärt: Kanon Pokajanen: Ode VII. Memento07:17
  • 11Pärt: Alleluia-Tropus03:20
  • 12Pärt: Da pacem, Domine05:41
  • Total Runtime01:02:11

Info for Arvo Pärt: Choral Music



Stephen Layton and Polyphony have a long and fruitful relationship with the music of Arvo Pärt. Their recording of Triodion and other choral works (CDA67375) won a Gramophone Award and became a cult classic. The extraordinary purity of Polyphony’s singing is the perfect vehicle for music of such clean, elemental simplicity, such cathartic calm.

This third Pärt album from Stephen Layton and Polyphony reaches right back, intriguingly, to the composer’s youthful modernist phase and spans nearly five decades—from 1963 to 2012—in the process. As with the album Triodion, it reflects an increasingly broad spread of languages and sources in Pärt’s chosen texts. Latin, German and English are joined here by Church Slavonic and Spanish. A range of biblical texts are set alongside ancient prayers.

This third Pärt album from Stephen Layton and Polyphony reaches right back, intriguingly, to the composer's youthful modernist phase and spans nearly five decades from 1963 to 2012in the process. As with the album Triodion, it reflects an increasingly broad spread of languages and sources in Pärt's chosen texts. Latin, German and English are joined here by Church Slavonic and Spanish. A range of biblical texts are set alongside ancient prayers.

"It should be said, before anyone has the chance to object to the appearance of yet another disc of Part's choral music, that this one is special. In part this is because of the choice of repertoire, which mixes the familiar and the less-often heard, and includes two first recordings, and in part it is because of the exquisite sound produced by Polyphony. Highly recommended." (Gramophone)

"This album of Part's choral music is one of the most singularly beautiful recordings I have heard this year." (IRR)

"There is no shortage of recitals of Arvo Part's shorter choral works in catalogue, but anything by Polyphony is welcome. sound is, as always, so rich and beautiful." (BBC Music Magazine)

Polyphony
Stephen Layton, conductor



Polyphony
was formed by Stephen Layton in 1986 for a concert in King’s College Chapel, Cambridge. Since then the choir has performed and recorded regularly to critical acclaim throughout the world. Recent reviews declare Polyphony ‘one of the best small choirs now before the public’ (The Daily Telegraph) and ‘possibly the best small professional chorus in the world’ (Encore Magazine, USA).

For more than a decade Polyphony has given annual sell-out performances of Bach’s St John Passion and Handel’s Messiah at St John’s Smith Square. These have become notable events in London’s music calendar and have been broadcast by BBC Radio 3 and the EBU. According to The Evening Standard ‘no one but no one performs Handel’s Messiah better every year than the choir Polyphony’, and The Times ‘would rate it among the finest John Passions I have ever heard’.

Polyphony’s performance highlights include appearances at several BBC Proms, performing repertoire such as Arvo Pärt’s Passio, and Purcell’s Dido and Aeneas; regular festival performances, including dates at the Aldeburgh and Cheltenham Festivals, and at the RTE Living Music Festival in Dublin; and numerous première performances including works by John Tavener in honour of his 60th birthday as part of the Barbican’s Great Performers series, and works by Arvo Pärt and Pawel Lukaszewski. Broadcast highlights include performances of works by Poulenc, Rautavaara, Tormis, Britten and Grainger for BBC Radio 3, works by Arvo Pärt for RTE, and an EBU broadcast of Bach’s Christmas Oratorio.

Polyphony’s extensive discography on the Hyperion label encompasses works by Britten, Bruckner, Cornelius, Grainger, Grieg, Jackson, Lauridsen, Lukaszewski, MacMillan, Pärt, Poulenc, Rutter, Tavener, Walton, and Whitacre. The disc of Britten, Sacred and Profane, won a Gramophone Award and a Diapason d’Or in 2001, and the choir’s première recording of works by Arvo Pärt, Triodion, was Best of Category (Choral) at the 2004 Gramophone Awards. Polyphony also received Gramophone Award nominations in 2002 for the Walton CD, and in 2008 for Poulenc’s Gloria, described by Gramophone Magazine as ‘a performance of real distinction … simply incredible’.

Stephen Layton
Awarded with an MBE for services to classical music in October 2020, Stephen Layton is one of the most sought-after conductors of his generation. He has often been described as the finest exponent of choral music in the world today, and his ground-breaking approach has had a profound influence on choral music over the last thirty years. Founder and Director of Polyphony, and Director of Holst Singers, Layton was for seventeen years Fellow and Director of Music at Trinity College Cambridge. His other former posts include Chief Conductor of the Netherlands Chamber Choir, Chief Guest Conductor of the Danish National Vocal Ensemble, Artistic Director and Principal Conductor of City of London Sinfonia, and Director of Music at the Temple Church, London.

Layton is regularly invited to work with the world’s leading choirs, orchestras and composers. His interpretations have been heard from the Sydney Opera House to the Concertgebouw, from Tallinn to São Paolo, and his recordings have won or been nominated for every major international recording award. He has two Gramophone Awards (and a further ten nominations), five Grammy nominations, the Diapason d’Or de l’Année in France, the Echo Klassik award in Germany, the Spanish CD Compact Award, and Australia’s Limelight Recording of the Year.

Layton is constantly in demand to premiere new works by the greatest established and emerging composers of our age. Passionate in his exploration of new music, Layton has introduced a vast range of new choral works to the UK and the rest of the world, transforming the music into some of the most widely performed today. Long-standing composer partnerships include Arvo Pärt, Sir John Tavener and Sir Karl Jenkins; in the Baltics, Ēriks Ešenvalds, Uģis Prauliņš and Veljo Tormis; and in America, Morten Lauridsen and Eric Whitacre, of whose music Layton made two Grammy-nominated recordings.

Other award-winning albums include recordings of Britten, Sir James MacMillan, Bruckner, Handel (including BBC Music Magazine’s ‘Best Messiah recording’ with Britten Sinfonia), and Bach’s St John Passion, Christmas Oratorio and Mass in B minor with the Orchestra of the Age of Enlightenment. Layton’s recordings have consistently broken new ground, creating a new soundworld in British choral music.

This album contains no booklet.

© 2010-2024 HIGHRESAUDIO