Scarlatti: Passio domini nostri Jesu Christi secundum Joannem Chœur de Chambre de Namur, Millenium Orchestra & Leonardo García Alarcón

Cover Scarlatti: Passio domini nostri Jesu Christi secundum Joannem

Album info

Album-Release:
2017

HRA-Release:
24.03.2017

Label: Ricercar

Genre: Classical

Subgenre: Vocal

Album including Album cover Booklet (PDF)

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  • Alessandro Scarlatti (1660-1725):
  • 1Responsori per la Settimana Santa: Plange quasi virgo02:49
  • 2Passio domini nostri Jesu Christi secundum Joannem: Passio domini nostri Jesu Christi (Testo)02:16
  • 3Responsori per la Settimana Santa: Plange quasi virgo01:39
  • 4Passio domini nostri Jesu Christi secundum Joannem: In illo tempore egressus est (Testo, Christus, Turba)06:03
  • 5Responsori per la Settimana Santa: Ecce vidimus eum04:19
  • 6Passio domini nostri Jesu Christi secundum Joannem: Sequebatur autem Jesum Simon Petrus (Testo, Ancilla, Petrus, Judaeus, Christus, Turba)05:37
  • 7Responsori per la Settimana Santa: Omnes amici mei01:57
  • 8Passio domini nostri Jesu Christi secundum Joannem: Adducunt ergo Jesum a Caipha (Testo, Pilatus, Turba, Christus)15:28
  • 9Responsori per la Settimana Santa: Vinea mea electa02:10
  • 10Passio domini nostri Jesu Christi secundum Joannem: Hunc ergo titulum multi Judaeorum (Testo, Turba, Pilatus, Christus)07:55
  • 11Responsori per la Settimana Santa: O vos omnes02:22
  • 12Passio domini nostri Jesu Christi secundum Joannem: Judaei ergo, quoniam parasceve erat (Testo)04:16
  • 13Responsori per la Settimana Santa: Aestimatus sum02:14
  • Total Runtime59:05

Info for Scarlatti: Passio domini nostri Jesu Christi secundum Joannem



Alessandro Scarlatti’s St John Passion was the first Passion setting written in seventeenth-century Italy. Scarlatti treats the role of the Evangelist (composed in the mezzo-soprano register) in highly unusual fashion, giving his narrative numerous emotional passages.

The Voice of Christ (bass) is invariably haloed by a string accompaniment.

The version presented by Leonardo García Alarcón inserts meditations assigned to the chorus; these are taken from Scarlatti’s Responsories for Holy Week, polyphonic settings that reveal a little-known genre practised by this composer.

Giuseppina Bridelli, mezzo-soprano
Choeur De Chambre De Namur & Millenium
Leonardo García Alarcón, conductor

No albums found.

No biography found.

Booklet for Scarlatti: Passio domini nostri Jesu Christi secundum Joannem

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