Bach: Cantatas pour Luther, BWV 76, 79 & 80 Montréal Baroque & Eric Milnes

Cover Bach: Cantatas pour Luther, BWV 76, 79 & 80

Album info

Album-Release:
2018

HRA-Release:
22.06.2018

Label: ATMA Classique

Genre: Classical

Subgenre: Vocal

Album including Album cover Booklet (PDF)

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  • Johann Sebastian Bach (1685 - 1750): Die Himmel erzählen die Ehre Gottes, BWV 76:
  • 1I. Die Himmel erzahlen die Ehre Gottes04:01
  • 2II. So läßt sich Gott nicht unbezeuget!01:25
  • 3III. Hört, ihr Völker, Gottes Stimme05:23
  • 4IV. Wer aber hört00:35
  • 5V. Fahr hin, abgöttische Zunft!03:10
  • 6VI. Du hast uns, Herr, von allen Straßen01:18
  • 7VII. Es woll uns Gott genädig sein02:29
  • 8VIII. Sinfonia02:47
  • 9IX. Gott segne noch die treue Schar00:47
  • 10X. Hasse nur, hasse mich recht02:43
  • 11XI. Ich fühle schon im Geist00:51
  • 12XII. Liebt, ihr Christen, in der Tat!02:36
  • 13XIII. So soll die Christenheit00:40
  • 14XIV. Es danke Gott und lobe dich02:28
  • Gott der Herr ist Sonn und Schild, BWV 79:
  • 15I. Gott der Herr ist Sonn und Schild04:52
  • 16II. Gott ist unsre Sonn und Schild!03:14
  • 17III. Nun danket alle Gott01:56
  • 18IV. Gottlob, wir wissen den rechten Weg zur Seligkeit00:48
  • 19V. Gott, ach Gott, verlaß die Deinen03:05
  • 20VI. Erhalt uns in der Wahrheit00:32
  • Ein feste Burg ist unser Gott, BWV 80:
  • 21I. Ein feste Burg ist unser Gott05:29
  • 22II. Alles, was von Gott geboren03:25
  • 23III. Erwäge doch, Kind Gottes01:44
  • 24IV. Komm in mein Herzenshaus03:17
  • 25V. Und wenn die Welt voll Teufel wär03:16
  • 26VI. So stehe dann bei Christi blutgefarbten Fahne01:13
  • 27VII. Wie selig sind doch die, die Gott im Munde tragen04:20
  • 28VIII. Das Wort sie sollen lassen stehn00:56
  • Total Runtime01:09:20

Info for Bach: Cantatas pour Luther, BWV 76, 79 & 80



Scandalized by the abuses of the Catholic clergy, on October 31 1517, the Augustinian monk Martin Luther posted his Ninety-Five Theses on the door of All Saints’ Church in Wittenberg. The document condemned the selling of indulgences, advocated radical reforms, and set out his doctrine of justification by faith alone. Every October 31 since the early 16th century, Lutheran communities have celebrated the Feast of the Reformation. In his role as cantor at the Saint Thomas church in Leipzig, Bach wrote two cantatas to be sung for the occasion: the first version of BWV 80, likely composed in 1723, and two years later BWV 79. Cantata BWV 76 was written for the second Sunday after Trinity, and the second part was offered to the church of Saint Paul for its Reformation celebrations in 1724, 1729, 1740, and 1745. This is the eighth release in ATMA’s project to record the sacred cantatas of J.S. Bach in conjunction with Festival Montréal Baroque. This cycle is performed in keeping with the latest scholarship on Bach’s own performances, with the chorus sections sung by the four soloists, one voice per part.

Hélène Brunet, soprano
Michael Taylor, countertenor
Philippe Gagné, tenor
Jesse Blumberg, baritone
Montréal Baroque
Eric Milnes, conductor



Montreal Baroque
brings together some of Montreal’s finest early music performers. The ensemble was created especially for the Montreal Baroque Festival, which is held in June since 2003 in Old Montreal. An initiative of cellist and gambist Susie Napper, the Festival offers a unique opportunity to hear music of the 17th and 18th centuries, performed by Canadian and international celebrities, in appropriate and unusual settings. In addition, educational activities seek to encourage current and future audiences to discover the many beauties of early music.

Eric Milnes
has received critical acclaim as conductor and keyboard artist in North & South America, Europe and Asia, renowned as one of the most creative and dynamic early music performers of his generation. In recent seasons he conducts L'Harmonie des Saisons, of which he is co-founder, La Bande Montréal Baroque, The Seattle Baroque Orchestra, New York Baroque, The Portland Baroque Orchestra, The New York Collegium and The Philharmonic Orchestra of Santiago, Chile. He has appeared as conductor or harpsichordist at the Utrecht Festival, The Regensburg Festival, The Potsdam Festival, The Bruge Festival, The Montreal Baroque Festival, New York's Mostly Mozart Festival, and the Boston Early Music Festival. His discography numbers over fifty recordings, and he is the director of Montréal Baroque's recordings of the complete Bach sacred cantatas for ATMA Classique. He has taught with the faculties of The Juilliard School, New York, and the Conservatory of Music in Oslo, Norway.

Booklet for Bach: Cantatas pour Luther, BWV 76, 79 & 80

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