Quintet '80 (Deluxe Edition - Remaster) David Grisman Quintet

• 1 Dawgma 03:38
• 2 Bow Wow 04:32
• 3 Barkeley's Bug 04:16
• 4 Sea of Cortez 05:23
• 5 Naima 02:43
• 6 Mugavero 05:13
• 7 Dawgmatism 05:03
• 8 Thailand 11:10
• 9 Bow Wow 1 04:15
• 10 Bow Wow 2 02:44
• 11 Bow Wow 4 04:41
• 12 Naima 1 02:41
• 13 Naima 2 02:44
• Total Runtime 59:03

Info for Quintet '80 (Deluxe Edition - Remaster)

In early 1980 David Grisman recorded the first of four studio albums for Warner Brothers Records. Quintet ‘80 introduced a newly formed quintet featuring multi-instrumentalists Mike Marshall and Mark O’Connor, bassist Rob Wasserman and founding member Darol Anger on violin and cello. The original LP has been out of print for nearly three decades and this Deluxe Edition presents all of the original master takes plus five previously unissued alternate takes, all newly transferred to the highest quality sound format available (24 bit, 96khz) at Acoustic Oasis.

"Throughout his career, mandolinist David Grisman has performed music that crosses between many boundaries, from "new acoustic" folk to bluegrass and swing-oriented jazz. This set features Grisman's string group (which also includes violinist Darol Anger, Mike Marshall on mandolin, guitar and violin, Mark O'Connor on violin and guitar, and bassist Rob Wasserman) playing six of Grisman's diverse originals, an obscure tune, and a brief rendition of John Coltrane's "Naima." The music is excellent, but Grisman's more jazz-oriented projects would be in the future." (Scott Yanow, AMG)

This is an expanded deluxe edition of Quintet '80 was originally released in 1980. There are five bonus tracks and the music has been remastered for this release which is part of the Acoustic Oasis Hi-Def Master series.

David Grisman, mandolins
Darol Anger, violin, cello, violectra
Mike Marshall, guitar, mandolin, violin
Mark O'Connor, guitar, violin
Rob Wasserman, bass

Digitally remastered

David Grisman
emerged as a mandolin visionary from New York City’s Greenwich Village folk scene in the early 1960s. He first played with local bluegrass bands and then professionally with the Even Dozen Jug Band, Red Allen and the Kentuckians and Earth Opera. He became a record producer and session player on recordings with Tom Paxton, Judy Collins, James Taylor, Linda Ronstadt and many others. In 1969, Jerry Garcia invited David to play on the Grateful Dead’s classic American Beauty. Garcia famously dubbed him “Dawg” and their musical friendship led to the legendary bluegrass band, Old & In The Way.

For nearly half a century, mandolinist / composer / bandleader / producer David Grisman has been a guiding force in the evolving world of acoustic music. His musical range is wide and deep — embracing many styles, genres and traditions.

An acoustic pioneer and innovator, David forged a unique personal artistic path, skillfully combining elements of the great American music/art forms — jazz and bluegrass with many international flavors and sensibilities to create his own distinctive idiom — “Dawg” music (the nickname given him by Jerry Garcia.)  In doing so, he’s inspired new generations of acoustic string musicians, while creating his own niche in contemporary music.

Grisman discovered the mandolin as a teenager growing up in New Jersey, where he met and became a disciple of mandolinist/folklorist Ralph Rinzler. Despite warnings from his piano teacher that it wasn't a "real" instrument, David learned to play the mandolin in the style of Bill Monroe, the father of bluegrass music. He took it to Greenwich Village where he studied English at NYU, while immersed in the proliferating folk music scene of the early 1960s.

In 1963 Grisman made his first recordings both as an artist (Even Dozen Jug Band - Elektra) and producer (Red Allen, Frank Wakefield and the Kentuckians – Folkways.) In 1966 Red Allen offered David his first job with an authentic bluegrass band, the Kentuckians. Grisman began composing original tunes and playing with other urban bluegrass contemporaries like Peter Rowan and Jerry Garcia, with whom he would later form Old & in the Way.

David's interests spread to jazz in 1967, while playing in a folk-rock group, Earth Opera. A failed attempt at learning to play alto sax turned him into a student of jazz musicianship and theory. His burgeoning career as a session musician gave him experience playing many types of music and opportunities to stretch the boundaries of the mandolin. His discography is filled with notables including Jerry Garcia, Stephane Grappelli, the Grateful Dead, John Hartford, Del McCoury, Bonnie Raitt, Linda Ronstadt, Earl Scruggs, James Taylor and Doc Watson.

Dawg's instrumental style found a home in 1974 when he formed the Great American Music Band with fiddler Richard Greene. "Nothing against singers," said David, "but it became apparent to me that I could play 90 minutes without one. Besides, Elvis never called." Within a year, David met guitar wizard Tony Rice, who moved to California where they started rehearsing a new group, the David Grisman Quintet (DGQ,) which also included violinist Darol Anger and bassist/mandolinist Todd Phillips. Since then the DGQ has featured such stellar notables as Svend Asmussen, Hal Blaine, Vassar Clements, Stephane Grappelli, Mike Marshall, Andy Statman and Frank Vignola.

After recording for major and independent labels, David founded Acoustic Disc in 1990 and entered the most prolific period of his career, producing 67 critically acclaimed CDs (five of which were Grammy-nominated.) In 2010 he launched the first download website devoted to acoustic music.

This album contains no booklet.