A Fever You Can't Sweat Out (Remastered 20th Anniversary Deluxe) Panic! At The Disco

Album info

Album-Release:
2005

HRA-Release:
23.01.2026

Label: Fueled By Ramen

Genre: Pop

Artist: Panic! At The Disco

Album including Album cover

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  • 1 Introduction (2025 Remaster) 00:36
  • 2 The Only Difference Between Martyrdom and Suicide Is Press Coverage (2025 Remaster) 02:54
  • 3 London Beckoned Songs About Money Written by Machines (2025 Remaster) 03:23
  • 4 Nails for Breakfast, Tacks for Snacks (2025 Remaster) 03:23
  • 5 Camisado (2025 Remaster) 03:11
  • 6 Time to Dance (2025 Remaster) 03:22
  • 7 Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off (2025 Remaster) 03:20
  • 8 Intermission (2025 Remaster) 02:35
  • 9 But It's Better If You Do (2025 Remaster) 03:25
  • 10 I Write Sins Not Tragedies (2025 Remaster) 03:06
  • 11 I Constantly Thank God for Esteban (2025 Remaster) 03:30
  • 12 There's a Good Reason These Tables Are Numbered Honey, You Just Haven't Thought of It Yet (2025 Remaster) 03:16
  • 13 Build God, Then We'll Talk (2025 Remaster) 03:40
  • Demos:
  • 14 The Only Difference Between Martyrdom and Suicide is Press Coverage (Demo) 03:15
  • 15 London Beckoned Songs About Money Written by Machines (Demo) 03:45
  • 16 Nails for Breakfast, Tacks for Snacks (Demo) 03:54
  • 17 Camisado (Demo) 03:46
  • 18 Time to Dance (Demo) 04:10
  • 19 Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off (Demo) 03:06
  • 20 But It's Better If You Do (Demo) 03:10
  • 21 I Write Sins Not Tragedies (Demo) 03:29
  • 22 I Constantly Thank God for Esteban (Demo) 03:05
  • 23 There's a Good Reason These Tables Are Numbered Honey, You Just Haven't Thought of It Yet (Demo) 03:18
  • 24 Build God, Then We'll Talk (Demo) 03:34
  • Live in Denver:
  • 25 Introduction (Live In Denver) 01:28
  • 26 The Only Difference Between Martyrdom and Suicide Is Press Coverage (Live In Denver) 02:48
  • 27 Time to Dance (Live In Denver) 03:40
  • 28 London Beckoned Songs About Money Written by Machines (Live In Denver) 03:48
  • 29 Karma Police (Live In Denver) 03:25
  • 30 Camisado (Live In Denver) 03:36
  • 31 Nails for Breakfast, Tacks for Snacks (Live In Denver) 03:49
  • 32 Lying Is the Most Fun a Girl Can Have Without Taking Her Clothes Off (Live In Denver) 05:37
  • 33 But It's Better If You Do (Live In Denver) 04:39
  • 34 I Write Sins Not Tragedies (Live In Denver) 03:20
  • 35 Tonight, Tonight (Live In Denver) 04:06
  • 36 There's a Good Reason These Tables Are Numbered Honey, You Just Haven't Thought of It Yet (Live In Denver) 04:23
  • 37 I Constantly Thank God for Esteban (Live In Denver) 04:20
  • 38 Build God, Then We'll Talk (Live In Denver) 05:04
  • Total Runtime 02:12:16

Info for A Fever You Can't Sweat Out (Remastered 20th Anniversary Deluxe)

Nach ihrem aufsehenerregenden Auftritt beim When We Were Young Festival in Las Vegas feiern Panic! At The Disco weiterhin die zwei Jahrzehnte seit der Veröffentlichung ihres bahnbrechenden, mit Mehrfach-Platin ausgezeichneten Debütalbums mit der Ankündigung der A Fever You Can't Sweat Out (20th Anniversary Deluxe) Edition.

Das wegweisende Album, hervorgehoben durch den neu mit Diamant-Status ausgezeichneten Hit „I Write Sins Not Tragedies“, katapultierte die Band aus Las Vegas zum Rock-Star-Ruhm und etablierte sie als eine der prägendsten Acts ihrer Generation.

Entdeckt von Pete Wentz von Fall Out Boy, als die Bandmitglieder noch Teenager waren, explodierten Panic! At The Disco mit der Veröffentlichung von A Fever You Can't Sweat Out im Herbst 2005 in die Musiklandschaft. Das Album erreichte die oberen Ränge der Billboard 200 und feierte Mehrfach-Platin-Erfolge.

Die Breakout-Single der Veröffentlichung, „I Write Sins Not Tragedies“, wurde zu einem der bekanntesten Songs dieser Ära, erreichte die Top 10 der Billboard Hot 100 und wurde ein Radiohit in verschiedenen Formaten. Die ikonische Hymne findet weiterhin großen Anklang bei Musikfans und erhielt kürzlich eine RIAA Diamant-Zertifizierung für über 10 Millionen Streams/Verkäufe.

Angetrieben von Hymnen wie „Build God, Then We’ll Talk“, „The Only Difference Between Martyrdom And Suicide Is Press Coverage“ und „Lying Is The Most Fun A Girl Can Have Without Taking Her Clothes Off“, hat das Album bis heute Verkäufe von über 5 Millionen Alben und fast 4 Milliarden globale Streams generiert.

Panic! At The Disco

Zur Info: Dieses Album besteht aus verschiedenen Abtastraten 96 & 48kHz. Siehe Trackliste - hinter jedem Track steht die Abtastraten.




Panic! At The Disco The members of Panic! at the Disco had barely graduated high school when their full-length debut, A Fever You Can't Sweat Out, transformed the suburban Las Vegas teens into national emo-pop stars. The band had materialized several years earlier, when friends Spencer Smith (drums) and Ryan Ross (guitar) began covering blink-182 tunes together. After tiring of playing another group's material, they recruited two additional classmates, guitar/vocalist Brendon Urie and bassist Brent Wilson, and the newly formed quartet decided to model its name after a line in Name Taken's "Panic." Crafting pop-influenced songs with theatrical touches, quirky techno beats, and perceptive lyrics, Panic! at the Disco posted several demos online that caught the attention of Decaydance Records, the Fueled by Ramen imprint headed by Fall Out Boy's Pete Wentz. Even though Panic! at the Disco had yet to play a live show, they subsequently became the first band signed to Wentz's label.

With their record scheduled for release in September 2005, Panic! at the Disco joined the successful Nintendo Fusion Tour and hit the road alongside Fall Out Boy, Motion City Soundtrack, Boys Night Out, and the Starting Line. The band continued touring into early 2006, while its single "I Write Sins Not Tragedies" found its way onto MTV and the Billboard Top 40. Proving to be a popular lineup, the Nintendo tour consistently sold out venues across the country. Wilson was fired from the group mid-year; undaunted, Panic! pressed on with their friend Jon Walker on board for a full summer tour that culminated with appearances at the Lollapalooza, Reading, and Leeds festivals. The guys picked up a Video of the Year award at MTV's annual VMA ceremony, beating out heavy hitters like Madonna and the Red Hot Chili Peppers, and a collector's box set version of Fever (featuring random Panic! paraphernalia and a DVD) came out just in time for the 2006 holiday season.

After additional tour dates, the bandmembers announced that they were eliminating the exclamation point from their name, a sign that seemed to foreshadow the mature, less emo-driven rock featured on Pretty. Odd. Released in March 2008, the sophomore album peaked at number two in the U.S. and showcased an evolving band whose tastes had grown to encompass the Beatles' psychedelic pop. The group supported the album with another round of shows, one of which was captured on the CD/DVD release ...Live in Chicago. The group took a hit in June 2009, though, when Walker and Ross left the lineup in order to form their own band, the Young Veins. Urie and Smith soldiered in the studio as a duo, though they did fill the holes in their touring lineup with Ian Crawford and Dallon Weekes. In 2011 the band released their third studio album, Vices & Virtues.

This album contains no booklet.

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