Waiting For The Sun (50th Anniversary Deluxe Remastered Edition) The Doors
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- 1Hello, I Love You (Remastered)02:16
- 2Love Street (Remastered)02:51
- 3Not To Touch The Earth (Remastered)03:54
- 4Summer's Almost Gone (Remastered)03:21
- 5Wintertime Love (Remastered)01:53
- 6The Unknown Soldier (Remastered)03:23
- 7Spanish Caravan (Remastered)02:58
- 8My Wild Love (Remastered)02:53
- 9We Could Be So Good Together (Remastered)02:23
- 10Yes, The River Knows (Remastered)02:37
- 11Five To One (Remastered)04:26
- 12Hello, I Love You (Rough Mix)02:23
- 13Summer's Almost Gone (Rough Mix)03:22
- 14Yes, The River Knows (Rough Mix)02:37
- 15Spanish Caravan (Rough Mix)02:57
- 16Love Street (Rough Mix)03:04
- 17Wintertime Love (Rough Mix)01:55
- 18Not To Touch The Earth (Rough Mix)03:56
- 19Five To One (Rough Mix)04:23
- 20My Wild Love (Rough Mix)02:59
- 21Texas Radio & The Big Beat (Live at Falkoner Centeret, Copenhagen 9/17/68)01:32
- 22Hello, I Love You (Live at Falkoner Centeret, Copenhagen 9/17/68)02:26
- 23Back Door Man (Live at Falkoner Centeret, Copenhagen 9/17/68)02:06
- 24Five To One (Live at Falkoner Centeret, Copenhagen 9/17/68)04:37
- 25The Unknown Soldier (Live at Falkoner Centeret, Copenhagen 9/17/68)04:53
Info for Waiting For The Sun (50th Anniversary Deluxe Remastered Edition)
Waiting for the Sun was originally released in August, 1968. It was the band’s third platinum album in less than two years, and the first to top the album chart. Since its debut, the album has sold millions of copies around the globe and contributed to the Doors’ legendary canon with classics like “The Unknown Soldier,” “Five To One” and the #1 smash, “Hello, I Love You.”
We celebrate the 50th anniversary of this monumental album this year with WAITING FOR THE SUN: 50th ANNIVERSARY DELUXE EDITION. This double-album collection features a new version of the album’s original stereo mix, which has been newly remastered from the original master tapes by Bruce Botnick, the Doors’ longtime engineer/mixer. The album also includes 14 completely unreleased tracks: nine recently discovered “rough mixes” from the album recording sessions and five live songs from a 1968 Copenhagen show.
“Hello, I Love You” became the band’s second #1 hit when it topped the Billboard singles chart for two weeks beginning on August 3, 1968. Now, exactly 50 years later, Rhino will release a new 7” version of the single with its b-side “Love Street.” For this anniversary release, Rhino will use mono radio mixes of the songs that were given exclusively to radio stations for airplay in 1968. This version of “Hello, I Love You” was first available last year as part of The Singles CD collection and is making its vinyl debut here, while the “Love Street” mix is being released commercially for the first time. The 7” single will be available on August 3 for $9.98.
Botnick’s newly remastered stereo mix of Waiting For The Sun adds new sonic dimensions to songs like “The Unknown Soldier” and “Spanish Caravan,” but that wasn’t his only contribution to the project. While going through his archive, he uncovered a cache of rough mixes from the sessions that hadn’t been played in 50 years. Botnick says: “I prefer some of these rough mixes to the finals, as they represent all of the elements and additional background vocals, different sensibilities on balances, and some intangible roughness, all of which are quite attractive and refreshing.”
The deluxe edition of the album also features unreleased live recordings of five songs from the Doors’ September 17, 1968 concert in Copenhagen. The performance includes three songs from the band’s latest album – “Hello, I Love You,” “Five To One,” and “The Unknown Soldier” – plus the classics “Back Door Man” and “The WASP (Texas Radio And The Big Beat).”
When the Doors recorded Waiting For The Sun in 1968, they were among the first bands to use Dolby A301 noise reduction processors, which was cutting-edge recording tech at the time. Similarly, the most advanced sound recording innovations were used to make the anniversary edition of Waiting For The Sun. The new release has been encoded with the MQA (Master Quality Authenticated) process. An MQA disc plays back on all CD players as standard CD quality. But if a conventional CD player is connected to an MQA-enabled device, it can play the same disc back at its original sample rate.
With an intoxicating, genre-blending sound, provocative and uncompromising songs, and the mesmerizing power of singer Jim Morrison's poetry and presence, The Doors had a transformative impact not only on popular music but on popular culture.
The Doors' arrival on the rock scene in 1967 marked not only the start of a string of hit singles and albums that would become stone classics, but also of something much bigger - a new and deeper relationship between creators and audience. Refusing to be mere entertainers, the Los Angeles quartet relentlessly challenged, confronted and inspired their fans, leaping headfirst into the heart of darkness while other bands warbled about peace and love. Though they've had scores of imitators, there's never been another band quite like them. And 40 years after their debut album, The Doors' music and legacy are more influential than ever before.
Morrison's mystical command of the frontman role may be the iconic heart of The Doors, but the group's extraordinary power would hardly have been possible without the virtuosic keyboard tapestries of Ray Manzarek, the gritty, expressive fretwork of guitarist Robby Krieger and the supple, dynamically rich grooves of drummer John Densmore. From baroque art-rock to jazz-infused pop to gutbucket blues, the band's instrumental triad could navigate any musical territory with aplomb - and all three contributed mightily as songwriters.
The group was born when Morrison and Manzarek - who'd met at UCLA's film school - met again, unexpectedly, on the beach in Venice, CA, during the summer of 1965. Though he'd never intended to be a singer, Morrison was invited to join Manzarek's group Rick and the Ravens on the strength of his poetry. Krieger and Densmore, who’d played together in the band Psychedelic Rangers, were recruited soon thereafter; though several bassists auditioned of the new collective, none could furnish the bottom end as effectively as Manzarek's left hand. Taking their name from Aldous Huxley's psychotropic monograph The Doors of Perception, the band signed to Elektra Records following a now-legendary gig at the Whisky-a-Go-Go on the Sunset Strip.
Their eponymous first album, released in January 1967, kicked off with "Break on Through (to the Other Side)" and also featured the chart smash "Light My Fire", the scorching "Back Door Man" and the visionary masterpiece "The End". The Doors arrived fully formed, capable of rocking the pop charts and the avant-garde with one staggering disc. Before '67 was over, they'd issued the ambitious follow-up Strange Days, with such gems as "Love Me Two Times", "People Are Strange" and "When the Music's Over".
Next came 1968's Waiting for the Sun, boasting "Hello, I Love You", "Love Street" and "Five to One". Over the next few years they minded over new territory on such albums as 1969's The Soft Parade (featuring "Touch Me" and "Tell All the People"), 1970's Morrison Hotel (which includes "Roadhouse Blues", "Peace Frog" and "Queen of the Highway") and 1971's L.A. Woman (boasting "Rider's on the Storm", "Love Her Madly" and the title track).
They released six studio albums in all, as well as a live album and a compilation, before Morrison's death in 1971. their electrifying achievements in the studio and onstage were unmatched in the annals of rock; and though Morrison's death meant the end of an era, Manzarek, Krieger and Densmore collaborated on two more original Doors albums, Other Voices and Full Circle, and a set of tracks they composed to accompany Morrison's 1969 recording of his poetry, released in 1978 as An American Prayer. They also pursued individual music projects, books, theatrical productions and other enterprises - and remain restlessly creative to this day.
In the decades since the Doors' heyday, the foursome has loomed ever larger in the pantheon of rock - and they remain a touchstone of insurrectionary culture for writers, activists, visual artists and other creative communities. Their songs, featured in an ever-increasing number of films, TV shows, video games and remixes, always sound uncannily contemporary. No matter how the musical and cultural tides turn, The Doors will always be ready to help a new wave of listeners break on through to the other side. (Source: jam inc.)
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