Beethoven: Symphonies 4, 5 & 6 - Barry: The Conquest of Ireland & Viola Concerto Britten Sinfonia & Thomas Adès

• Ludwig van Beethoven (1770 - 1827): Symphony No. 4 in B-Flat Major, Op. 60:
• 1 Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio – Allegro vivace 11:35
• 2 Symphony No. 4 in B-Flat Major, Op. 60: II. Adagio 08:56
• 3 Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro vivace 05:25
• 4 Symphony No. 4 in B-Flat Major, Op. 60: IV. Allegro ma non troppo 06:43
• Ludwig van Beethoven: Symphony No. 5 in C Minor, Op. 67:
• 5 Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio 07:20
• 6 Symphony No. 5 in C Minor, Op. 67: II. Andante con moto 09:18
• 7 Symphony No. 5 in C Minor, Op. 67: III. Scherzo: Allegro 04:38
• 8 Symphony No. 5 in C Minor, Op. 67: IV. Allegro 10:47
• Gerald Barry (b. 1952):
• 9 Viola Concerto 15:05
• Ludwig van Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral":
• 10 Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo 10:56
• 11 Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene am Bach. Andante molto moto 11:37
• 12 Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro 04:52
• 13 Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro 03:37
• 14 Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto 08:48
• Gerald Barry:
• 15 The Conquest of Ireland 19:36
• Total Runtime 02:19:13

Info for Beethoven: Symphonies 4, 5 & 6 - Barry: The Conquest of Ireland & Viola Concerto

The second volume of celebrated pianist, composer and conductor Thomas Adès and the Britten Sinfonia’s collaborative performances of the works of Beethoven and Gerald Barry. Beethoven’s 4th, 5th and 6th symphonies are interspersed with Barry’s ‘Viola Concerto’ (featuring Lawrence Power) and piece for orchestra and bass ‘The Conquest of Ireland’ (featuring Joshua Bloom).

The pairing is ideal, for Gerald Barry’s compositional style was greatly influenced by Beethoven, giving a piece a title such as Beethoven would suggest an attempt at emulating his legacy nearly two centuries after his death. His music also shows his major influence from radio, moving from the sublime and the ridiculous with carefree abandon.

Joshua Bloom, bass
Lawrence Power, viola
Britten Sinfonia
Thomas Adès, conductor

Thomas Adès
was born in London in 1971. His compositions include two operas, Powder Her Face (Cheltenham Festival/Almeida Theatre, London, 1995), and The Tempest (Royal Opera, Covent Garden, 2004). Other orchestral works include Asyla (CBSO, 1997), Tevot (Berlin Philharmonic and Carnegie Hall, 2007), Polaris (New World Symphony, Miami 2011), Violin Concerto Concentric Paths (Berliner Festspiele and London Proms, 2005), In Seven Days (Piano concerto with moving image - LA Philharmonic and RFH London 2008), and Totentanz for mezzo-soprano, baritone and orchestra (London Proms, 2013).

Chamber works include the string quartets Arcadiana (1993) and The Four Quarters (2011), Piano Quintet (2001), and Lieux retrouvés for cello and piano (2010). Solo piano works include Darknesse Visible (1992), Traced Overhead (1996), and Three Mazurkas (2010). Choral works include The Fayrfax Carol (King's College, Cambridge 1997), America: a Prophecy (New York Philharmonic, 1999) and January Writ (Temple Church, London 2000).

From 1999 to 2008 he was Artistic Director of the Aldeburgh Festival. As a conductor he appears regularly with, among others, the Los Angeles Philharmonic, Boston Symphony, London Symphony Orchestra, the Royal Concertgebouw, Melbourne and Sydney Symphonies, BBC Symphony, and City of Birmingham Symphony Orchestra. As an opera conductor he has conducted The Rake's Progress at the Royal Opera, London and the Zürich Opera, and last Autumn made his debut at the Metropolitan Opera New York conducting The Tempest. He will conduct this production of The Tempest at the Vienna Staatsoper in 2015 with the Vienna Philharmonic.

Future plans include Totentanz with the Boston and Chicago Symphonies and the Los Angeles and New York Philharmonics. Recent piano engagements include solo recitals at Carnegie Hall (Stern Auditorium), New York and the Barbican in London, and concerto appearances with the New York Philharmonic.

Prizes include: Grawemeyer Award for Asyla (1999); Royal Philharmonic Society large-scale composition awards for Asyla, The Tempest and Tevot; Ernst von Siemens Composers' prize for Arcadiana; British Composer Award for The Four Quarters; and Best Opera Grammy and Diapason d'or de l'année (Paris) for The Tempest. He coaches Piano and Chamber Music annually at the International Musicians Seminar, Prussia Cove.

Britten Sinfonia
is one of the world’s most celebrated and pioneering ensembles. The orchestra is acclaimed for its virtuoso musicianship, an inspired approach to concert programming which makes bold, intelligent connections across 400 years of repertoire, and a versatility that is second to none. Britten Sinfonia breaks the mould by not having a principal conductor or director, instead choosing to collaborate with a range of the finest international guest artists from across the musical spectrum, resulting in performances of rare insight and energy.

Britten Sinfonia is a Barbican Associate Ensemble and has residencies in Norwich, Brighton and Cambridge (where it is the University’s Orchestra-in-Association). The orchestra also performs a chamber music series at Wigmore Hall and appears regularly at major UK festivals including Aldeburgh and the BBC Proms. The orchestra’s growing international profile includes regular touring to Mexico, South America and Europe. In February 2012 Britten Sinfonia made its American debut at the Lincoln Centre, New York.

Founded in 1992, the orchestra is inspired by the ethos of Benjamin Britten through world class performances, illuminating and distinctive programmes where old meets new, and a deep commitment to bringing outstanding music to both the world’s finest concert halls and the local community. Britten Sinfonia is a BBC Radio 3 broadcast partner and regularly records for Harmonia Mundi and Hyperion.

In 2012-13 season Britten Sinfonia celebrates its 20th anniversary with gala concert at the Barbican featuring close associates Kuljit Bhamra, Alina Ibragimova, Pekka Kuusisto, Joanna MacGregor, Mark Padmore, Seb Rochford, Andy Sheppard, and Britten Sinfonia Voices, with birthday tributes from James MacMillan and Nico Muhly.

Other collaborators this season include Ian Bostridge, Alice Coote, Colin Currie, Angela Hewitt, Alina Ibragimova, Pekka Kuusisto and Mark Padmore, with premieres from composers including Gerald Barry, Ēriks Ešenvalds, Alissa Firsova, Detlev Glanert, Jay Greenberg, Nico Muhly, and Dobrinka Tabikova. Following UK performances, many of these collaborations will tour internationally to major European cities with performances in some of the world’s finest concert halls.

Central to Britten Sinfonia’s artistic programmes are a wide range of creative learning projects run by the orchestra. In the 2012-13 season Britten Sinfonia will premiere a work commissioned through OPUS 2013; the orchestra’s new project (in partnership with Wigmore Hall) offering unpublished composers the chance to receive a professional commission performed as part of Britten Sinfonia’s award-winning At Lunch series.

The season also sees the debut performances from Britten Sinfonia Academy featuring talented young musicians and composers from across the East of England. Led by Britten Sinfonia musicians and guest artists, the Academy specialises in the features that make Britten Sinfonia unique, including exploring new music and crossing genres, composition and improvisation, and performing without a conductor. Our Academy will help to develop the next generation of musicians and is central to our vision for the future.

Britten Sinfonia has received many awards including two prestigious Royal Philharmonic Society Awards in 2007 and 2009 (Ensemble and Chamber Music respectively). Britten Sinfonia recordings have been Grammy nominated and received a Gramophone Award. In 2008 the orchestra and its International Partner, Cambridge University Press, won the Arts & Business International Award for its tour to South America.

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