Francœur: 10 Sonatas for Violin & Continuo, Book 1 Kreeta-Maria Kentala, Lauri Pulakka & Mitzi Meyerson

• François Francœur (1698 - 1787): 10 Sonatas for Violin & Continuo, Book 1, No. 1 in G Major:
• 1 10 Sonatas for Violin & Continuo, Book 1, No. 1 in G Major: I. Adagio 03:02
• 2 10 Sonatas for Violin & Continuo, Book 1, No. 1 in G Major: II. Courante 02:32
• 3 10 Sonatas for Violin & Continuo, Book 1, No. 1 in G Major: III. Sarabande 01:32
• 4 10 Sonatas for Violin & Continuo, Book 1, No. 1 in G Major: IV. Gavotte 02:44
• 5 10 Sonatas for Violin & Continuo, Book 1, No. 1 in G Major: V. Gigue 03:07
• 10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor:
• 6 10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: I. Adagio 02:11
• 7 10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: II. Allemande 02:44
• 8 10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: III. Sarabande 02:57
• 9 10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: IV. Rondeau 02:18
• 10 10 Sonatas for Violin & Continuo, Book 1, No. 2 in E Minor: V. Presto 03:04
• 10 Sonatas for Violin & Continuo, Book 1, No. 4 in B Minor:
• 11 10 Sonatas for Violin & Continuo, Book 1, No. 4 in B Minor: I. Adagio 02:42
• 12 10 Sonatas for Violin & Continuo, Book 1, No. 4 in B Minor: II. Courante 03:54
• 13 10 Sonatas for Violin & Continuo, Book 1, No. 4 in B Minor: III. Sarabande 02:47
• 14 10 Sonatas for Violin & Continuo, Book 1, No. 4 in B Minor: IV. Gigue 02:28
• 15 10 Sonatas for Violin & Continuo, Book 1, No. 4 in B Minor: V. Gavotte 01:09
• 10 Sonatas for Violin & Continuo, Book 1, No. 6 in E Major:
• 16 10 Sonatas for Violin & Continuo, Book 1, No. 6 in E Major: I. Adagio 01:55
• 17 10 Sonatas for Violin & Continuo, Book 1, No. 6 in E Major: II. Allemande 03:26
• 18 10 Sonatas for Violin & Continuo, Book 1, No. 6 in E Major: III. Sarabande 01:52
• 19 10 Sonatas for Violin & Continuo, Book 1, No. 6 in E Major: IV. Gavotte 02:11
• 20 10 Sonatas for Violin & Continuo, Book 1, No. 6 in E Major: V. Gigue 02:42
• 10 Sonatas for Violin & Continuo, Book 1, No. 9 in A Major:
• 21 10 Sonatas for Violin & Continuo, Book 1, No. 9 in A Major: I. Adagio 02:50
• 22 10 Sonatas for Violin & Continuo, Book 1, No. 9 in A Major: II. Courante 04:12
• 23 10 Sonatas for Violin & Continuo, Book 1, No. 9 in A Major: III. Adagio 02:00
• 24 10 Sonatas for Violin & Continuo, Book 1, No. 9 in A Major: IV. Gigue 03:01
• 10 Sonatas for Violin & Continuo, Book 1, No. 7 in D Minor:
• 25 10 Sonatas for Violin & Continuo, Book 1, No. 7 in D Minor: I. Adagio 02:17
• 26 10 Sonatas for Violin & Continuo, Book 1, No. 7 in D Minor: II. Allemande. Marqué 03:13
• 27 10 Sonatas for Violin & Continuo, Book 1, No. 7 in D Minor: III. Rondeau 02:18
• 28 10 Sonatas for Violin & Continuo, Book 1, No. 7 in D Minor: IV. Sarabande 02:23
• 29 10 Sonatas for Violin & Continuo, Book 1, No. 7 in D Minor: V. Rondeau. Gay 03:28
• 10 Sonatas for Violin & Continuo, Book 1, No. 5 in C Minor:
• 30 10 Sonatas for Violin & Continuo, Book 1, No. 5 in C Minor: I. Allemande. Allegro 04:18
• 31 10 Sonatas for Violin & Continuo, Book 1, No. 5 in C Minor: II. Adagio 03:38
• 32 10 Sonatas for Violin & Continuo, Book 1, No. 5 in C Minor: III. Gavotte 01:30
• 33 10 Sonatas for Violin & Continuo, Book 1, No. 5 in C Minor: IV. Presto 04:04
• 10 Sonatas for Violin & Continuo, Book 1, No. 3 in B-Flat Major:
• 34 10 Sonatas for Violin & Continuo, Book 1, No. 3 in B-Flat Major: I. Allemande. Adagio 02:57
• 35 10 Sonatas for Violin & Continuo, Book 1, No. 3 in B-Flat Major: II. Allemande 03:05
• 36 10 Sonatas for Violin & Continuo, Book 1, No. 3 in B-Flat Major: III. Sarabande 02:41
• 37 10 Sonatas for Violin & Continuo, Book 1, No. 3 in B-Flat Major: IV. Rondeau en muzette 02:13
• 10 Sonatas for Violin & Continuo, Book 1, No. 8 in F Minor:
• 38 10 Sonatas for Violin & Continuo, Book 1, No. 8 in F Minor: I. Adagio 02:54
• 39 10 Sonatas for Violin & Continuo, Book 1, No. 8 in F Minor: II. Courante 02:53
• 40 10 Sonatas for Violin & Continuo, Book 1, No. 8 in F Minor: III. Adagio 01:06
• 41 10 Sonatas for Violin & Continuo, Book 1, No. 8 in F Minor: IV. Rondeau 02:24
• 10 Sonatas for Violin & Continuo, Book 1, No. 10 in G Major:
• 42 10 Sonatas for Violin & Continuo, Book 1, No. 10 in G Major: I. Allemande. Adagio 03:36
• 43 10 Sonatas for Violin & Continuo, Book 1, No. 10 in G Major: II. Allegro 03:13
• 44 10 Sonatas for Violin & Continuo, Book 1, No. 10 in G Major: III. Sicillienne 03:10
• 45 10 Sonatas for Violin & Continuo, Book 1, No. 10 in G Major: IV. Presto 02:59
• Total Runtime 02:03:40

Info for Francœur: 10 Sonatas for Violin & Continuo, Book 1

Für ihr neuntes Aufnahmeprojekt bei Glossa hat sich die in Berlin lebende amerikanische Cembalistin Mitzi Meyerson mit ihren finnischen Kollegen Kreeta-Maria Kentala (Violine) und Lauri Pulakka (Violoncello) zusammengetan. Mit der gleichen Besetzung – die Musiker bezeichnen sich selbst gerne als die »Jones Band« – hat sie bereits Werke von Richard Jones und Giovanni Battista Somis aufgestöbert und ebenfalls für Glossa eingespielt.

Auf dieser neuen CD steht François Francœur im Mittelpunkt, ein berühmtes Mitglied der Vingt-quatre Violons du Roi und des Concert Spirituel, der später in seinem Leben gemeinsam mit François Rebel die Direktion der Pariser Opéra innehaben sollte. Die zehn auf dieser Doppel-CD eingespielten Sonaten stellen das gesamte Premier Livre de sonates à violon seul et basse continue dar, das 1720 in Paris veröffentlicht wurde. In seiner Kompositionsweise amalgamiert Francœur die typisch französische Eleganz mit dem italienischen Schwung. Sie stellt eine perfekte Mischung der beiden ästhetischen Ansätze dar, und der Komponist lässt in dieser Sammlung seine eigene, unverwechselbare Stimme hören. Die Musik ist melodisch und frisch, raffiniert und kernig. Es gibt zarte Lieder, wilde Tänze, Pastoralen und draufgängerisch virtuose Sätze.

Kreeta Maria Kentala, Violine
Lauri Pulakka, Cello
Mitzi Meyerson, Cembalo

Kreeta-Maria Kentala
is a pioneer in the Finnish movement for early music. She’s at home as a soloist, a leader and a pedagogue of Baroque, Classical, Romantic music as well as folk music. She regularly gives concerts as a solo artist, a member of chamber music projects, and as a soloist, concertmaster and a leader of an orchestra.

Kreeta-Maria studied violin in the Central Ostrobothnia school of music with esteemed teachers such as Mauno Järvelä, Juha Kangas and Kaija Saarikettu. From there she advanced to Sibelius Academy and on to Edsberg music school to Jennifer and Endre Wolf’s group. A master class arranged at Edsberg introduced her to Reinhard Goebel, whom she followed to Cologne to study Baroque music. Kreeta-Maria also studied Baroque music on various master classes and collaborative projects under the guidance of Baroque violinist Monica Huggett.

In the course of her career Kreeta-Maria has had the opportunity to work as an orchestra musician in the Finnish Radio Symphony Orchestra and as a Baroque musician in the Musica Antiqua Köln ensemble. Kreeta-Maria is also active as a pedagogue – it seems a passion for teaching is a hereditary trait in her family. She teaches musicians specializing in Baroque music in Novia, Pietarsaari University of Applied Sciences. Furthermore, she’s very much in demand as a trainer for orchestral musicians and instrument pedagogues, especially in the musical styles of Baroque, Classicism and early Romantic era. Previously Kreeta-Maria as also worked as a lecturer for violin in the Länsi-Helsinki school of music and as a Baroque music lecturer in the Sibelius Academy.

Kreeta-Maria is the leader figure of several regularly touring ensembles. She’s a member of the Rantatie string quartet, specialising in period instruments, the Jouheva ensemble and the folk Baroque ensemble SAMA who combine Baroque with folk and new music. She’s also a member of The Jones Band that plays less familiar and more unusual Baroque sonatas, and Barocco Boreale, who tour the western coast of Finland and spread knowledge of early music. One of Kreeta-Maria’s favorite tasks is drawing up and playing concert repertoire consisting of unknown composers and music that rarely gets performed. She also loves merging different genres together: Baroque goes very well together with folk music or a brand new modern piece of music.

Recordings Kreeta-Maria has made as a chamber musician and a soloist have gathered great acclaim in Finland and abroad. She’s received three Emma Awards, a Janne Award from the Finnish AV producers and two the Album of the Year awards of the Finnish Broadcasting Company YLE. In the year 2016 The Arts Promotion Centre Finland granted Kreeta-Maria a five-year artist grant for the years 2017–2021.

As a Kaustinen-born folk musician from both her mother and her father’s side, Kreeta-Maria has played folk music from a very early age, and the highly active musical life in her hometown is close to Kreeta-Maria’s heart. She was the artistic leader of the Kaustinen Chamber Music Week in the years 2010-2012, and the chair of Kaustinen Folk Musician Association in the years 2013–2016. She is currently active in the Folk Musician Association as a board member as well as in arranging folk music jam sessions.

Booklet for Francœur: 10 Sonatas for Violin & Continuo, Book 1