Handel: Claviorganum (Concertos & Sonatas) Bart Naessens & il Gardellino

• Georg Friederich Haendel (1685 - 1759): Haendel: Organ Concerto in F Major, HWV 292:
• 1 Haendel: Organ Concerto in F Major, HWV 292: I. Allegro (No. 4 from "6 Organ Concertos, Op. 4 - London, 1738") 03:58
• 2 Haendel: Organ Concerto in F Major, HWV 292: II. Andante (No. 4 from "6 Organ Concertos, Op. 4 - London, 1738") 05:18
• 3 Haendel: Organ Concerto in F Major, HWV 292: III. Adagio (No. 4 from "6 Organ Concertos, Op. 4 - London, 1738") 01:15
• 4 Haendel: Organ Concerto in F Major, HWV 292: IV. Allegro (No. 4 from "6 Organ Concertos, Op. 4 - London, 1738") 03:37
• Haendel: Oboe Concerto in G Minor, HWV 287:
• 5 Haendel: Oboe Concerto in G Minor, HWV 287: I. Grave (Version with Flute in A Minor) 02:21
• 6 Haendel: Oboe Concerto in G Minor, HWV 287: II Allegro (Version with Flute in A Minor) 01:50
• 7 Haendel: Oboe Concerto in G Minor, HWV 287: III. Sarabande. Largo (Version with Flute in A Minor) 02:29
• 8 Haendel: Oboe Concerto in G Minor, HWV 287: IV. Alllegro (Version with Flute in A Minor) 02:00
• Haendel: Organ Concerto in F Major, HWV 293:
• 9 Haendel: Organ Concerto in F Major, HWV 293: I. Larghetto - Adagio (No. 5 from "6 Organ Concertos, Op. 4 - London, 1738") 01:57
• 10 Haendel: Organ Concerto in F Major, HWV 293: II. Allegro (No. 5 from "6 Organ Concertos, Op. 4 - London, 1738") 02:25
• 11 Haendel: Organ Concerto in F Major, HWV 293: III. Alla Siciliana (No. 5 from "6 Organ Concertos, Op. 4 - London, 1738") 01:29
• 12 Haendel: Organ Concerto in F Major, HWV 293: IV. Presto (No. 5 from "6 Organ Concertos, Op. 4 - London, 1738") 02:18
• Haendel: Harpsichord Suite in F Major, HWV 427:
• 13 Haendel: Harpsichord Suite in F Major, HWV 427: I. Adagio (No. 2 from "8 Great Suites - London, 1720") 02:45
• 14 Haendel: Harpsichord Suite in F Major, HWV 427: II. Allegro (No. 2 from "8 Great Suites - London, 1720") 02:09
• 15 Haendel: Harpsichord Suite in F Major, HWV 427: III. Adagio (No. 2 from "8 Great Suites - London, 1720") 01:32
• 16 Haendel: Harpsichord Suite in F Major, HWV 427: IV. Allegro (Fugue) (No. 2 from "8 Great Suites - London, 1720") 03:08
• Haendel: Concerto Grosso in D Major, HWV 317:
• 17 Haendel: Concerto Grosso in D Major, HWV 317: I. Vivace (No. 6 from "6 Concerti Grossi, Op. 3 - London, 1734") 03:04
• 18 Haendel: Concerto Grosso in D Major, HWV 317: II. Allegro (No. 6 from "6 Concerti Grossi, Op. 3 - London, 1734") 02:59
• Haendel: Trio Sonata in B Minor, HWV 386b:
• 19 Haendel: Trio Sonata in B Minor, HWV 386b: I. Andante (No. 1 from "Trio Sonatas, Op. 2 - London, 1733") 03:19
• 20 Haendel: Trio Sonata in B Minor, HWV 386b: II. Allegro (No. 1 from "Trio Sonatas, Op. 2 - London, 1733") 02:50
• 21 Haendel: Trio Sonata in B Minor, HWV 386b: III. Largo (No. 1 from "Trio Sonatas, Op. 2 - London, 1733") 02:51
• 22 Haendel: Trio Sonata in B Minor, HWV 386b: IV. (Allegro) (No. 1 from "Trio Sonatas, Op. 2 - London, 1733") 02:20
• Haendel: Organ Concerto in B-Flat Major, HWV 306:
• 23 Haendel: Organ Concerto in B-Flat Major, HWV 306: I. Andante (No. 1 from "6 Organ Concertos, Op. 7 - London, 1761") 05:39
• 24 Haendel: Organ Concerto in B-Flat Major, HWV 306: II. Andante (No. 1 from "6 Organ Concertos, Op. 7 - London, 1761") 03:37
• 25 Haendel: Organ Concerto in B-Flat Major, HWV 306: III. Largo e piano (No. 1 from "6 Organ Concertos, Op. 7 - London, 1761") 03:22
• 26 Haendel: Organ Concerto in B-Flat Major, HWV 306: IVa. Organo ad libitum (i.e No. 5 from "12 Voluntaries and Fugues for the Organ or Harpsichord - London, ca. 1776") 01:00
• 27 Haendel: Organ Concerto in B-Flat Major, HWV 306: IVb. Bourrée (No. 1 from "6 Organ Concertos, Op. 7 - London, 1761") 02:45
• Total Runtime 01:14:17

Info for Handel: Claviorganum (Concertos & Sonatas)

Überzeugendes Resultat: Wie der Name schon andeutet ist ein Claviorganum ein Tasteninstrument mit einem Cembalo- und einem Orgelteil, die über ein oder zwei Manuale einzeln oder gemeinsam gespielt werden können. Es ist stets reizvoll zu versuchen, die Verbindung zwischen einem Instrument und einem bestimmten Repertoire herzustellen. Das ist die Aufgabe, die sich il gardellino und Bart Naessens mit dieser Aufnahme gestellt haben. Es gibt zwar keinen Nachweis dafür, dass Händel das Instrument kannte, doch darf es als wahrscheinlich gelten. Die Produktion zeigt auf beeindruckende Weise, dass das Claviorganum in dem ausgewählten Repertoire als Solo- wie auch als Continuoinstrument hervorragend klingt.

Bart Naessens, Claviorgan
Il Gardellino

Bart Naessens
After his studies at the conservatory of Bruges with Chris Dubois, Bart Naessens graduated as Master in Music (organ) at the Lemmensinstituut in Leuven with Luc Ponet. There he focused not only on performance practice, but on creating a wide-ranged spectrum and a fundamental respect for the substantial beauty and profound power of art. After that he specialised in Paris in French symphonic organ music (where he obtained a higher diploma - the so called "Prix d’Excellence" - in this field in 2005 with the highest distinction and congratulations from the jury), he simultaneously started harpsichord studies in the class of Kris Verhelst and orchestra conducting studies with Edmond Saveniers and obtained both Master degrees with the highest distinctions. On this moment, he’s doing a doctoral study at the University of Leuven about ‘the claviorganum and its influence on the musical praxis from 16th-18th century’ with promotion in 2018.

Bart is frequently seen in Belgium and abroad with the most divergent programs as both keyboardplayer and conductor, ranging from early polyphonic music to creations of newly composed pieces. Because of this, he has been engaged by numerous eminent musicians and renowned (international) ensembles and orchestras, such as Ensemble Explorations, Il Gardellino, Ensemble Philidor, B’Rock Orchestra, Les Muffatti, Zefiro Torna, The Dutch Bachsociety, Collegium Vocale Gent, Cluj Symphony Orchestra, Currende (consort), Choir and Orchestra of the Royal La Monnaie-theater, Flemish Radiochoir and Orchestra, Antwerp Symphony Orchestra, … Since 1999 he is Principal Organist at the Sint-Gillis Church in Bruges where he plays the world famous Bachorgan. He teaches organ at Luca, School of Arts (former ‘Lemmensinstituut), is professor harpsichord at the Flemish side of the Brussels Conservatory where he’s also accompanist at the French Early Music Department. In spring 2018 he’ll be finishing his doctoral research about the Claviorganum at Luca, School of Arts.

Lately he has dedicated more time to conducting ensembles, choirs and orchestra. This has already resulted in remarkable performances as (guest conductor) and he is frequently asked as coach of various choirs and orchestras. In 2015 he was asked to be assistant-conductor of Kenneth Montgomery with the ‘Orchestra of the 18th Century’ for ‘Le Nozze di Figaro’ and was first prize-winner of the Conductors Competition in Romania (Cluj). Besides this, he is Artistic Director of the orchestra X-travaganza (classical and symphonic orchestra), Ensemble ‘BachPlus’ (period instruments) and Capriola di Gioia (baroque ensemble with his wife, soprano Amaryllis Dieltiens).

Il Gardellino
The ensemble takes its name from Vivaldi ’s musical portrait of a virtuoso goldfinch, the concerto da camera del Gardellino. Oboist Marcel Ponseele and flautist Jan De Winne initiated a series of concerts of chamber music in 1988; one other musician who took part at that time was bassoonist Marc Minkowski. After several years of performing chamber works, five string players joined the ensemble in 1998, with the result that a much wider repertoire was made available to the group. The stimulus and support offered by Belgian Radio Klara at that time also gave the ensemble the means to continue its growth. Thanks to the generous support of the Vlaamse Gemeenschap from the year 2000 onwards, Il Gardellino has become a permanent part of the musical landscape both in Belgium and abroad.

The ensemble’s repertoire and philosophy can be compared to an active volcano: it is continually recreated and renewed. Il Gardellino carries out thorough research into the historical background of the works it performs, so that each work that they perform, no matter from what period, will be presented according the performance style of the time for today’s audiences. Over many years of such work, Il Gardellino has created a sound world that is very much its own.

The ensemble’s admiration for the works of Johann Sebastian Bach has ensured that these compositions lie at the heart of their repertoire; Il Gardellino has nonetheless set itself the challenge of performing the works of composers who are unjustly lesser-known, as can be seen from their many recordings and concerts of the works of Eichner, Graun, Fasch, Janitsch, Stölzel and Heinichen. The ensemble prefers to perform in historic spaces, where the harmonic relationship between music and architecture creates its own dialogue with the audience.

The eight permanent members of the ensemble are joined by singers, extra winds and strings according to the requirements of the work being performed. The musicians are eminent specialists in historic performance practice and internationally renowned performers of baroque music: Marcel Ponseele (oboe), Jan De Winne (traverso), Ryo Terakado, Mayumi Hirasaki, Joanna Huszcza, François Fernandez (violin), Kaat De Cock and Ingrid Bourgeois (viola), Emmanuel Balssa, Ira Givol and Ronan Kernoa (cello), Vittorio Ghielmi (gamba), Alain Derijckere (bassoon), Frank Coppieters and Korneel Lecompte (double bass), Shalev Ad-El, Lorenzo Ghielmi and Bart Naessens (harpsichord). The ensemble also collaborates with well-known soloists as well as with other leading ensembles such as Cappella Amsterdam.

Il Gardellino is highly regarded both in national and international musical circles and is a frequent guest at important European music festivals and concert halls such as the MA Festival in Bruges, the Ghent Festival van Vlaanderen, the Festival Oude Muziek in Utrecht, the Festival de Sablé and Festival de Sainte as well as other festivals in Prague, Innsbruck, Berlin, Regensburg, Leipzig and Barcelona. The ensemble has also appeared in Australia, Asia, the USA, Central and South America, Israel and Russia. Their concert tours are often combined with series of master classes.

Il Gardellino possesses a comprehensive discography, having recorded for the Accent, Klara, Eufoda and Passacaille labels. These recordings have been acclaimed by both press and public; several of them have been awarded the Diapason d’Or and Classica by the international music press.

This album contains no booklet.