Jean-Efflam Bavouzet plays Debussy, Ravel & Massenet Jean-Efflam Bavouzet, Yan Pascal Tortelier, BBC Symphony Orchestra

• Claude Debussy (1862 - 1918): Fantaisie for Piano and Orchestra, L. 73, CD 72:
• 1 Debussy: Fantaisie for Piano and Orchestra, L. 73, CD 72: I. Andante ma non troppo 08:02
• 2 Debussy: Fantaisie for Piano and Orchestra, L. 73, CD 72: II. Lent (très expressif) 08:11
• 3 Debussy: Fantaisie for Piano and Orchestra, L. 73, CD 72: III. Allegro molto 07:52
• Maurice Ravel (1875 - 1937): Piano Concerto in G Major, M. 83:
• 4 Ravel: Piano Concerto in G Major, M. 83: I. Allegramente 08:13
• 5 Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai 08:55
• 6 Ravel: Piano Concerto in G Major, M. 83: III. Presto 03:58
• 7 Ravel: Concerto in D Major for the Left Hand, M. 82 17:47
• Jules Massenet (1842 - 1912): Deux Impromptus:
• 8 Massenet: Deux Impromptus: I. Eau dormante 02:57
• 9 Massenet: Deux Impromptus: II. Eau courante 01:58
• Jules Massenet:
• 10 Massenet: Toccata 02:05
• Deux Pieces pour piano:
• 11 Massenet: Deux Pieces pour piano: I. Papillons noirs 01:36
• 12 Massenet: Deux Pieces pour piano: II. Papillons blancs 02:45
• Jules Massenet:
• 13 Massenet: Valse folle 02:37
• Total Runtime 01:16:56

Info for Jean-Efflam Bavouzet plays Debussy, Ravel & Massenet

The exclusive Chandos artist Jean-Efflam Bavouzet is a master of this repertoire. This is his second concerto recording for the label, after his survey of the complete piano concertos by Bartók (CHAN 10610) which was released in September to high acclaim and voted ‘Orchestral Choice of the Month’ by the magazine BBC Music. Bavouzet’s complete recording of the piano music by Debussy also scooped awards from BBC Music and Gramophone, which wrote: ‘This could well be the finest and most challenging of all Debussy piano cycles.’

On this release, Bavouzet is accompanied by the BBC Symphony Orchestra and Yan Pascal Tortelier, a conductor steeped in the French tradition and utterly at home in this repertoire. The result is a totally idiomatic performance of these French masterpieces for piano and orchestra.

Ravel’s light and brilliant Piano Concerto in G major is the intriguing result of a merging of classical models with the idioms and harmonies found in the popular jazz music of his day. At the time of composing this concerto, Ravel had just returned from his travels in the USA and the work is heavily influenced by the jazz music that he encountered there. However, in the second movement Mozart takes precedence, the piano’s theme closely modelled on the slow movement of his Clarinet Quintet; and Saint-Saëns’s sparkling semi-quavers fill the finale. The first performance of this work, given by Marguerite Long in Paris, was a great success, as was the European tour that followed. Another central piece is Ravel’s Piano Concerto for the Left Hand. The work was commissioned by Paul Wittgenstein, a concert pianist who had lost his right arm during the First World War. Although at first Wittgenstein did not take to its jazz-influenced rhythms and harmonies, he grew to like the piece. Speaking of the Concerto, Ravel said that he had been determined to make it sound ‘no thinner’ than one for both hands and noted that in the middle of the piece ‘innumerable rhythmic patterns are introduced which become increasingly compact’ and that ‘this pulsation increases in intensity and frequency’ before the various elements ‘contend with one another until they are brusquely interrupted by a brutal conclusion’.

Also featured on this disc is Debussy’s Fantaisie for Piano and Orchestra. Debussy was a highly self-critical composer and disowned or withdrew several of his early works; this piece was one of them. It was composed in 1889 – 90, and its premiere was scheduled, under Vincent d’Indy, almost as soon as the score was completed, but withdrawn by Debussy just as it was being put into rehearsal. The first performance did not take place until after Debussy’s death in 1918. Although the Fantaisie is the lone piano concerto by a composer regarded as one of the greatest among those who wrote for the piano, it remains one of Debussy’s least frequently performed works even now. The work shows the influences of Fauré and Franck, and the piano does not figure as a solo instrument in the conventional concerto sense but rather as an equal partner with the orchestra, although the conventional three movements are still present.

Completing the disc in a unique manner are six pieces for solo piano by Massenet. Most famous for his operas and suites for orchestra, Massenet wrote a quantity of very charming piano pieces, of which Jean-Efflam Bavouzet has selected some of the best. The music is typical of its composer – highly tuneful, richly textured, and utterly compelling – and conjures an atmosphere which only a Frenchman could achieve.

"[Bavouzet] turns in a performance of the Fantaisie that illuminates this uneven yet magical work like no other. As to the Ravel concertos, I have no hesitation in saying these are the greatest performances I have ever heard. The G major is a sharp as a razor, achingly lyrical when required and, above all, fun...The 'Left Hand', helped by Tortelier's incisive conducting is simply awe-inspiring." (Classic FM Magazine)

"Bavouzet’s G major concerto is the best since Michelangeli’s 50 years ago: it has style, verve, poetry and balance...they pull off a wonderfully propulsive Left Hand Concerto, full of pizzazz, spontaneity and arresting insights." (Financial Times)

"the interpretations catch the ear with their blend of subtle phrasing, polish and unanimous zest...A group of charming solo piano miniatures by Massenet complements and at times connects with the styles of Debussy and Ravel, and Bavouzet plays them beautifully." (Gramophone Magazine)

Jean-Efflam Bavouzet, piano
BBC Symphony Orchestra
Yan Pascal Tortelier, conductor

Jean-Efflam Bavouzet
He makes you listen to music as if you are discovering it Eureka!-style: yes, that’s what the composer must have meant.” (Financial Times).

Award-winning pianist Jean-Efflam Bavouzet enjoys a prolific recording and international concert career. He regularly works with orchestras such as The Cleveland Orchestra, San Francisco Symphony, London Philharmonic, BBC Symphony and NHK Symphony orchestras, and collaborates with conductors including Vladimir Ashkenazy, Vladimir Jurowski, Gianandrea Noseda, François- Xavier Roth, Nicholas Collon, Gábor Takács-Nagy and Sir Andrew Davis amongst others.

Highlights during the 2018/19 season include the Lincoln Center in New York with the London Philharmonic under Edward Gardner, Orchestre national de Lyon, Helsinki Philharmonic Orchestra, Orchestre Philharmonique de Monte-Carlo, Swedish Chamber Orchestra, a Debussy focus with the Antwerp Symphony, his continuing collaboration with Manchester Camerata including an extensive tour of China as well as performances with Sapporo Symphony, Seoul and Taiwan philharmonic orchestras. Following his highly successful extended Debussy recital at the Barbican’s Milton Court and the 2018 Perth International Arts Festival, Jean-Efflam will present this programme at the Muziekgebouw in Amsterdam. Other recitals include a return to the Louvre, Wigmore Hall – both in solo recital and in collaboration with Kristóf Baráti and István Várdai, as well as a number of recitals in the U.K., Germany and Belgium. He will also return to the Verbier Festival in 2019.

Recent performances include the San Francisco Symphony, Aspen Festival, and Seattle, NHK and BBC symphony orchestras. He also appeared at the Philharmonie de Paris with Orchestre Philharmonique de Monte-Carlo and Kazuki Yamada, BBC Proms performing Ravel’s Piano Concerto in G Major with the BBC Philharmonic Orchestra and Nicholas Collon, Carnegie Hall, as part of a major North American tour together with the London Philharmonic under Vladimir Jurowski, as well as hr-Sinfonieorchester under Juraj Valčuha, Les Siécles and François-Xavier Roth which included concerts at London’s Royal Festival Hall and the Granada Festival.

Bavouzet records exclusively for Chandos and his recording of Grieg’s Piano Concerto with Bergen Philharmonic under Edward Gardner has been nominated for the Concerto category of the 2018 Gramophone Awards. Together with Manchester Camerata and Gábor Takács-Nagy, Bavouzet has recorded several of Haydn’s Piano Concertos and embarked on a series of Mozart concertos, which have been critically acclaimed. His complete Prokofiev Piano Concertos with BBC Philharmonic and Gianandrea Noseda won the Concerto category of the 2014 Gramophone Awards. Other recordings include the complete Beethoven Sonatas, Bartók’s Piano Concerto’s with the BBC Philharmonic and Noseda, and Stravinsky’s Complete Works for Piano and Orchestra with Orquestra Sinfônica do Estado de São Paulo under Yan-Pascal Tortelier. Also with Tortelier, Bavouzet’s recording of the Ravel Piano concertos with the BBC Symphony Orchestra won both a Gramophone and BBC magazine award. Bavouzet’s recordings have garnered other Gramophone Awards and BBC Music Magazine Awards, a Diapason d’Or and Choc de l’année. Ongoing recording projects include the Haydn Piano Sonata cycles.

Bavouzet has worked closely with Pierre Boulez, Karlheinz Stockhausen, György Kurtág, Maurice Ohana and Bruno Mantovani and is also a champion of lesser-known French music, notably that of Gabriel Pierné and Albéric Magnard. He is the International Chair in Piano at the Royal Northern College of Music.

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