Timeless Horizons Trio Fibonacci

• Ludovico Einaudi (b. 1955): I Giorni for trio:
• 1 Einaudi: I Giorni for trio 06:25
• Una Mattina for cello and piano:
• 2 Einaudi: Una Mattina for cello and piano 03:44
• Dolce Droga for violin and piano:
• 3 Einaudi: Dolce Droga for violin and piano 04:03
• DNA for cello and piano:
• 4 Einaudi: DNA for cello and piano 03:43
• Nuvole Bianche for cello and piano:
• 5 Einaudi: Nuvole Bianche for cello and piano 06:55
• Experience for trio:
• 6 Einaudi: Experience for trio 07:16
• L'origine nascosta for trio:
• 7 Einaudi: L'origine nascosta for trio 05:09
• Life for trio:
• 8 Einaudi: Life for trio 05:28
• Primavera for cello and piano:
• 9 Einaudi: Primavera for cello and piano 07:33
• Sarabande for violin and piano:
• 10 Einaudi: Sarabande for violin and piano 04:18
• Indaco for trio:
• 11 Einaudi: Indaco for trio 06:27
• Petricor for trio:
• 12 Einaudi: Petricor for trio 05:14
• Underwood for violin and piano:
• 13 Einaudi: Underwood for violin and piano 05:31
• Total Runtime 01:11:46

Info zu Timeless Horizons

Mit diesem Album nimmt uns das Trio Fibonacci mit auf eine Reise durch das meditative und zutiefst menschliche Universum von Ludovico Einaudi, einem Meister des zeitgenössischen Minimalismus. Seine Werke, die auf sich wiederholenden Motiven und subtilen harmonischen Variationen basieren, eröffnen einen Raum für Kontemplation und pure Emotionen. Viele der hier vorgestellten Stücke wurden vom Trio Fibonacci speziell für Duo oder Trio adaptiert, wodurch die Musik neue Lebendigkeit und emotionale Tiefe erhält, ohne dabei den Geist des Komponisten zu verraten. Mit einer Gesamtspielzeit von 71 Minuten führt „Timeless Horizons“ die Zuhörer durch Einaudis bekannteste Stücke, darunter: „I Giorni” – eine ergreifende Elegie, inspiriert von der malischen Folklore „Experience” – eine kraftvolle Meditation über Zeit und Erinnerung „Nuvole Bianche” – ein ruhiger und beruhigender Klassiker „Una Mattina” – bekannt geworden durch „Ziemlich beste Freunde” „Petricor” – erinnert an den Duft der Erde nach dem Regen Aber es gibt noch viel mehr: insgesamt 13 Stücke. Das Album verbindet Einaudis charakteristische repetitive Motive und subtile harmonische Wechsel mit dem ausdrucksstarken und fließenden Spielstil des Trios. Diese Arrangements bieten eine seltene Intimität und entführen den Zuhörer in eine Welt der Stille, Sehnsucht und des Erwachens. Das Trio Fibonacci gab 1998 sein Debüt, und die Presse berichtete: „Sie zu hören bedeutet, in die Welt der Wunder einzutreten“ (Le Devoir, Montreal).

Trio Fibonacci

Trio Fibonacci
made its first appearance on the Canadian music scene in 1998, with the press reporting that “to hear them is to enter into the world of miracles” (Le Devoir, Montreal). The Trio Fibonacci has been guided by some of the world’s most respected chamber musicians, including Menahem Pressler, members of the Alban Berg, Guarneri and Vermeer String Quartets, and by their mentors Eberhard Feltz and Michael Vogler in Berlin.

Trio Fibonacci is internationally recognized for its brilliant interpretations of the entire piano trio repertoire, from the works of Haydn through to collaborations with over sixty living composers on four continents. Their concert tours have led them to several European countries, to Argentina, South Africa, Brazil and Japan, to Berlin, San Francisco and New York. Trio Fibonacci has performed for television in Canada, China, and Brazil, and their concerts have been broadcast on Canadian, German, Belgian and Chilean radio networks.

Julie-Anne Derome
Winner of the prestigious 2003 Virginia Parker Prize of the Canada Council for the Arts, given to underline her innovative work as a performer, Julie-Anne Derome studied with Christopher Rowland at the Royal Northern College of Music, UK, and with Mitchell Stern and members of the Emerson String Quartet in the USA. She received a special prize at the 1992 Yehudi Menuhin Competition in Paris for her interpretation of Anthèmes by Boulez, and in 1993 took part in a concert of chamber music for Queen Elizabeth II in Cyprus. In 1996 Julie-Anne released a CD of twentieth century solo violin works on the Atma label and in reference to this recording the BBC Music Magazine hailed her as "a star in the making." She may also be heard on the Analekta and Cyprès labels.

Julie-Anne has been a guest artist at numerous international festivals including the Aldeburgh Festival (UK) on two occasions, Musica Strasbourg (France), Ultraschall (Germany), XIII Festival Música Contemporánea Chilena (Chile) and at the Huddersfield Contemporary Music Festival (UK).

Gabriel Prynn
According to the magazine Musical Toronto "Prynn has a particularly silken bowing arm and remarkable control. Everything he played was poised, seamless and impeccably shaped." During his career as a soloist, as a member of the Trio Fibonacci, and as a guest artist with diverse ensembles, notably the Ensemble Alternance in Paris, Gabriel has both resurrected forgotten masterpieces and premiered over sixty new works. Gabriel has performed at Toronto’s St. Lawrence Centre, Merkin Hall in New York, at the Musée d’Orsay in Paris in association with IRCAM and Radio-France, at the Aldeburgh Festival (UK) and at the Forbidden City Concert Hall in Beijing. ​

Gabriel is passionate about teaching and held the position of Visiting professor at Ohio University from 2016 to 2019. He as given masterclasses, coached chamber music, and given workshops at such prestigious institutions as the École Normale de Musique (Paris), University of South Africa, University of Curitiba (Brazil), Royal Academy of Music (UK), Conservatory of Belgrade (Serbia), Conservatory of Nagoya (Japan), Hochschule Hanns Eisler (Berlin, Germany) and at the University of Oxford (UK). Excerpts of his book Taming the Cello, a guide to the interpretation of new music for cello, were published in the December 2018 edition of The Strad.

Maxim Shatalkin
Laureate of the 2004 Mstislav Rostropovich Foundation Award, the 2012 Rachmaninoff International Competition in St. Petersburg, and the 2013 Vienna International Piano Competition, Maxim Shatalkin graduated from the Moscow Tchaikovsky Conservatory, where he studied piano with Valery Kastelsky, Elena Kuznetsova and Mikhail Voskresensky, and chamber music with Alexander Bonduriansky, pianist of the Moscow Piano Trio. After winning the prestigious 2006 Swedish International Duo Competition with cellist Alexander Zababurkin, the local press reported: “Shatalkin revealed himself as a masterfully driven piano artist, where nothing was neglected: his performance combined a solid fidelity to style, well-adjusted temperament and overall an incredible, dazzling virtuosity”. ​

As a member of the Kudriakova-Shatalkin Piano Duo, he was also a prizewinner in the 2015 International Competition Pietro Argento in Italy and the 2016 International Chamber Music Ensemble Competition in Boston (USA). Maxim has taken part in various music festivals around the world, including the Julitafestival (Sweden), the Concert series Science and Music (Germany), the Sviatoslav Richter Festival in Tarusa (Russia), the Banff Summer Music Festival (Canada), and the concert series Belo Horizonte Concertos Didaticos and Concertos para Belem in Brazil.

Booklet für Timeless Horizons