Louis Couperin: Nouvelles Suites de clavecin Christophe Rousset

• Louis Couperin (1626 -1661): Suite in D Major:
• 1 2. Prélude [non mesuré] 03:04
• 2 58. Allemande. Il faut jouer cette pièce fort lentement 03:30
• 3 59. Courante 01:09
• 4 60. Sarabande 02:19
• 5 61. Gaillarde 02:19
• 6 62. Chaconne 01:56
• Suite in C Major:
• 7 10. Prélude [non mesuré] 02:23
• 8 126. Le Moutier, Allemande de Mr. de Chambonnières - Double du Moutier par Mr. Couperin 02:49
• 9 18. Courante 01:34
• 10 17. Courante 01:29
• 11 16. Courante 01:25
• 12 23. Sarabande 02:11
• 13 24. Sarabande 02:20
• 14 26. Chaconne 02:48
• 15 29. Menuet 00:57
• 16 25. Sarabande 01:25
• 17 9. Prélude [non mesuré] 03:20
• Suite in A Major:
• 18 8. Prélude [non mesuré] 01:40
• 19 99. Allemande 03:20
• 20 112. Courante 01:55
• 21 113. Sarabande 03:02
• 22 114. Gigue 01:42
• Suite in B-Flat Major:
• 23 4. Prélude [non mesuré] 01:36
• 24 118. Allemande 02:09
• 25 119. Courante 01:14
• 26 121. Chaconne 02:05
• 27 5. Prélude [non mesuré] 01:47
• 28 97. Sarabande 02:04
• 29 96. Chaconne ou Passacaille 03:14
• Suite in E Minor:
• 30 14. Prélude [non mesuré] 01:15
• 31 63. Allemande de la Paix 02:49
• 32 64. Courante 01:18
• 33 65. Sarabande 03:36
• Suite in B Minor:
• 34 115. Allemande 03:04
• 35 116. Courante 01:37
• 36 117. Sarabande 02:27
• Suite in F Major:
• 37 12. Prélude [non mesuré, changement de mouvement, non mesuré] 01:39
• 38 66. Allemande 03:00
• 39 70. Courante 01:11
• 40 74. Sarabande 02:21
• 41 79. Gigue 01:22
• 42 80. Chaconne 02:30
• Suite in G Major:
• 43 129. Prélude [non mesuré] 00:58
• 44 82. Allemande 02:53
• 45 83. Allemande 02:40
• 46 84. Courante 01:27
• 47 85. Courante 01:31
• 48 87. Sarabande 02:56
• 49 88. Gaillarde 01:45
• 50 89. Chaconne 05:13
• Suite in D Minor:
• 51 35. Allemande 04:00
• 52 43. Courante 01:35
• 53 39. Courante 01:43
• 54 47. Sarabande en Canon 01:54
• 55 122. Gigue 01:43
• 56 57. Chaconne la Complaignante 02:21
• Suite in A Minor:
• 57 7. Prélude [non mesuré] 00:53
• 58 100. Allemande 03:23
• 59 103. Courante 01:26
• 60 106. Courante 02:06
• 61 107. Sarabande 02:07
• 62 110. Sarabande 02:16
• 63 111. Menuet de Poitou et son Double 01:41
• Suite in D Minor:
• 64 37. Pièces de trois sortes de mouvemens 02:06
• 65 38. Courante 01:45
• 66 41. Courante 01:34
• 67 49. Sarabande 01:54
• 68 124. Gavotte 01:10
• Total Runtime 02:25:55

Info zu Louis Couperin: Nouvelles Suites de clavecin

Mit dieser Aufnahme startet harmonia mundi in Kooperation mit dem Musée de la musique von Paris eine neue Serie, die ausgewählte Instrumente der wertvollen Sammlung vorstellt. Das Museum ist Teil eines wahren Musiktempels, der Cité de la musique, unter deren Dach sich mehrere Konzertsäle, zwei flexible Ausstellungsräume, eine Mediathek, und umfangreiche Bildungseinrichtungen befinden. Sie ist ein einzigartiger Ort, an dem Musik konzertant, denkmalpflegerisch, im Unterricht sowie in der Forschung und in Publikationen in einem großen Kontext erfahrbar gemacht wird. Das Museum beherbergt mehr als 7.000 Gegenstände und Instrumente, die konserviert und restauriert werden. Das Cembalo des Belgiers Ioannes Couchet von 1652 zählt zu den besonders wertvollen Instrumenten der Sammlung, es wurde 2003 vom französischen Staat erworben und zählt zum nationalen Kulturerbe. Wenn ein solcher Schatz einem Experten und Könner wie Christophe Rousset anvertraut wird, um Werke von Louis Couperin aus der Zeit der Entstehung des Instruments zu spielen, ist die Magie perfekt.

Christophe Rousset, Cembalo

Christophe Rousset
the founder of the Les Talens Lyriques and an internationally renowned harpsichordist, is a musician and an orchestral conductor inspired by a passion for opera and the rediscovery of the European musical heritage.

After harpsichord studies at La Schola Cantorum in Paris with Huguette Dreyfus, followed by the Conservatoire Royal in The Hague with Bob van Asperen (winning, at the age of 22, the prestigious First Prize in the 7th Bruges Harpsichord Competition), and followed in turn by the creation of his own ensemble, Les Talens Lyriques, in 1991, Christophe Rousset has a perfect grasp of the richness and diversity of the Baroque, Classical and Preromantic repertoires.

After initially attracting attention for his extraordinary talent as a harpsichordist, he soon made his mark as a conductor, with invitations from around the world to perform with his ensemble (Opéra de Paris, De Nederlandse Opera, Théâtre des Champs-Élysées, Salle Pleyel, Opéra de Lausanne, Teatro Real, Theater an der Wien, Opéra Royal de Versailles, Théâtre Royal de la Monnaie, Barbican Centre, Carnegie Hall, Concertgebouw Amsterdam, the Aix-en-Provence and Beaune Festivals, to name but a few venues).

Alongside this, he has continued to pursue an active career as harpsichordist and chamber musician, performing and recording on the most beautiful period instruments. His complete performances of the works for harpsichord of F. Couperin, Rameau, d’Anglebert and Forqueray and various recordings of pieces by J. S. Bach (Partitas, Variations Goldberg, Concertos for harpsichord, English Suites, French Suites, Klavierbüchlein) are considered landmarks. His most recent recording of another musical monument by the German Cantor, the 2nd book of the Well-tempered Clavier (Aparté) – a recording made in the Château of Versailles on a Joannes Ruckers harpsichord (1628) – has been awarded a number of honours, including a “Choc” from Classica magazine and CD of the week from Britain’s Radio 3. The instruments of the Paris Museum of Music have also been entrusted to him for the recording of three CDs of music by Royer, Rameau and Froberger.

Teaching is also an aspect with major importance for Christophe Rousset, who conducts and organises master classes and academies for young people (Accademia Musicale Chigiana in Siena, CNSMDs Paris, Académie d’Ambronay, Orchestre Français des Jeunes Baroques, Jeune Orchestre Atlantique, Junge Deutsche Philharmonie, the Britten-Pears Orchestra) and he devotes himself with great energy, alongside the musicians of Les Talens Lyriques, to introducing young secondary school pupils in Paris and the surrounding region to the world of music.

Christophe also has a career as guest conductor (Liceu Barcelona, San Carlo Naples, La Scala Milan, Opéra Royal de Wallonie, Orquesta Nacional de España and the Hong Kong Philharmonic, Orchestre du Théâtre Royal de la Monnaie, among other orchestras) as well as the active pursuit of musical research, with the production of critical editions and the publication by Actes Sud of a study on Rameau in 2007.

Christophe Rousset has been awarded the French honours of Chevalier of the Légion d’honneur, Commandeur in the Ordre des Arts et des Lettres and Chevalier in the Ordre national du Mérite.

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