Cantilena Anglica Fortunae Yoann Moulin

• Heinrich Scheidemann (1595 - 1663):
• 1 Praeambulum in G Moll, WV 41 03:44
• Samuel Scheidt (1587 - 1654):
• 2 Allemande "Also geht's, also steht's", SSWV 137 07:02
• Heinrich Scheidemann (1595 - 1663):
• 3 Pavana Lachrymae in D Minor, WV 106 07:10
• 4 Galliarda in D Minor, WV 107 03:52
• 5 Praeludium in D Moll, WV 36 02:26
• Samuel Scheidt (1587 - 1654):
• 6 In dich hab ich gehoffet, SSWV 208 05:11
• 7 Courante 02:09
• 8 Cantinela Anglica Fortunae, SSWV 134 05:45
• Heinrich Scheidemann (1595 - 1663):
• 9 Fuga in D Moll, WV 42 02:16
• 10 Praeambulum in D Moll, WV 34a 03:06
• Samuel Scheidt (1587 - 1654):
• 11 O Gott, wir danken deiner Güt 01:44
• Heinrich Scheidemann (1595 - 1663):
• 12 Praeambulum in E Moll, WV 37 01:32
• Samuel Scheidt (1587 - 1654):
• 13 Fantasia super Io son ferito lasso, SSWV 103 09:36
• Total Runtime 55:33

Info zu Cantilena Anglica Fortunae

Sweelinck-Schüler: Für seine erste Solo-Einspielung bei RICERCAR, die auch Beginn einer großangelegten Anthologie mit Aufnahmen barocker Cembalomusik aus Deutschland ist, hat sich der junge französische Cembalist Yoann Moulin für Werke der beiden berühmtesten Sweelinck-Schüler, Heinrich Scheidemann (um 1596–1663) und Samuel Scheidt (1587–1654), entschieden. Die hier eingespielten Präludien, Choräle, Fugen, Tänze und Variationssätze offenbaren nicht nur deren große Vielseitigkeit, sondern erlauben auch so etwas wie einen indirekten Blick auf die Persönlichkeiten der beiden Komponisten, auf den eher introvertierten Scheidt und den flamboyant-barocken Scheidemann.

Yoann Moulin, Cembalo

Yoann Moulin
began his apprenticeship in music with Robert Weddle at the Maîtrise de Caen. There he came across the harpsichord, which he studied with Bibiane Lapointe and Thierry Maeder and then, after spending some time at the Académie de Villecroze with Ilton Wjuniski, he continued his studies at the Conservatoire National Supérieur de Musique et de Danse in Paris, attending classes taught by Olivier Baumont, Kenneth Weiss and Blandine Rannou. At around the same time he discovered the clavichord thanks to Étienne Baillot, taught himself to play the organ, studied improvisation alongside Freddy Eichelberger and learned enormously from the teaching of Pierre Hantaï, Skip Sempé, Blandine Verlet and Élisabeth Joyé.

He has since performed recitals and chamber music at various seasons and festivals such as the Philharmonie de Paris, La Roque d'Anthéron, the Folles Journées de Nantes, Oude Muziek - Utrecht, Ambronay, the Fondation Royaumont, Lanvellec, Contrepoint 62, the Venetian Centre for Baroque Music, the Cervantino - Mexico, the Chaise-Dieu, the Palais Jacques Coeur - Bourges, the Académie Bach in Arques-la-Bataille, Saint Riquier, the Philharmonie du Luxembourg, the Actus Humanus festival in Poland and the International Tropical Baroque Music festival in Miami. He has also played with a number of ensembles such as Les Arts Florissants, Le Concert Spirituel, the Clément Janequin ensemble, Cappricio Stavagante, La Fenice, the L’Achéron viol consort, Le Concert Étranger, La Tempête, La Maîtrise du Centre de Musique Baroque in Versailles, Les Musiciens du Paradis, the Les Fêtes Galantes baroque dance company, Das Klub - Cabaret Contemporain and the Jazz La Forge collective.

He has been involved in a number of recordings made for the Alpha and Ricercar labels, including "Au Sainct Nau" with the Clément Janequin ensemble. Samuel Scheidt’s "Ludi Musici" was recorded with L’Achéron and "The Tempest", a record based around Shakespeare’s play, with the La Tempête ensemble, and each of these won a Diapason d'Or. Finally, Freddy Eichelberger, Pierre Gallon and Yoann Moulin recently formed "Une Bande de Clavecin", an old keyboard consort performing both written and improvised Renaissance music..

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