Shostakovich: Piano Quintet & Seven Romances on Poems by Alexander Blok Trio Wanderer, Christophe Gaugué, Catherine Montier, Ekatarina Semenchuk

Cover Shostakovich: Piano Quintet & Seven Romances on Poems by Alexander Blok

Album Info

Album Veröffentlichung:
2020

HRA-Veröffentlichung:
28.08.2020

Label: Harmonia Mundi

Genre: Classical

Subgenre: Vocal

Interpret: Trio Wanderer, Christophe Gaugué, Catherine Montier, Ekatarina Semenchuk

Komponist: Dmitri Shostakovich (1906-1975)

Das Album enthält Albumcover Booklet (PDF)

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  • Dmitri Shostakovich (1906 - 1975): Piano Quintet in G Minor, Op. 57:
  • 1Piano Quintet in G Minor, Op. 57: I. Prelude (Lento)04:14
  • 2Piano Quintet in G Minor, Op. 57: II. Fugue (Adagio)10:12
  • 3Piano Quintet in G Minor, Op. 57: III. Scherzo (Allegretto)03:21
  • 4Piano Quintet in G Minor, Op. 57: IV. Intermezzo (Lento)06:39
  • 5Piano Quintet in G Minor, Op. 57: V. Finale (Allegretto)07:08
  • Seven Romances on Poems by Alexander Blok, Op. 127:
  • 6Seven Romances on Poems by Alexander Blok, Op. 127: I. Ophelia's Song02:52
  • 7Seven Romances on Poems by Alexander Blok, Op. 127: II. Gamayun, the Prophet Bird03:41
  • 8Seven Romances on Poems by Alexander Blok, Op. 127: III. We were together03:00
  • 9Seven Romances on Poems by Alexander Blok, Op. 127: IV. The town sleeps03:01
  • 10Seven Romances on Poems by Alexander Blok, Op. 127: V. The storm02:06
  • 11Seven Romances on Poems by Alexander Blok, Op. 127: VI. Secret signs04:31
  • 12Seven Romances on Poems by Alexander Blok, Op. 127: VII. Music05:50
  • Total Runtime56:35

Info zu Shostakovich: Piano Quintet & Seven Romances on Poems by Alexander Blok

When Shostakovich wrote his Piano Quintet in 1940, most of his chamber music had yet to be composed. Combining formal purity and freedom of tone, the quintet was hailed as a masterpiece and has remained his most popular chamber work. In the last years of a long and productive life, he composed a cycle of songs with piano trio, innovative in both form and structure, a hymn to art, friendship and nature possessing extraordinary evocative power.

To tackle these major works of the twentieth century, the Trio Wanderer are joined here by violinist Catherine Montier, violist Christophe Gaugué, and mezzo-soprano Ekaterina Semenchuk.

Ekatarina Semenchuk, mezzo-soprano
Catherine Montier, violin
Christophe Gaugué, violin
Trio Wanderer




Ekatarina Semenchuk
is one of the most sought-after mezzo-sopranos, known for her exceptional range and unparalleled technique. Born in Minsk, she made her stage debut at the Mariinsky Theatre while still studying at the Rimsky-Korsakov Conservatory in St Petersburg, and her career has since seen her perform at all the major houses across the world.

Recognised as one of the world’s most pre-eminent Verdi mezzos, Ekaterina’s signature operatic roles include Azucena Il Trovatore, Eboli Don Carlo, Amneris Aida, Lady Macbeth Macbeth, and Princess de Bouillon Adriana Lecouvreur. Beyond Verdi, she is known for her portrayals of Didon Les Troyens, Santuzza Cavalleria Rusticana, Marina Boris Godunov, Laura La Gioconda, Lyubov Mazeppa, Marfa Khovanshchina, Dalila Samson et Dalila, Giovanna Seymour Anna Bolena, Preziosilla La forza del destino, and the title role in Carmen.

Recent seasons have seen Ekaterina perform at The Metropolitan Opera, Opéra de Paris, Teatro Real Madrid, Royal Opera House Covent Garden, Salzburg Festival, New National Theatre Tokyo, San Francisco Opera, Staatsoper Unter den Linden, Baden-Baden Festivals, and Teatro alla Scala Madrid, among others. In addition to her international career, she retains a strong relationship with the Mariinsky Theatre and Maestro Gergiev.

This season, Ekaterina has made her Bolshoi Theatre house debut, singing Lyubava for the first time in Rimsky-Korsakov’s rarely performed Sadko, and returned to the role of Princess Eboli for a new production at Teatro Real Madrid. She will reprise the role for her house debuts at both the Salzburg Easter Festival and Dresden Semperoper, and returns to the Opéra de Paris in Adriana Lecouvreur. Later, Ekaterina returns to the LA Opera (Il Trovatore) and Metropolitan Opera (Aida and Il Trovatore).

Trio Wanderer
quite deserves their stage-name. Indeed, “Wanderer” pays homage to Schubert, and more widely to German Romanticism which is often imbued with the leitmotiv of the wandering traveler. These three French musicians are avid open-minded wandering travelers, who explore the musical world, spanning the centuries from Mozart and Haydn to nowadays. Acclaimed for its extraordinarily sensitive style, almost telepathic understanding of each other and technical mastery, the Trio Wanderer is one of the world’s foremost chamber ensembles.

Trio Wanderer’s members were all gratuated from the Paris’ Conservatoire National Supérieur de Musique. In 1989/90 they studied in Bloomington’s School of Music and New York’s Julliard School. At the same time, they participated in master-classes with such masters as Jean-Claude Pennetier, Jean Hubeau, Janos Starker, Menahem Pressler from the Beaux Arts Trio, and the Amadeus Quartet. In 1988, they won the ARD Competition in Munich and, in 1990, the Fischoff Chamber Music Competition in the USA.

Called a “Wandering Star” by the Strad Magazine, the Trio has performed on the most prestigious music stages: Berlin’s Philharmonic, Paris’ Théâtre des Champs Elysées, Wiener Musikverein, London’s Wigmore Hall, Milan’s Teatro alla Scala, Barcelona’s Palau de la Musica, Washington’s Library of Congress, Rio de Janeiro’s Teatro Municipal, Tokyo’s Kioi Hall, Zürich’s Tonhalle and Amsterdam’s Concertgebouw. They have also performed at major festivals such as Edinburgh, Montreux, Feldkirch, Schleswig Holstein, Rheingau Musiksommmer, Colmar, La Roque d’Anthéron, the Folles Journées de Nantes, Granada, Stresa, Osaka, Salzburg…

They have on many occasions collaborated with artists such as Yehudi Menuhin, Christopher Hogwood, James Loughran, Fayçal Karoui, Marco Guidarini, François-Xavier Roth, José Areán, Charles Dutoit and James Conlon, accompanied, in triple or double concertos, by orchestras as Toulouse, Nice, Pau, Montpellier, Liège, Santiago de Chile, La Coruna, Teneriffe, by Les Siècles orchestra, Radio-France’s Orchestre National and Orchestre Philharmonique, Malaysian Philharmonia Orchestra, Orquesta Sinfónica de Minería, Berlin’s Radio Symphonic Orchestra, Sinfonia Varsovia, Graz’s Philharmonic Orchester, Geneva Chamber Orchestra, Ural Philharmonic Orchestra, Köln’s Gürzenich Orchester, Stockholm Chamber Orchestra …

After producing two CDs released by Sony Classical, the Wanderer Trio began a new partnership with Harmonia Mundi in 1999. Since then, twenty recordings have been released: trios by Chausson, Ravel, Haydn, Shostakovich, Copland, Saint-Saëns, Mendelssohn, Smetana, the complete piano trios of Schubert and Brahms, Schubert’s Trout Quintet Schubert, Hummel’s Quintet, Beethoven Triple Concerto conducted by James Conlon, and pieces of Liszt and Messiaen.

In 2005, a new CD dedicated to the Martinu’s Triple Concerti was issued by Capriccio.

With a particular fondness for contemporary music, the Wanderer Trio has premiered several works by Thierry Escaich (Lettres Mêlées, 2004), Bruno Mantovani (Huits Moments Musicaux, 2008), Frank Michael Beyer (Lichtspuren, 2008) and Matteo Francescini (Triple Concerto ‘Ego’, 2011), Philippe Hersant (Chant de l’Isolé for piano trio, percussions and string orchestra 2014). This interest has resulted in recordings produced by Universal Accord (works by Thierry Escaich) and by Mirare (Mantovani, released in 2012)

An auspicious meeting with the Austrian baritone Wolfgang Holzmair led the Trio to make a recording with him of the folksongs of Beethoven, Haydn and Pleyel, released by Cypres Records in 2009.

In 2012, the complete Beethoven piano trios has been released by Harmonia Mundi followed in 2013 by Tchaïkovsky piano trio op. 50 and Arensky piano trio op. 32, Fauré and Pierné piano trios in 2014, Brahms piano trio op. 8 (1854 version) and piano quartet op. 60 in 2016, Dvorák piano trios op. 90 and op. 65 in 2017 and in 2018 by a recording dedicated to five Haydn’s piano trios.

Their recordings have been awarded several prizes including Choc du Monde de la Musique, Fanfare’s Want List, Critic’s Choice and Editor Choice of Gramophone, CD of the Month’ by the BBC Music Magazine, Klassik.com Empfehlung, Cds des Monat Fono Forum, Diapason d’Or of the Year, Midem International Classical Music Award…

The New York Times declared their interpretation of Mendelssohn’s piano trios the new reference and their Schubert Trout Quintet and Hummel Quintet recording has been included in Forbes’s Top 100 Quality Music Library. Recently, in 2016, their recording of Schubert Trio op. 100 has been chosen as best version amongst 14 other ones by the BBC3 broadcast ‘Building a Library – CD Review’.

Besides numerous radio and television recordings (Radio France, BBC, ARD, Mezzo), the French-German television company ARTE made a film on the Trio Wanderer, broadcast in June 2003.

Heralded by the professional music world, the Trio Wanderer has been awarded for the third time in February 2009 (previously in 1997 and 2000) a Victoire de la Musique for Best Instrumental Ensemble of the year. In 2017, for its 30th anniversary, a book written by Olivier Bellamy and tracing the history of the Trio has been published by Art3 Edition.

In 2014, Jean-Marc Phillips-Varjabédian and Raphaël Pidoux took the position of Professor of violin and cello at the Paris’ Conservatoire national supérieur de Musique et de Danse . Vincent Coq is Professor of Chamber Music at the Haute École de Musique de Lausanne since 2010.

In 2015, Trio Wanderer’ members are bestowed the Knight of the Order of Arts and Letters (Chevalier dans l’ordre des Arts et Lettres)

Jean-Marc Phillips-Varjabédian plays on a violin of Charles Coquet (Paris – 2014) and a Gand Père (Paris – 1840, lent by Mr Nicolas Dufourcq)

Raphaël Pidoux plays on a violoncello of Gioffredo CAPPA (Saluzzo 1680).



Booklet für Shostakovich: Piano Quintet & Seven Romances on Poems by Alexander Blok

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