Homecoming Vince Mendoza

• 1 Keep It Up 08:35
• 2 Little Voice 06:44
• 3 Choros #3 07:48
• 4 Homecoming 07:28
• 5 Amazonas 09:20
• 6 One Time One 08:28
• 7 Daybreak 07:30
• Total Runtime 55:53

Info for Homecoming

Vince Mendoza vorzustellen, das hieße Eulen nach Athen zu tragen. Der mehrfache Grammy Preisträger ist ein weltweit viel gefragter Arrangeur und Komponist, dessen musikalisches Wirken von der Zusammenarbeit mit Herbie Hancock über Joni Mitchell bis hin zu Björk reicht. Besonders bekannt wurde Mendoza durch seine Zusammenarbeit mit der WDR Big Band Köln, für deren Produktionen Some Skunk Funk mit den Brecker Brothers und 75th mit Joe Zawinul Mendoza jeweils Grammy Auszeichnungen erhielt. Nun liegt mit Homecoming ein neues Album des Meisterarrangeurs zusammen mit der WDR Big Band vor. Mendoza wollte nur neue Stücke liefern, für diesen Anlass geschrieben und müßig zu erwähnen: maßgeschneidert für die WDR Big Band. Und die Band dankt es ihm. Ein wundervolles Album. Orchestrale Jazzmusik in Vollendung!

"Es ist ein perfektes Repertoire, ergänzt mit dem von brasilianischen Klängen beeinflussten ›Chorus#3‹, der exzellenten Modern Jazz-Komposition ›One Times One‹ und dem schon anfangs erwähnten, an Fusion orientierten Eröffnungsstück, das die Vielseitigkeit von Mendozas Arbeiten darlegt." (Stereo)

WDR Big Band Köln
Vince Mendoza, Leitung

Vince Mendoza
One of the most versatile and prolific composer–arranger–conductors of the last two decades, multi-Grammy Award winner Vince Mendoza has written arrangements for a wide variety of pop and jazz artists, from Joni Mitchell, Sting, Melody Gardot, Elvis Costello and Bjork to Joe Zawinul, John Scofield, Charlie Haden, Al Di Meola, Dave Liebman, Randy Brecker, the Yellowjackets and the GRP All-Stars. His compositions have appeared on recordings by the likes of saxophonist Joe Lovano, guitarist John Abercrombie, drummer Peter Erskine, pianist Joey Calderazzo and singer Kurt Elling. As a leader, Mendoza has released 10 recordings for the Blue Note, ACT, Blue Jackel and Zebra labels, including 1997’s Epiphany (with the London Symphony Orchestra) and 2011’s Nights on Earth, featuring an all-star cast and members of the Metropole Orkest, which Mendoza has led as chief conductor for the past six years.

Vince was recently honored with a Grammy Award for his work on the John Scofield “54” album on Emarcy records. It is his 6th Grammy and 25th nomination. He was also nominated by the Jazz Journalists Association as “arranger of the year”. His new CD “Nights on Earth” on Horizontal and Art of Groove records will be released on 7 October.

The wide scope of his works demonstrates an extraordinary understanding of many musical languages. He has written scores of compositions and arrangements for big band, extended compositions for chamber and symphonic orchestra settings and his jazz composing credits read like a who’s who of the best modern instrumentalists, singers and composers. Heralded by critics as a master of contemporary idioms, composer and arranger Vince Mendoza has become a primary choice for the world’s most sophisticated contemporary musicians.

Born in 1961 in Norwalk, Connecticut, Mendoza began learning classical guitar and piano from an early age. His musical influences ran from Bach to Aretha Franklin to Henry Mancini. However, discovering Miles Davis, Gil Evans, and later, Igor Stravinsky and Alban Berg gave him a further complex perspective of the construction of musical forms and ideas. Taking up the trumpet during high school, he later earned a degree in music composition at Ohio State University, before moving to Los Angeles. The music of Joe Zawinul and Wayne Shorter became a strong influence on his big band writing. He began working in the studios, composing music for television, while continuing to add to his extensive body of work written for big band. He completed his post-graduate composition and conducting studies at the University of Southern California. During this time he met a kindred spirit in drummer Peter Erskine, who included him in his mixed ensemble recording, “Transition” on Denon records. Mendoza contributed several compositions to this recording as well as on some of Erskine’s subsequent recordings. They have since become frequent collaborators.

His early solo albums on Blue Note Records, “Start Here” and “Instructions Inside”, were critical triumphs that featured such artists as John Scofield, Joe Lovano, Ralph Towner, Bob Mintzer, Randy Brecker, Peter Erskine and others. “Start Here” was voted one of Jazziz Magazine’s “Top Picks” and Mendoza was recognized as “Best Composer/Arranger” by Swing Journal’s critics poll in Japan. Through his profile-building stint as guest arranger and conductor of the WDR Big Band, based in Cologne, Germany, Mendoza became widely known in Europe as a multi-talented composer arranger with a deep understanding of contemporary styles. His work on the CD “The Vince Mendoza / Arif Mardin Project: Jazzpaña” with the WDR Big Band, brought him a Grammy nomination for “best instrumental arrangement”. Since then, Gary Burton, Pat Metheny, Michael Brecker, Charlie Haden, Andy Narell, Kurt Elling and John Abercrombie have prominently featured Vince Mendoza’s compositions and arrangements on their albums. ...

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