Vexilla Regis: A Sequence of Music from Palm Sunday to Holy Saturday The Choir of Westminster Cathedral & Martin Baker
- George Malcolm (1917 - 1997):
- 1Malcolm: Ingrediente Domino02:39
- Gregorian Chant:
- 2Chant: Psalm 21: Deus, Deus meus03:19
- 3Chant: Credo I05:15
- Orlando de Lassus (1532 - 1594):
- 4Lassus: Improperium exspectavit03:07
- Gregorian Chant:
- 5Chant: Vexilla regis prodeunt04:14
- William Byrd (1539 - 1623):
- 6Byrd: Ne irascaris, Domine05:07
- 7Byrd: Civitas sancti tui05:19
- Gregorian Chant:
- 8Chant: Nos autem gloriari oportet02:45
- James O'Donnell (b. 1961):
- 9O'Donnell: I give you a new commandment01:45
- Martin Baker (b. 1967
- 10Baker: Postquam surrexit Dominus06:12
- Maurice Duruflé (1902 - 1986):
- 11Duruflé: Quatre motets sur des th mes gr goriens, Op. 10: I. Ubi caritas et amor02:26
- Gregorian Chant:
- 12Chant: Adoro te devote04:01
- Anton Bruckner (1824 - 1896):
- 13Bruckner: Christus factus est06:04
- Tomás Luis de Victoria (1548 - 1611):
- 14de Victoriat: Improperia05:27
- Gregorian Chant:
- 15Chant: Pange lingua gloriosi04:31
- Antonio Lotti (1667 - 1740):
- 16Lotti: Crucifixus à 803:41
- Gregorian Chant:
- 17Chant: Christe coelorum Domine02:53
- 18Chant: The Lord s is the earth and its fullness03:14
- Felice Anerio (1560 - 1614):
- 19Anerio: Christus factus est02:38
- Anonymous:
- 20Anonymous: Strepitus00:40
- Richard Runciman Terry (1865 - 1938):
- 21Terry: Praise to the Holiest in the height03:53
Info for Vexilla Regis: A Sequence of Music from Palm Sunday to Holy Saturday
The Choir of Westminster Cathedral is world famous for its staple of plainsong and polyphony. The choir explores a wealth of music from this repertoire for the richest of liturgical seasons: Holy Week. Masterpieces of the Renaissance by William Byrd and Tomás Luis de Victoria are woven together with ancient Gregorian chants, including Pange lingua and Adoro te, and later penitential works by Anton Bruckner and Maurice Duruflé. Three of the Cathedral’s illustrious Masters of Music, all of whom have contributed to the Church’s treasury of liturgical music, are also represented. The sequence culminates in a setting of Saint John Henry Newman’s poem Praise to the Holiest in the height by Sir Richard Runciman Terry, the Cathedral’s pioneering Master of Music.
"A really well-curated Easter pilgrimage; the singing is fine throughout, and so is the recording in Buckfast Abbey." (BBC Radio 3)
"Choir & Organ needs an extra five-star summa cum laude category for discs like this… [Westminster Cathedral Choir’s] journey through Holy Week demonstrates, as you would expect, their unique skill in singing Gregorian chant…combined with an aspiration towards musical perfection and beauty that is unerringly achieved. The same exquisite balance between musical and spiritual intention can be heard throughout the album..." (Choir & Organ)
"This is really rather special… This anthology, firmly rooted in the liturgy of Holy Week, presents a great cathedral choir fulfilling the very purpose for which it exists. Its special quality is owed in large part to the choir’s excellent singing of the Gregorian chant…and it was especially good to have some sung, and very well sung, by the boys alone… As I said, this album is something special. Buy it!" (Cathedral Music Magazine)
The Choir of Westminster Cathedral
Martin Baker, direction
The Choir of Westminster Cathedral
Westminster Cathedral Choir is widely considered to be one of the finest choirs in the world. Since its foundation in 1901 it has occupied a unique and enviable position at the forefront of English church music, not least because of the ground-breaking work of its first Master of Music, Sir Richard Terry, who revived the great works of the English and continental Renaissance composers.
The choir’s fame grew under Terry as it presented this forgotten music, transforming attitudes to the repertoire. Innovation continued under George Malcolm who pioneered the development of the choir’s sound along continental lines, resulting in a choir that was truly revolutionary in both what and how it sang. The choir continues these traditions today, and it remains the only Catholic Cathedral choir in the world to sing daily Mass and Vespers. More recent holders of the post have included Colin Mawby, Stephen Cleobury, David Hill, James O’Donnell, and Martin Baker. Since September 2021, the choir has been directed by Simon Johnson.
The choir’s reputation continues to grow as it reaches new audiences through a series of acclaimed recordings on the Hyperion label, the two most recent being James MacMillan’s Tenebræ Responsories, and the three Masses of William Byrd. In 1998 the choir was awarded the Gramophone Awards ‘Best Choral Recording of the Year’ and ‘Record of the Year’ for the performance of Frank Martin’s Messe and Pizzetti’s Requiem.
The choir has a history of commissioning and performing new music, famous examples being Britten’s Missa brevis for boys’ voices, the Mass in G minor by Vaughan Williams and compositions by Wood, Holst and Howells. Over the last two decades, the choir has commissioned new Masses from James MacMillan, Peter Maxwell Davies, Judith Bingham, John Tavener, Matthew Martin and Stephen Hough, all of which were first performed in the context of the regular liturgies at Westminster Cathedral.
Westminster Cathedral Choir features frequently on radio and television. When its busy liturgical schedule permits it takes its music further afield. In addition to regular concerts around the UK, recent tours have included Hungary, Norway, Germany, Belgium, Italy and the USA.
Martin Baker
Master of Music at Westminster Cathedral for 20 years, from 2000, and President of the Royal College of Organists (2017-2019), Martin Baker was born and educated in Manchester, progressing from the Royal Northern College of Music Junior School, Chetham’s School of Music and St Ambrose College to an Organ Scholarship at Downing from 1985-1988. His playing has subsequently graced a number of the ‘major venues’ of the classical organ world, including St Paul’s Cathedral and Westminster Abbey where he held a variety of appointments throughout the 1990s.
Probably in light of the notorious difficulty involved in mastering even the basics of pipe/pedal organ, it is not generally regarded as an instrument given to improvisational exploration. However, Mr Baker has forged a reputation as one of the foremost improvisers of his day, winning first prize in that category at the St Albans International Organ Festival in 1997 and international renown not only as an innovative recitalist but also in his equally-acclaimed role as a choral director. In 2015, the year of his election to the Honorary Fellowship, Mr Baker unveiled the new organ in Downing College Chapel with a highly-engaging programme of works by JS Bach and William Byrd, featuring, of course, some spectacular moments of improvisation. He is now enjoying life as a freelance organist and conductor.