William VerMeulen
International horn virtuoso William VerMeulen has been at the forefront of his generation for four decades. Enjoying a diversified career, he is equally at home as a soloist, orchestral principal horn, chamber musician, pedagogue and music publisher. Principal horn of the Houston Symphony since 1990, he has also performed as a guest principal horn with the Chicago Symphony, Los Angeles Philharmonic, Cincinnati Symphony and the Saint Paul Chamber Orchestra.

Olivier Stankiewicz
has been principal oboe of the London Symphony Orchestra since 2015. Sought after as a soloist, chamber musician and teacher, he has performed widely in Europe, Japan and the US. He has performed concertos with conductors François-Xavier Roth, Paavo Järvi and Tugan Sokhiev, and takes a particular interest in premiering newly written pieces.

The London Symphony Orchestra
is built on the belief that extraordinary music should be available to everyone, everywhere. From orchestral fans in the concert hall to first-time listeners across the world. The London Symphony Orchestra was established in 1904, as one of the first orchestras shaped by its musicians. Since then, generations of remarkable talents have built the LSO’s reputation for uncompromising quality, and inspirational repertoire. The LSO is resident orchestra at the Barbican in the City of London, and reaches international audiences through touring, residencies and digital partnerships. Through a world-leading learning and community program, LSO Discovery, the LSO connects people from all walks of life to the power of great music. Based at LSO St Luke’s, the Orchestra’s community and music education center and a leading performance venue on Old Street, LSO Discovery’s reach extends across East London, the UK and the world. In 1999, the LSO formed its own recording label, LSO Live, and revolutionized how live orchestral music is recorded, with over 150 recordings released so far. Overall, the LSO has made more recordings than any other orchestra, with 2,500 recordings to its name. The orchestra has collaborated with a genre-busting roster of world-class artists through its work in film, video games and bespoke audio-only experiences. In addition to entertaining and inspiring millions of listeners, the LSO’s performances have been decorated with multiple honors from the GRAMMYs, Oscars, Golden Globes, BAFTAs and BRITs, not to mention three Mercury Music Prize album nominations.

Jonathan Bloxham
is music director of the Luzerner Theater as of the 2023–24 season, after having debuted in 2022 with Bluebeard’s Castle. He made his Glyndebourne Festival debut in 2021 with Luisa Miller, also conducting Don Pasquale for Glyndebourne Touring Opera. Bloxham has conducted orchestras across Europe and has recorded albums with the London Symphony Orchestra and Nordwestdeutsche Philharmonie.

Bruce Broughton
known primarily for his many film and television scores, has a musical prowess that has left an indelible mark on the entertainment industry. With an illustrious career spanning over five decades, Broughton has composed scores for a diverse array of projects, including feature films, television series, and theme park attractions. His versatile and emotive compositions have garnered widespread acclaim and numerous accolades, including an Academy Award nomination for Best Original Score for the film Silverado (1985) and a record ten Emmy Awards for his musical compositions in television.

Furthermore, Broughton’s musical journey extends beyond Hollywood, encompassing a significant contribution to the world of orchestral and concert music. He has composed numerous symphonic and chamber works, further showcasing his mastery of composition beyond the confines of the screen. His works display a deep understanding of orchestration and a keen sense of narrative, creating musical landscapes that resonate with audiences on a profound level.

Notable among his concert works are compositions such as a popular Tuba Concerto; the Concerto for Piccolo and Orchestra; Salmagundi for string quartet and orchestra; a chamber concerto for cello; Fanfares, Marches, Hymns & Finale, a celebration for brass of the American spirit as a dynamic and evocative musical journey; Grimm Tales, a suite based on the well-known fairy tales for symphonic winds; and numerous chamber works for many varied combinations.

In addition to his achievements in the entertainment industry, Broughton has been recognized for his dedication to music education and advocacy. He has served in leadership roles in various music organizations, such as ASCAP, the Academy of Motion Picture Arts and Sciences, and the Society of Composers and Lyricists, contributing to the nurturing of emerging talents and the advancement of the art form.