Nadia WindSync

Album Info

Album Veröffentlichung:
2026

HRA-Veröffentlichung:
13.03.2026

Label: Delos

Genre: Classical

Interpret: WindSync

Das Album enthält Albumcover Booklet (PDF)

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  • Nadia Boulanger (1887 - 1979): Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure):
  • 1 Boulanger: Prelude in F Minor (Arr. for Wind Quintet by Kara LaMoure) 05:13
  • Three Pieces (Arr. for Wind Quintet by Kara LaMoure):
  • 2 Boulanger: Three Pieces (Arr. for Wind Quintet by Kara LaMoure): No. 1, Moderato 02:41
  • 3 Boulanger: Three Pieces (Arr. for Wind Quintet by Kara LaMoure): No. 2, Sans vitesse et à l’aise 02:00
  • 4 Boulanger: Three Pieces (Arr. for Wind Quintet by Kara LaMoure): No. 3, Vite et nerveusement rythmé 02:49
  • Marion Bauer (1882 - 1955): Woodwind Quintet, Op. 48:
  • 5 Bauer: Woodwind Quintet, Op. 48: I. Allegro commodo 02:24
  • 6 Bauer: Woodwind Quintet, Op. 48: II. Allegro gioviale 03:47
  • 7 Bauer: Woodwind Quintet, Op. 48: III. Andante pastorale 03:55
  • 8 Bauer: Woodwind Quintet, Op. 48: IV. Allegro giocoso 02:22
  • Philip Glass (b. 1937): Etude No. 17 (Arr. for Wind Quintet by Kara LaMoure):
  • 9 Glass: Etude No. 17 (Arr. for Wind Quintet by Kara LaMoure) 07:59
  • Elliott Carter (1908 - 2012): Woodwind Quintet:
  • 10 Carter: Woodwind Quintet: I. Allegretto 04:20
  • 11 Carter: Woodwind Quintet: II. Allegro giocoso 04:09
  • Quincy Jones (1933 - 2024): The Midnight Sun Will Never Set (Arr. for Wind Quintet by Owen Broder):
  • 12 Jones: The Midnight Sun Will Never Set (Arr. for Wind Quintet by Owen Broder) 03:40
  • Total Runtime 45:19

Info zu Nadia


WindSync
has established itself as a vibrant chamber ensemble performing wind quintet masterworks, adapting beloved music to their instrumentation, and championing new works by today’s composers. The quintet eliminates the "fourth wall" between musicians and audience by often performing from memory, creating an intimate connection. This personal performance style, combined with the ensemble’s three-pronged mission of artistry, education, and community-building, lends WindSync its reputation as ”a group of virtuosos who are also wonderful people, too" (Alison Young, Classical MPR).​

WindSync launched an international touring career after winning the 2012 Concert Artists Guild Victor Elmaleh Competition and the 2016 Fischoff National Chamber Music Competition. In 2018, they were medalists at the M-Prize Chamber Arts Competition. WindSync has appeared in recital at the Met Museum, Ravinia, Shanghai Oriental Arts Center, and Weill Recital Hall at Carnegie Hall. In 2015, the quintet was invited by the Library of Congress to perform the world premiere of Paul Lansky’s “The Long and the Short of it,” commissioned by the Carolyn Royall Just Fund and the Chamber Music Society of Lincoln Center. Other premieres include “The Cosmos,” a concerto for wind quintet and orchestra by Pulitzer finalist Michael Gilbertson, and works by Ivan Trevino, John Steinmetz, Marc Mellits, Erberk Eryilmaz, and Akshaya Avril Tucker. Forthcoming commissions include new works for wind quintet by Mason Bynes, Viet Cuong, and Nathalie Joachim.

WindSync’s thematic programming responds to the people and places where they work. In Houston, they curate a 4-concert season and present the Onstage Offstage Chamber Music Festival each April, spotlighting everyday public spaces as gathering places for culture. In Louisiana’s Opelousas cultural district, WindSync was a pilot ensemble of Sound Places, a year-long project exploring the possibilities of creative placemaking through music led by Chamber Music America with funding from the National Endowment for the Arts. The ensemble's educational work includes tour stops at public schools and ongoing collaborations with the Sistema Ravinia and Houston Youth Symphony Coda social music programs. WindSync has been featured in educational concerts presented by the Seattle Symphony, the Hobby Center, and Orli Shaham's "Baby Got Bach,” and the ensemble’s concerts for young people reach over 5,000 students per year.

The members of WindSync have led master classes at New World Symphony, Eastman School of Music, Florida State University, and Northwestern University, among others. The quintet has also served as ensemble-in-residence for Adelphi University, the Chamber Music Festival of Lexington (KY), the National Museum of Wildlife Art, and the Grand Teton Music Festival.



Booklet für Nadia

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