Richard Strauss: Three Tone Poems Cleveland Orchestra & Franz Welser-Möst

• Richard Strauss (1864 - 1949):
• 1 Strauss: Macbeth, Op. 23, TrV 163 16:29
• 2 Strauss: Don Juan, Op. 20, TrV 156 15:11
• 3 Strauss: Till Eulenspiegel's Merry Pranks, Op. 28, TrV 171 14:02
• Total Runtime 45:42

Info zu Richard Strauss: Three Tone Poems

"This fourth audio release for The Cleveland Orchestra's own label again showcases the unparalleled artistry, refined polish, and emotional power of this ensemble under the direction of Franz Welser-Möst. The album features three of Richard Strauss' early tone poems, providing a tantalizing window into Welser-Möst's reputation as a renowned conductor of Strauss' music.

Strauss wrote a total of nine tone poems—orchestral works that depict a storyline. ""Don Juan"" and ""Till Eulenspiegel's Merry Pranks"" are among his earliest successes and became instant hits with audiences worldwide. These Cleveland Orchestra recordings were captured in September and October 2021 with live audiences in Jack, Joseph and Morton Mandel Concert Hall at Severance Music Center in Cleveland. All three were featured in a series of donor appreciation concerts, while ""Macbeth"" was also included in the season's opening weekend, the Orchestra's first public indoor performances since the coronavirus shutdown in March 2020.

The album release includes a 40-page booklet featuring an essay by Franz Welser-Möst about Strauss' tone poems and artistry, along with program notes about each piece and an overview of Strauss' career and legacy."

“There’s so much great music which gets overlooked,” wrote Welser-Most. “And that’s what we are trying to do, to say, ‘Listen, here there’s something else which we really believe in…You might enjoy it, you might not enjoy it, but we believe in it, and that’s why we are doing it.’”

Cleveland Orchestra
Franz Welser-Möst, conductor

The Cleveland Orchestra
Now firmly in its second century, The Cleveland Orchestra, under the leadership of Franz Welser-Möst since 2002, is one of the most sought-after performing ensembles in the world. Year after year the ensemble exemplifies extraordinary artistic excellence, creative programming, and community engagement. In recent years, The New York Times has called Cleveland “the best in America” for its virtuosity, elegance of sound, variety of color and chamber-like musical cohesion, “virtually flawless,” and “one of the finest ensembles in the country (if not the world).”

Founded by Adella Prentiss Hughes, The Orchestra performed its inaugural concert in December 1918. By the middle of the century, decades of growth and sustained support had turned the ensemble into one of the most admired around the world.

The past decade has seen an increasing number of young people attending concerts, bringing fresh attention to The Cleveland Orchestra’s legendary sound and committed programming. More recently in 2020, the Orchestra launched several bold digital projects, including the streaming broadcast series In Focus, the podcast On A Personal Note, and its own recording label. A long history of strong community support from across the ensemble’s home region continues to drive the Orchestra forward and has provided remarkable energy and focus throughout the uncertainty of the COVID-19 pandemic. New initiatives for audience growth and community service have been launched in recent years, including new technological infrastructure and capabilities at its home, Severance Music Center, to capture the Orchestra’s unique artistry and the musical achievements of the Welser-Möst and Cleveland Orchestra partnership.

The 2022–23 season marks Franz Welser-Möst’s 21st year as music director, a period in which The Cleveland Orchestra earned unprecedented acclaim around the world, including a series of residencies at the Musikverein in Vienna, the first of its kind by an American orchestra. The Orchestra’s 100th season in 2017-18 featured two international tours, concluding with the presentation of Welser-Möst’s Prometheus Project, featuring works by Beethoven, on three continents.

Its acclaimed opera presentations, including Verdi’s Otello (2022), Strauss’s Ariadne auf Naxos (2019), Debussy’s Pelléas et Mélisande (May 2017), Bartók’s The Miraculous Mandarin and Bluebeard’s Castle (2016), and Janáček’s The Cunning Little Vixen (2014 and 2017), have showcased the ensemble’s unique artistry and collaborative work ethic.

Since 1918, seven music directors — Nikolai Sokoloff, Artur Rodziński, Erich Leinsdorf, George Szell, Lorin Maazel, Christoph von Dohnányi, and Franz Welser-Möst — have guided and shaped the ensemble’s growth and sound. Through concerts at home and on tour, broadcasts, and a catalog of acclaimed recordings, The Cleveland Orchestra is heard today by a growing group of fans around the world. For more information, visit clevelandorchestra.com.

Franz Welser-Möst
is among today’s most distinguished conductors. The 2022–23 season marks his 21st year as music director of The Cleveland Orchestra. With the future of their acclaimed partnership extended to 2027, he will be the longest-serving musical leader in the ensemble’s history. The New York Times has declared Cleveland under Welser-Möst’s direction to be “America’s most brilliant orchestra,” praising its virtuosity, elegance of sound, variety of color, and chamber-like musical cohesion.

With Welser-Möst, The Cleveland Orchestra has been acclaimed for its inventive programming, its ongoing support for new musical works, and for its innovative work in presenting semi-staged and staged operas. An imaginative approach to juxtaposing newer and older works has opened new dialogue and fresh insights for musicians and audiences alike. The Orchestra has also been hugely successful in fostering a new and, notably, a young audience. To date, the Orchestra and Welser-Möst have been showcased around the world in 20 international tours together. In 2020, despite shutdowns caused by the global pandemic, the ensemble launched its own recording label — and new streaming broadcast performances with the In Focus series — to continue and extend sharing their artistry globally.

In addition to his commitment to Cleveland, Mr. Welser-Möst enjoys a particularly close and productive relationship with the Vienna Philharmonic as a guest conductor. He conducted its celebrated New Year’s Concert three times, and regularly leads the orchestra in subscription concerts in Vienna, as well as on tours in Japan, China, Australia, and the United States. He is a regular guest at the Salzburg Festival, where his work leading a series of opera performances has been widely admired. These have included Rusalka, Der Rosenkavalier, Fidelio, Die Liebe der Danae, Aribert Reimann’s Lear, and Strauss’s Salome and Elektra. At the 2022 Salzburg Festival, he led performances of Puccini’s Il Trittico and the Camerata Salzburg in a program of music by Schubert.

Franz Welser-Möst’s recordings and videos have won major international awards and honors. With The Cleveland Orchestra, his recordings include a number of DVDs on the Clasart Classic label, featuring live performances of five Bruckner symphonies and a multi-DVD set of major works by Brahms. A number of his Salzburg opera productions, including Der Rosenkavalier, have been released internationally on DVD by Unitel.

In 2019, Mr. Welser-Möst was awarded the Gold Medal in the Arts by the Kennedy Center International Committee on the Arts in recognition of his long-lasting impact on the international arts community. Other honors include The Cleveland Orchestra’s Distinguished Service Award (given during the ensemble’s 100th season celebrations for his focus on community and education), two Cleveland Arts Prize citations, the Vienna Philharmonic’s “Ring of Honor” for his personal and artistic relationship with the ensemble, recognition from the Western Law Center for Disability Rights, honorary membership in the Vienna Singverein, appointment as an Academician of the European Academy of Yuste, and the Kilenyi Medal from the Bruckner Society of America.

Franz Welser-Möst’s book From Silence: Finding Calm in a Dissonant World was published in Austria in July 2020, under the title Als ich die Stille fand, and rapidly rose to number one on the [German-language] best-seller lists, where it remained through much of 2021. The English version of From Silence was released worldwide in Summer 2021.

Booklet für Richard Strauss: Three Tone Poems