Lake Reflections - Music for Flute & Harp Eva Oertle & Consuelo Giulianelli

Cover Lake Reflections - Music for Flute & Harp

Album Info

Album Veröffentlichung:
2015

HRA-Veröffentlichung:
04.09.2015

Das Album enthält Albumcover Booklet (PDF)

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  • Heitor Villa-Lobos (1887-1924: Song of the Black Swan
  • 1 Song of the Black Swan 02:59
  • Gabriel Fauré (1845-1924): Fantaisie, Op. 79
  • 2 Fantaisie, Op. 79 05:15
  • Aubert Lemeland (1932-2010): Le havre de Saint-Germain, Op. 84
  • 3 Le havre de Saint-Germain, Op. 84 04:30
  • Franz Schubert (1797-1828): Auf dem Wasser zu singen, D. 774
  • 4 Auf dem Wasser zu singen, D. 774 03:43
  • Wiliiam Alwyn (1905-1985): Naiades
  • 5 Naiades 12:19
  • Camille Saint-Saëns (1835-1821): Le carnaval des animaux: No. 13, Le cygne
  • 6 Le carnaval des animaux: No. 13, Le cygne 02:54
  • Witold Lutoslawsiki (1835-1921): 3 Fragmente
  • 7 I. Magie 01:27
  • 8 II. Ulysse en Itaque 01:33
  • 9 III. Presto 00:57
  • Claude Debussy (1862-1918): Syrinx, L. 129
  • 10 Syrinx, L. 129 02:35
  • Fanny Mendelssohn-Hensel (1805-1847): Schwanenlied
  • 11 Schwanenlied 02:30
  • Philippe Gaubert (1879-1941): Sur l'eau
  • 12 Sur l'eau 03:26
  • Desire-Emile Ingelbrecht (1880-1965): Deux esquisses antiques
  • 13 I. Scaphé 01:53
  • 14 II. Driades 01:50
  • Sonatine
  • 15 I. Préambule 04:19
  • 16 II. Sicilienne 03:14
  • 17 III. Rondeau 02:41
  • Fanny Mendelssohn Bartholdy (1805-1847): Venezianisches Gondellied
  • 18 Venezianisches Gondellied 03:01
  • Henri Busser (1872-1912): La source, Op. 44
  • 19 La source, Op. 44 04:35
  • 20 Les cygnes 02:32
  • Jan Freidlin (1944-): Lake Reflection
  • 21 Lake Reflection 04:57
  • Total Runtime 01:13:10

Info zu Lake Reflections - Music for Flute & Harp

The Song of the black Swan” by Heitor Villa-Lobos is the centrepiece of this attractive musical program for flute and harp is conceived around the topics of “water”, “lake”, “ocean” & “rain”. Including the well known piece, “The Swan” from “The Carnival of the Animals” (« Le carnaval des animaux ») by Camille Saint-Saëns, the album features also several songs in arrangements for flute and harp by composers such as Schubert & Mendelssohn. Another key work is Claude Debussy’s “Syrinx”, the first significant piece for solo flute after the Sonata in A minor composed by C. P. E. Bach 150 years before (1763), and it is the first such solo composition for the modern Böhm flute, perfected in 1847.

The Swiss flutist EVA OERTLE is active as a soloist and chamber musician throughout Europe and performs with such internationally renowned orchestras as Il Giardino Armonico and Al Ayre Español. As a soloist she has performed with the Brandenburgisches Streichorchester, the Festivalorchester Davos, the Schweizer Philharmonie and the Festival Strings Lucerne and has toured in Germany, Italy, and Chile, where she also gave master classes. Eva Oertle is also active as a presenter and music editor with Swiss Radio SRF2 Kultur.

Italian harpist Consuelo Giulianelli has performed with the Basel Radio Symphony Orchestra, the Musikkollegium Winterthur, Switzerland, i Solisti di Brescia, Italy, Orchesterverein Bregenz, Austria, and others. Consuelo has been Principal Harpist of the Lucerne Symphony Orchestra. In 2002 she has been appointed as harp professor at the Music Conservatory of Feldkirch, Austria.

“A sound as soft as velvet, heartfelt bel canto, a great sense of empathy, and polished technique” (Rhein-Neckar Zeitung)

Eva Oertle, flute
Consuelo Giulianelli, harp


Eva Oertle
is active as a soloist and chamber musician throughout Europe. She performs with such internationally renowned orchestras as Il Giardino Armonico and Al Ayre Español and works with conductors such as Giovanni Antonini, Ton Koopman, and Paul Goodwin.

Recitals have taken her to great concert halls such as the Salle Gaveau in Paris, the Gewandhaus Leipzig and the Musikverein Wien. As a soloist she has performed with the Brandenburgisches Streichorchester, the Festivalorchester Davos, the Schweizer Philharmonie and the Festival Strings Lucerne, and has toured in Germany, Italy, Spain and Chile, where she gave master classes. Eva Oertle has been a guest at many festivals and in concert series such as the Bastad Chambermusic Festival in Sweden, the Festival di Musica Antica di Modena, the Settimane musicali di Lugano, the Herrnsheimer Schlossfestspiele and the Tage für Alte Musik Zürich. Chamber music occupies an important place in her musical life. Her chamber music partners include the clarinetist Karin Dornbusch, the harpist Consuelo Giulianelli, the lutenist Christoph Greuter, the pianist Werner Krapf, the harpsichordist Urte Lucht, and the pianist Vesselin Stanev.

Eva Oertle has received various awards, including first prize at the international chamber music competition in Massa with the Duo Akroasis. She has participated in numerous recordings for radio and television. Her CDs have been released by Swisspan and Chronophon and earned her much praise in specialist journals: “an extremely sensitive and convincing realization,” “a CD that definitely deserves to be discovered both for the works it includes and for their sympathetic interpretations by the Duo Akroasis.”

Eva Oertle studied modern flute at the conservatories in Fribourg and Basel with Janek Rosset, Felix Renggli and Peter-Lukas Graf, among others. After receiving her diploma in concert performance, her interest in historically informed performance took her first to the Schola Cantorum Basiliensis, where she studied the baroque traverso with Oscar Peter. Then she completed her studies with Rachel Brown in London. Today Eva Oertle performs both the classical flute repertoire and works on historical instruments.

Eva Oertle is also active as a presenter and music editor with Swiss Radio SRF2 Kultur.

Consuelo Giulianelli
She was born in Rapallo, Italy, and now lives in Basel, Switzerland, with the guitarist Maurizio Grandinetti and the little Emilio and Giulia.

She studied with Mirella Vita and graduated cum laude in 1987 from the Music Conservatory of Verone. She also studied with Ursula Holliger at the Musik-Akademie in Basel, graduating cum laude in 1993. She has taken part in masterclasses given by Marielle Nordmann and Pierre Jamet.

Consuelo has performed at several major European Festivals, including the World New Music Days, Autumn Festival Budapest, Music Festival Lucerne, Music Festival Schwaz, World Harp Congress Geneva, Music Festival Davos, and has given concerts in the USA and in Turkey.

She has also appeared with the Basel Radio Symphony Orchestra, Musikkollegium Winterthur, Switzerland, i Solisti di Brescia, Italy, Orchesterverein Bregenz, Austria, and others.

Consuelo was Principal Harpist of the Lucerne Symphony Orchestra and has played with, amongst others, the Philharmonic Theater Orchestra of Verone, with the „Orchestre de jeunes des Pays Européens“ under the conductorship of such musicians as Luciano Berio, Pierre Boulez and Peter Lukas Graf.

She has given first performances of works by Vinko Globokar, Jürg Wyttenbach, Bart Vanhecke, Rudolf Kelterborn, Roland Moser, Filippo Del Corno, Claudio Cavadini and others.

Consuelo is a member of the Ensemble Phoenix Basel, which was awarded the „Pro Europa“ Prize 2003 for contemporary music. From 1994 to 2001 she was a member of the Musik Forum Zug, which received the ‘Prix Marguerite de Redings 1998”. She has also collaborated with several other ensembles, such as the Ensemble Recherche Freiburg, the Collegium Novum Zürich and the Accademia Bizantina of Ravenna.

From 1997, alongside her harp activities, Consuelo has been singing and performing to her own harp accompaniment.

Since 2002, she has been harp professor at the Music Conservatory of Feldkirch, Austria, and teaches harp at the Music School of Liestal (Basel), Switzerland.

Booklet für Lake Reflections - Music for Flute & Harp

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