Tchaikovsky: Ballet Suites - The Nutcracker; The Sleeping Beauty Orchestre de Paris & Seiji Ozawa

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Label: Decca

Genre: Classical

Subgenre: Ballet

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  • Peter Ilyich Tchaikovsky (1840-1893): Nutcracker Suite, Op.71a:
  • 1Miniature Overture03:53
  • 2March02:35
  • 3Dance of the Sugar-Plum Fairy01:41
  • 4Russian Dance (Trepak)01:09
  • 5Arabian Dance (Coffee)03:59
  • 6Chinese Dance (Tea)01:15
  • 7Dance of the Reed-Pipes02:22
  • 8Waltz Of The Flowers06:36
  • The Sleeping Beauty, Suite, Op.66a:
  • 9Introduction - The Lilac Fairy04:57
  • 10Pas d'action: Rose Adagio05:30
  • 11Pas de caractère: Puss in Boots01:59
  • 12Panorama (andantino)03:26
  • 13Valse04:38
  • Total Runtime44:00

Info zu Tchaikovsky: Ballet Suites - The Nutcracker; The Sleeping Beauty

The Tchaikovsky Sleeping Beauty Ballet is a near-perfect classic, a captivating fantasy story filled with magic and poetry. The composer himself loved the project, and was extremely proud of his music. The charming fairy tale is seen as the height of classical ballet, one of the greatest, purest works in the art form.

It also holds a special place in the hearts of loads of great ballet dancers, since it inspired a lot of them to first start pirouetting and leaping around.

Sleeping beauty is Tchaikovsky's second ballet. He injected it with the same sweeping symphonic drama, great melodies, and warm sweetness as his first ballet Swan Lake. Personally, I think it's the Tchaikovsky ballet with the most amount of enjoyable melodies!

It's very finely composed, not too romantic or sloshy, and with just the right amount of fairy tale colors. Tchaikovsky also attached musical themes to different characters, then blended and played with these to create a story-telling tapestry of sound.

A lot of aspects, such as the choreography, of the first production are still around today. Although at four hours long (including the intermission!), some ballet directors like to cut bits out.

Orchestre de Paris
Seiji Ozawa, conductor

Digitally remastered

Seiji Ozawa
is Music Director of the Vienna State Opera since the 2002/2003 season and is an annual and favored guest of the Vienna Philharmonic Orchestra. Prior to his Vienna State Opera appointment he served as Music Director of the Boston Symphony for 29 seasons (1973-2002), the longest serving music director in the orchestra's history. Mo. Ozawa is also Artistic Director and Founder of the Saito Kinen Festival and Saito Kinen Orchestra (SKO), the pre-eminent music and opera festival of Japan and in June 2003 it was announced that he would be Music Director of a new festival of opera, symphony concerts and chamber music called "Tokyo no Mori" which had its first annual season in February 2005 in Tokyo. The 4th season opera in April 2008 was Eugene Onegin. In 2000 he founded the Ozawa Ongaku-Juku in Japan, an academy for aspiring young orchestral musicians where they play with pre-eminent professional players in symphonic concerts and fully staged opera productions with international level casting. The Ongaku-Juku opera for July 2009 will be Hansel and Gretel.

In 2004, Maestro Ozawa founded the International Music Academy - Switzerland dedicated to training young musicians in chamber music and offering them performance opportunities in orchestras and as soloists. Its first season was at the end of June and beginning of July 2005 and its 6th season will be June 25-30, 2009. Since founding the Saito Kinen Orchestra in 1984, and its subsequent evolution into the Saito Kinen Festival in 1991, Mo. Ozawa has devoted himself increasingly to the growth and development of the Saito Kinen orchestra in Japan. With extensive recording projects, annual and world-wide tours, and especially since the inception of the Saito Kinen Festival in the Japan "Alps' city of Matsumoto, he has built a world-class and world-renowned orchestra, dedicated in spirit, name and accomplishment to the memory of his teacher at Tokyo's Toho School of Music, Hideo Saito, a revered figure in the cultivation of Western music and musical technique in Japan. The Saito Kinen Festival was from August 26-September 9, 2008 featuring concerts as well as staged performances of Cunning Little Vixen, with Maestro Ozawa as conductor.

During 2007/2008, Maestro Ozawa's appearances included: Far East tour of Le Nozze di Figaro with Vienna State Opera [Shanghai, Seoul, Taipei, Keohsiung and Singapore]; Orchestre National de France concerts in Paris and at Besançon, Pique Dame with the Vienna State Opera; followed by Tannhäuser with the Opera National de Paris; Berlin Philharmonic European tour [Berlin, Paris, Lucerne and Vienna]; Zauberflöte für Kinder in Vienna; Elektra with Teatro Comunale di Firenze; Berlin Philharmonic concerts for the Salzburg Easter Festival; Japan performances with Tokyo Opera No Mori [Eugene Onegin]; Ongaku-Juku performances of Die Fledermaus followed by Saito Kinen concerts and staged performances of Cunning Little Vixen. Maestro Ozawa will be at Vienna State Opera in the 2008/2009 season with Pique Dame in September and October, followed by a tour in Japan with the Vienna State Opera in a production of Fidelio. November and December marks his return to the Metropolitan Opera, conducting Queen of Spades, as well as appearing with the Boston Symphony Orchestra in late November. January 2009 he performs with the New Japan Philharmonic in Japan, returning to Europe for a performance with Vienna Philharmonic Orchestra at Salzburg's Mozartwoche on January 24, followed by concerts with the Berlin Philharmonic Orchestra. He appears with Orchestre de l'Opéra de Paris at the Bastille on February 7, returning to Vienna for Zauberflöte für Kinder on February 20 followed by Vienna State Opera's Eugene Onegin in March. During April he will be in Japan for performances with the New Japan Philharmonic, Ongaku Juku and the Mito Chamber Orchestra. Returning to Paris in May, he conducts the Orchestre de l'Opéra de Paris with Renee Fleming on May 7; then tours with the Berlin Philharmonic also in May. Maestro Ozawa returns to Vienna State Opera for Eugene Onegin in late May/early June and following this period he has concerts in June with the Vienna Philharmonic. He will conduct and hold classes at his Swiss Academy June 25-30, returning to Japan for Ongaku Juku performances of Hansel and Gretel at the end of July followed by the War Requiem and concerts during the Saito Kinen Festival between August 26 and September 9, 2009.

Born in 1935 in Shenyang, China, Seiji Ozawa studied music from an early age and later graduated with first prizes in both composition and conducting from Tokyo's Toho School of Music. In 1959 he won first prize at the International Competition of Orchestra Conductors in Besançon, France, where he came to the attention of Charles Munch, then the Boston Symphony music director, who invited him to Tanglewood, where he won the Koussevitzky Prize as outstanding student conductor in 1960. While working with Herbert von Karajan in West Berlin, Mr. Ozawa came to the attention of Leonard Bernstein, who appointed him assistant conductor of the New York Philharmonic for the 1961-62 season. He made his first professional concert appearance in North America in January 1962, with the San Francisco Symphony. He was music director of the Ravinia Festival, summer home of the Chicago Symphony (1964-69), music director of the Toronto Symphony (1965-1969) and music director of the San Francisco Symphony (1970-1976). He first conducted the Boston Symphony in 1964 at Tanglewood and made his first winter subscription appearance with them in 1968. He was named Artistic Director of Tanglewood in 1970, Music Director of the Boston Symphony in 1973, leaving a legacy of brilliant achievement evidenced through touring, award-winning recordings (more than 140 works of more than 50 composers on 10 labels), television productions (winning 2 Emmy awards), and commissioned works.

Through his many recordings, television appearances, and worldwide touring, Mo. Ozawa is an internationally recognized celebrity. In recent years, the many honors and achievements bestowed upon Mr. Ozawa have underscored his esteemed standing in the international music scene. French President Jacques Chirac named him (1999) Chevalier de la Légion d'Honneur, the Sorbonne (2004) awarded him Doctorate Honoris Causa and he has been honored as "Musician of the Year" by Musical America. February 1998 saw him fulfilling a longtime ambition of joining musicians around the globe: he led the Opening Ceremonies at the Winter Olympics in Nagano, Japan, conducting the "Ode to Joy" from Beethoven's Ninth Symphony with the SKO and six choruses located on five different continents - Japan, Australia, China, Germany, South Africa, and the United States - all linked by satellite. He received Japan's first-ever Inouye Award (1994), named after Japan's pre-eminent novelist, recognizing lifetime achievement in the arts. 1994 also saw the inauguration of the new and acclaimed Seiji Ozawa Hall at Tanglewood. Mo. Ozawa also has been awarded honorary degrees from Harvard University, the University of Massachusetts, Wheaton College, and the New England Conservatory of Music.

The Orchestre de Paris
is rich in its musical heritage. Founded in 1967, it stems directly from one of the oldest orchestras, the Société des Concerts du Conservatoire, which introduced Beethoven, Berlioz and Brahms to Paris audiences. Its first Music Director was the renowed Charles Munch who led the Orchestra on its triumphant first American tour in 1968. He was succeeded by Herbert von Karajan, Sir Georg Solti, Daniel Barenboim, Semyon Bychkov, Christoph von Dohnányi, Christoph Eschenbach. In September 2010, Paavo Järvi took up the position of Music Director of the Orchestre de Paris.

The Orchestra draws its repertoire from the mainstream French musical tradition established by the Société des Concerts du Conservatoire, while also playing a major role in the repertoire of twentieth an twenty-first centuries through the appointment of composers in residence and world premiere of many commissioned works (by Xenakis, Takemitsu, Berio, Stroppa, Saariaho, Tanguy, Manoury, Dalbavie, Dusapin, Mantovani, Dubugnon, Beffa, Escaich, El- Khoury, etc. ), or cycles and special events devoted to tutelary figures of twentieth century French music such as Olivier Messiaen, Henri Dutilleux, Pierre Boulez. In recent years, young talented musicians have joined the ranks of the Orchestra and brought their enthusiasm to the exploration of new repertoires.

The Orchestra performs more than a hundred concerts per season in Paris and on tours in the great musical capitals of the world. In November 2011, Paavo Järvi led a triumphant tour in the Far East (Japan, China, Korea). In November 2012, Paavo Järvi conducted the Orchestra for eight concerts in Germany and Switzerland. A new important tour in Asia, the fifteen one since the early 1970s, is planned in October-November 2013 : the Orchestra and its music director will visit Vietnam for the first time and will return to Japan and China, with soloists Jean-Frédéric Neuburger and Thierry Escaich. In May 2014, again in residence in the Musikverein in Vienna, they will give three concerts. It is also the regular guest of many festivals such as Salzburg, Berlin, Schleswig-Holstein, London BBC Proms, Linz, Bucharest, San Sebastian, MiTo in Italy… and Aix-en-Provence where it will perform a new production of Elektra under the baton of Esa Pekka Salonen in July 2013.

Young people activities are among the Orchestra’s essential commitments : it continues to develop school and family concerts, open rehearsals, workshops, classes in residence, discovery programmes, expanding its audiences from nursery school to university level. During the 2012/13 season, the musicians are introducing nearly 40.000 children to orchestral music.

Training is also one of its priorities. In order to acquaint both Paris main conservatories young students to the profession of orchestra musicians, the Academy of the Orchestre de Paris was created in 2003, at the instigation of Christoph Eschenbach together with both heads of the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP) and the Conservatoire à Rayonnement Régional (CRR) of Paris. Every year, the Orchestra welcome about twenty carefully selected students in different sessions, including rehearsals and concerts with the Music Director or major guest conductors.

The Orchestra’s discography is a reflection of the diversity of its musical activities, and many of its recording have been awarded. Among them in recent years, Beethoven’s Piano Concertos nos. 1 and 4 with Lang Lang on Deutsche Grammophon and Zemlinsky’s Lyrische Symphony. Its first recordings under Paavo Järvi, released on Virgin Classics, feature Bizet »’s symphony works and Fauré’s Requiem with Matthias Goerne, Phillippe Jaroussky, Eric Picard and the Orchestra’s Choir. A DVD devoted to live recordings by Stravinsky (The Firebird and The Rite of Spring) and Debussy (Prelude to the Afternoon of a Faun) has just been released in early May 2013 (Electric Picture).

Broadcasting is playing an important part in the Orchestra’s activities, notably thanks to its partnership with Radio Classique, Mezzo and Arte, through regular webcasts (Arte Live Web and Orchestra’s website).

The Orchestre de Paris, in residence at the Salle Pleyel, receives subsidies from the French Ministry of Culture and Communication and the City of Paris.

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