Satie amoureux Guillaume Coppola

• Erik Satie (1866 - 1925): Je te veux (Piano Version):
• 1 Satie: Je te veux (Piano Version) 05:42
• Valse-Ballet:
• 2 Satie: Valse-Ballet 01:50
• 3 Gymnopédies:
• 3 Satie: 3 Gymnopédies: No. 3, Lent et grave 02:45
• Gnossiennes:
• 4 Satie: Gnossiennes: No. 1, Lent 03:22
• Fantaisie-Valse:
• 5 Satie: Fantaisie-Valse 02:22
• Tendrement:
• 6 Satie: Tendrement 04:15
• Poudre d’or:
• 7 Satie: Poudre d’or 04:58
• Bonjour Biqui, bonjour !:
• 8 Satie: Bonjour Biqui, bonjour ! 00:19
• Gnossiennes:
• 9 Satie: Gnossiennes: No. 4, Lent 02:34
• 10 Satie: Gnossiennes: No. 2, Avec étonnement 02:33
• 11 Satie: Gnossienne: No. 7 (From 3 Morceaux en forme de poire) [Arr. for Piano by Philippe Malhaire] 03:26
• Vexations:
• 12 Satie: Vexations: Thème de la basse 00:24
• Danses gothiques:
• 13 Satie: Danses gothiques: No. 1, À l’occasion d’une grande peine 03:14
• Prélude de la porte héroïque du ciel:
• 14 Satie: Prélude de la porte héroïque du ciel 04:01
• Vexations:
• 15 Satie: Vexations: Première harmonisation du motif 00:24
• 3 valses distinguées du précieux dégoûté:
• 16 Satie: 3 valses distinguées du précieux dégoûté: No. 1, Sa taille 01:07
• 17 Satie: 3 valses distinguées du précieux dégoûté: No. 2, Son binocle 01:08
• 18 Satie: 3 valses distinguées du précieux dégoûté: No. 3, Ses jambes 00:54
• Piano Sonatine in C Major, Op. 36 No. 1:
• 19 Clementi: Piano Sonatine in C Major, Op. 36 No. 1: I. Spiritoso 01:27
• 20 Clementi: Piano Sonatine in C Major, Op. 36 No. 1: II. Andante 01:17
• 21 Clementi: Piano Sonatine in C Major, Op. 36 No. 1: III. Vivace 00:57
• Sonatine bureaucratique:
• 22 Satie: Sonatine bureaucratique: I. Allegro 01:05
• 23 Satie: Sonatine bureaucratique: II. Andante 01:20
• 24 Satie: Sonatine bureaucratique: III. Vivache 01:31
• Vexations:
• 25 Satie: Vexations: Seconde harmonisation du motif 00:27
• Nocturne No. 6:
• 26 Satie: Nocturne No. 6 01:27
• Désespoir agréable:
• 27 Satie: Désespoir agréable 00:49
• Jack-in-the-Box:
• 28 Satie: Jack-in-the-Box: No. 1, Prélude 02:41
• Le piccadilly:
• 29 Satie: Le piccadilly 01:38
• La Diva de l’Empire (Arr. for Piano by Hans Ourdine):
• 30 Satie: La Diva de l’Empire (Arr. for Piano by Hans Ourdine) 02:39
• Rag-Time Parade (Arr. for Piano by Hans Ourdine):
• 31 Satie: Rag-Time Parade (Arr. for Piano by Hans Ourdine) 02:19
• 3 Morceaux en forme de poire:
• 32 Satie: 3 Morceaux en forme de poire: VI. En plus. Calme (Arr. for Piano by Philippe Malhaire) 02:12
• 33 Satie: 3 Morceaux en forme de poire: VII. Redite. Dans le lent (Arr. for Piano by Philippe Malhaire) 01:34
• Total Runtime 01:08:41

Info zu Satie amoureux

Wir kennen Satie als Einzelgänger, doch weniger bekannt ist, dass er auch einmal verliebt war. Er hatte eine kurze und stürmische Affäre mit der Malerin Suzanne Valadon. Das Porträt, das sie von ihm anfertigte, ziert das Cover dieses Albums, das der Pianist Guillaume Coppola als ein intimes musikalisches Porträt des Komponisten konzipiert hat – „eines, das von einem Schleier der Bescheidenheit oder Provokation verhüllt ist und zwischen antiker und orientalischer Inspiration, mystischen Phasen, Humor und Kabarett liegt“. Die Miniatur Bonjour Biqui und das Motiv aus den Vexations enthalten seltene Anspielungen auf Valadon und wirken wie Kommas zwischen diesen Kapiteln, ebenso wie Désespoir agréable, dessen Titel allein bereits Saties Leben und Werk zusammenzufassen scheint. Diese Hommage erscheint zum hundertsten Todestag Saties; neben den berühmten Gymnopédies und Gnossiennes enthält das Album auch seltene und nur selten eingespielte Entdeckungen, die von der Vielfalt des Werks zeugen, das der eigenwillige Satie geschaffen hat.

Guillaume Coppola,Klavier

Guillaume Coppola
In 2009, Alain Lompech wrote in Diapason of ‘a young pianist who imposes an artist's presence and a first-rate sound [...] He sings like a perfect bel cantiste, with a sound, a sense of colour and line, and poetic flashes that are already more than just promise’. After seven original and unanimously acclaimed discs, Guillaume has now ‘confirmed the fine place he occupies within his generation’ (Diapason). And in 2021, Pierre Gervasoni wrote in Le Monde: ‘One thinks of the great Arturo Benedetti Michelangeli and keeps silent, following the watchword of listening’.

Liszt Un portrait (2009), Granados Danzas españolas (2012), Poulenc Miroirs brûlants (2013, with baritone Marc Mauillon), Schubert Valses nobles et sentimentales (2014), Musiques du silence (2019), and two four-hand albums with Hervé Billaut, Wiener Rhapsodie (2016) and Rêves d'Espagne (2021): his eclectic and eloquent discography has received rave reviews from the international press, which awards him the highest prizes with each release: Diapason d'or, ffff Télérama, Sélection Le Monde, Académie Charles Cros, 5 stars BBC Music Magazine, ‘Maestro’ in Pianiste, 5 stars Classica, 4 stars in Pianist...

To date, he has performed in some twenty countries, on prestigious European stages such as the Concertgebouw in Amsterdam, the Rudolfinum in Prague, the Philharmonie in Liège, the Philharmonie in Bratislava, the Liepaja International Piano Stars Festival, as well as in Asia and South America. And of course in France: Salle Pleyel, Salle Gaveau, Musée d'Orsay, La Roque d'Anthéron, Folle Journée de Nantes, Piano aux Jacobins, Festival Chopin à Paris, Solistes aux Serres d'Auteuil, Festival Radio France et Montpellier, Lille Piano(s) Festival, Festival de Nohant, Auditoriums of Lyon, Dijon, Bordeaux, Lisztomanias...

He has performed with orchestras such as the Orchestre National de Montpellier, the ‘Victor Hugo’ Franche-Comté, the Saint-Etienne Symphony Orchestra, the Toulon Opera and the Massy Opera, and has worked with conductors including Enrique Mazzola, Arie van Beek, Laurent Campellone, Maxime Tortelier and Dominique Rouits. Forming a highly acclaimed piano duo with Hervé Billaut, he also shares the stage with cellist Raphaël Perraud, violists Arnaud Thorette and Lise Berthaud, violinists Régis Pasquier and Patrice Fontanarosa, and the Voce, Parisii, Debussy and Alfama quartets. A guest vocal recitalist with the baritone Marc Mauillon, he also performs with the Latvian National Choir, Spirito - Nicole Corti, and the Chœur de l'Opéra de Bordeaux.

A graduate of the Conservatoires du 12e arrondissement and du Centre de Paris, Guillaume is a generous musician who doesn't hesitate to play for disadvantaged audiences in prisons, hospitals and retirement homes. He has taken part in productions combining narrative and music with Marie-Christine Barrault, Didier Sandre, François Castang and Marie-Sophie Ferdane. Working with composers, he has premiered pieces by Marc Monnet, Gao Ping, Steven Stucky, Sylvain Griotto, as well as Florentine Mulsant and Isabel Pires, each of whom dedicated a work to him.

Marked at the age of 14 by a decisive encounter with France Clidat, who subsequently accompanied him for several years alongside his studies at the Besançon Conservatoire, he continued his training at the Conservatoire National Supérieur de Musique de Paris in Bruno Rigutto's class. After winning First Prizes in piano and chamber music, he went on to perfect his skills in numerous masterclasses in France and abroad: Pennetier, Bashkirov, Fleisher, etc. His debut was marked by invaluable support from France Musique's Génération Jeunes Interprètes programme, the Lion's Club, the Cziffra and Bourgeois Foundations, and internationally by the French Institute's Prix Déclic and the New Masters on Tour.

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