Early One Morning (Remastered) Al Hibbler & The Roland Hanna Trio

• 1 Believe it Beloved (2025 Remastered) 02:35
• 2 Dedicated to You (2025 Remastered) 03:04
• 3 Blues for the Weepers (2025 Remastered) 02:55
• 4 I'm Just a Lucky So and So (2025 Remastered) 04:21
• 5 Early One Morning (Prison Bound Blues) (2025 Remastered) 04:25
• 6 Lover, Come Back to Me (2025 Remastered) 02:46
• 7 You'd Be So Nice to Come Home To (2025 Remastered) 02:50
• 8 The Very Thought of You (2025 Remastered) 03:43
• 9 It Shouldn't Happen to a Dream (2025 Remastered) 04:48
• 10 I'm Gonna Sit Right Down and Write Myself a Letter (2025 Remastered) 02:19
• 11 I Can't Put My Arms Around a Memory (2025 Remastered) 02:49
• Total Runtime 36:35

Info zu Early One Morning (Remastered)

Al Hibbler, a jazz vocalist who captivated generations of music lovers with his unique vocal style. He was the first black singer to have a radio program in Little Rock, Arkansas in the 1930s.

Very popular in the 1940s and 1950s, Al Hibbler worked in pop music, in early R&B and on the fringes of jazz. His commanding voice was heard briefly with Jay McShann’s band, with which he had his first record date, and then during a notable spell with Duke Ellington’s orchestra beginning in 1943 and continuing through the rest of the decade, although the singer also performed as a solo artist.

Al Hibbler, baritone vocals
Roland Hanna, piano
Bob West, bass (tracks 1, 4, 5, 6 8, 9, 10, 11)
Richard Davis, bass (tracks 2, 3, 7)
Ed Locke, drums (tracks 2, 3, 7)
Nick Ceroli, drums (tracks 1, 4, 5, 6, 7, 9, 10, 11)

Digitally remastered

Albert George "Al" Hibbler
(August 16, 1915 – April 24, 2001) was an American baritone vocalist, who sang with Duke Ellington's orchestra before having several pop hits as a solo artist. Some of Hibbler's singing is classified as rhythm and blues, but he is best seen as a bridge between R&B and traditional pop music. According to one authority, "Hibbler cannot be regarded as a jazz singer but as an exceptionally good interpreter of twentieth-century popular songs who happened to work with some of the best jazz musicians of the time."

Hibbler was born in Tyro, Mississippi, United States, and was blind from birth. Some sources give his birth name as Andrew George Hibbler. At the age of 12 he moved to Little Rock, Arkansas, where he attended Arkansas School for the Blind, joining the school choir. Later he began working as a blues singer in local bands, failing his first audition for Duke Ellington in 1935. However, after winning an amateur talent contest in Memphis, Tennessee, he was given his start with Dub Jenkins and his Playmates; Jenkins was a popular Memphis saxophonist and bandleader. He later joined a band led by Jay McShann in 1942, and the following year joined Ellington's orchestra, replacing Herb Jeffries.

He stayed with Ellington for almost eight years, and featured on a range of Ellington standards, including "Do Nothin' Til You Hear From Me", the words for which were written specifically for him and which reached # 6 on the Billboard pop chart (and # 1 for eight weeks on the "Harlem Hit Parade") in 1944, "I Ain't Got Nothin' But the Blues," and "I'm Just a Lucky So-and-So". Although Hibbler's style was described as "mannered", "over-stated", and "full of idiosyncrasies" and "bizarre vocal pyrotechnics", he was also considered "undoubtedly the best" of Ellington's male vocalists. While with Ellington, Hibbler won the Esquire New Star Award in 1947 and the Down Beat award for Best Band Vocalist in 1949.

Hibbler left Ellington's band in 1951 after a dispute over his wages. He then recorded with various bands including those of Johnny Hodges and Count Basie, and for various labels including Mercury and Norgran, a subsidiary of Verve Records, for whom he released an LP, Al Hibbler Favorites, in 1953. In 1954 he released a more successful album, Al Hibbler Sings Duke Ellington, and in 1955, he started recording with Decca Records, with immediate success. His biggest hit was "Unchained Melody", which reached # 3 on the US pop chart, sold over one million copies, and was awarded a gold disc. Hibbler's version also reached # 2 in the United Kingdom, becoming his only British chart success. Its success led to network appearances, including a live jazz club remote on NBC's Monitor. Other hits were "He" (1955), "11th Hour Melody" and "Never Turn Back" (both in 1956). "After the Lights Go Down Low" (also in 1956) was his last top ten hit.

In the late 1950s and 1960s, Hibbler became a civil rights activist, marching with protestors and getting arrested in 1959 in New Jersey and in 1963 in Alabama. The notoriety of this activism discouraged major record labels from carrying his work, but Frank Sinatra supported him and signed him to a contract with his label, Reprise Records. However, Hibbler made very few recordings after that, occasionally doing live appearances through the 1990s. In 1971, Hibbler sang two songs at Louis Armstrong's funeral. In 1972 he made an album, A Meeting of the Times, with another fiercely independent blind musician, the multi-instrumentalist Rahsaan Roland Kirk.

He died at Holy Cross Hospital in Chicago in 2001, at the age of 85. He is buried at Lincoln Cemetery in Blue Island, Illinois.

Dieses Album enthält kein Booklet