Rarities Goo Goo Dolls

Album Info

Album Veröffentlichung:
2021

HRA-Veröffentlichung:
24.06.2021

Label: Warner Records

Genre: Rock

Subgenre: Adult Alternative

Interpret: Goo Goo Dolls

Das Album enthält Albumcover

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  • 1Hit or Miss02:43
  • 2Nothing Can Change You03:12
  • 3Long Way Down (Chris Lord-Alge Remix)03:29
  • 4Name (Live Acoustic)03:53
  • 5Don't Change (Live)03:47
  • 6Girl Right Next To Me (Live Acoustic)03:33
  • 7Another Second Time Around (Live Acoustic)02:53
  • 8Iris (Acoustic)03:25
  • 9Slide (Acoustic)03:15
  • 10Naked (Remix)04:07
  • 11Black Balloon (Live)03:42
  • 12Naked (Live)03:55
  • 13Black Balloon (Live from Sessions@AOL)04:01
  • 14Broadway (Live from Sessions@AOL)03:51
  • 15We'll Be Here (When You're Gone) (Acoustic)03:18
  • 16Better Days (Acoustic)03:31
  • 17Let Love In (Live)04:45
  • 18Listen (Live)03:06
  • 19Feel the Silence (Live)03:51
  • 20Take Me Out To The Ball Game00:56
  • Total Runtime01:09:13

Info zu Rarities

Die Goo Goo Dolls präsentieren das perfekt zusammengestellte 'Best of'-Werk "Rarities". Fans der Formation sollten sich diesen Longplayer nicht entgehen lassen

Seit 1987 haben The Goo Goo Dolls eine Reihe von Studioalben veröffentlicht, darunter ihr über 7 Millionen Mal verkauftes Album Dizzy Up The Girl (1998). Nach 13 Studiolaben veröffentlichen die Goo Goo Dolls eine karriereübergreifende "Rarities" Album, die aus unveröffentlichten Perlen, Live Versionen, Remixen und mehr besteht. Die neue Kollektion der 1985 gegründeten New Yorker Rockgruppe enthält 20 Songs, die zwischen 1995 und 2007 veröffentlicht wurden. Das am 25. Juni erscheinende Album enthält unter anderem Live-Versionen von 'Let Love In' und 'Listen', aufgenommen in den legendären Capitol Studios in Hollywood, sowie akustische Aufnahmen von 'Iris', 'Slide' und 'Name'.

he Goo Goo Dolls




The Goo Goo Dolls
After more than two decades as a band, with nine albums, a catalog of songs that have become ingrained in the pop consciousness and countless concerts for millions of fans, the Goo Goo Dolls are feeling particularly good about their new album: Magnetic.

More to the point, the Goo Goo Dolls are feeling particularly good. Period. “This album was really upbeat and fun,” says John Rzeznik, the trio’s primary singer, songwriter and guitarist since it was founded in Buffalo in 1986. “I don’t think we’ve made a record like this in a while. Just had a great time doing it.” It’s a great time overall for the musicians. Bassist Robby Takac, whose partnership with Rzeznik has been the band’s foundation since the start, and his wife have just had their first child. And Rzeznik is getting married this summer. Not to mention that recently three of the band’s songs placed in Billboard’s Top 100 of 1992-2012, with “Iris” standing at No. 1. That song has also connected with a new generation, as Dolls fan Taylor Swift has been performing it in her concerts.

That joy is all there in the spirit of the 11 new songs on the album, for which Rzeznik, Takac and drummer Mike Malinin — the lineup steady since 1995 — recorded in New York, London and Los Angeles with Gregg Wattenberg (Train), Rob Cavallo (Green Day), John Shanks (Bon Jovi) and Greg Wells (Katy Perry). From the celebratory single “Rebel Beat” to the love-rediscovery ballad “Slow It Down,” from the blue-collar anthem “Keep the Car Running” to the meltingly romantic “Come to Me,” Magnetic is an album bursting with a spirit of renewal. And nowhere is it more explicit than in one of two Takac-penned songs: “Happiest of Days.”

“All the writing is an extension of ourselves,” Rzeznik says. “My life’s amazing. When I sit and think about my life, it really has been incredible.” No argument from Takac.

“It’s pretty amazing to me,” he says. “All these years now we’ve been playing in this band together and we still somehow manage to grow. That allows us to keep making it happen. We never denied what the situation was at the moment. Right now we’re here and living this moment, and some cool things are happening in our lives.”

It’s a contrast from the poetically introspective tone of 2010’s Something For the Rest of Us, which reflected some personal turmoil.

“This album feels like this is where we came out the other side and are in the daylight again,” he says. “Got a little dark on the last record. But that was something I needed to do, where I was at. This is where I am now. Yeah, you know — I got myself up, brushed myself off and looked around, and things were fine. Why not celebrate?”

Even a dark-sounding title, such as “When The World Breaks Your Heart,” reveals a world of happiness.

“That’s a song about friendship,” he says. “Real friendship. About when you find out who the people are who really care about you and love you, like on moving day, or times of need.”

With that in mind, the making of the album represented a break from past methods too. Rzeznik first worked with those collaborators on writing and pre-production of the songs.

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